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Vanessa T. Correa

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vivziepop animations style, webcomic, white background, 1967 impala, black car, elegant car, gothic car, hazbin hotel series, masterpiece, best quality, high detail, perfect details, hyperdetailed, illustration
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Original Prompt
A vivziepop animations, Webcomic, White background,a velhice Focus Impala 67 Black color long car design elegant And gothic car, design hazbin hotel, perfect details best quality high detail masterpice
Size
1280 x 720
Sampling Steps
16
Sampling Method
Euler a
CFG Scale
11
Negative
score_1, score_2, score_3, blurry, worst quality, low quality, jpeg artifacts, signature, watermark, username, error, deformed hands, bad anatomy, extra limbs, poorly drawn hands, poorly drawn face, mutation, deformed, extra eyes, extra arms, extra legs, malformed limbs, fused fingers, too many fingers, long neck, cross-eyed, bad proportions, missing arms, missing legs, extra digit, fewer digits, cropped, normal quality

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AI artwork
vt
copyright: hazbin_hotel 1967 impala, black car, 4-door sedan, gothic style, elegant, white background, screenshot, high contrast, sharp linework, thin tapered edges, stylized car, wide shot, three-quarter view A wide three-quarter view of a 1967 Impala sedan, rendered as a stylized vehicle within the aesthetic of the series. The car is a deep, glossy obsidian black with a high-shine finish that reflects the void. Its silhouette is elegantly exaggerated with sharp, gothic flourishes: the chrome trim is replaced by polished dark silver with ornate, filigreed engravings, and the grill is narrow and menacing. The car is a four-door model, with long, sleek lines and a lowered suspension that gives it a predatory stance. It is positioned centrally against a seamless, stark white void, casting a single, hard-edged dark shadow directly beneath its chassis. The lighting is dramatic and theatrical, hitting the sharp creases of the black paint with bright, clean specular highlights that emphasize its polished curves. Effortlessly stylish.
Vanessa T. Correa
AI artwork
vt
no humans, multiple views, vehicle focus, turnaround, model sheet, concept art, custom car, hybrid vehicle, 1967 chevrolet impala, 1959 cadillac eldorado, black car, tailfins, bullet taillights, chrome trim, front view, back view, side view, simple background, white background A multi-angle automotive concept turnaround sheet arranged across an entirely seamless, unadorned solid pure white background, depicting three distinct views of a single custom classic hybrid vehicle without any drivers, passengers, or pedestrians present. The main rendering in the upper left presents a front three-quarter view, establishing the muscular front fascia of a 1967 Impala with its wide horizontal blacked-out grille, recessed quad circular headlights, long sculpted hood with a central spine, and a low, raked windshield bordered in thin silver trim. The second rendering in the upper right presents a rear three-quarter view, focusing entirely on the transplanted 1959 Eldorado rear section with soaring, razor-sharp tailfins sweeping up from the rear fenders, dual ruby-red bullet taillight lenses set in conical chrome housings, and an ornate, heavy chrome bumper wrapping around the lower valence. Below them, a third rendering shows a clean, horizontal side elevation view, charting the continuous body line where the low-slung, coke-bottle waist of the front section transitions seamlessly into the elongated rear deck and rising fin profile. The car is coated in a mirror-sheen obsidian black paint, defined by sharp, energetic contour linework and stylized, angular geometric specular highlights running along the fender creases. Highly polished chrome gleams on the bumpers, side trim spears, side mirrors, and deep-dish steel wheels shod in thin whitewall tires. Dark tinted glass reveals a completely empty, dark two-door cabin interior. Each view is grounded by a tight, hard-edged dark grey elliptical cast shadow resting directly under the contact patches of the tires, anchoring the vehicle's heavy steel weight to the clean ground plane. Sleek, menacing.
Vanessa T. Correa

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