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AI artwork featuring #Hooters for keywords cardboardboxgoon, simple background, small medium breasts, lying on back, hooters outfit, shoes,
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Hooters

#Hooters
Avatar image of Japanese Fur

Japanese Fur

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cardboardboxgoon, simple background, small medium breasts, lying on back, hooters outfit, shoes,
Show Parameters
Quality Tag
﹝Prompts﹞, masterpiece, best quality
Size
768 x 1280
Sampling Steps
28
Sampling Method
Euler a
CFG Scale
7
Negative
worst quality, low quality, normal quality, bad hands, bad feet, bad anatomy, bad proportions, cropped, missing fingers, jpeg artifacts, signature, watermark, username, artist name,

Model & LoRA used

NoobAI-XL (NAI-XL) - AI Model cover image

SDXL

NoobAI-XL (NAI-XL)
9.03k
CardboardBoxGoon (SDXL Version) - AI Model cover image

User LoRA

CardboardBoxGoon (SDXL Version)
3

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AI artwork
ｍ✚
Appearance like mochi, A highly refined, visually distinctive bishoujo anime/manga illustration with the perceptual richness of fine-art imagery, built around intelligent visual compression, unusual linework, abundant color information and exceptionally clear character readability. A cute, beautiful young woman is compressed into an extremely narrow visual space while naturally trying to escape from it. There is no literal box, cage, room, wall, floor or container. The feeling of confinement is created entirely through extreme framing, overlapping forms, opposing body vectors, dense graphic structures and limited visual breathing room. Her body forms a dynamic chain of opposing forces. The torso twists naturally, the spine follows an elegant S-curve, one leg folds tightly inward while the other drives diagonally outward. Both feet remain clearly visible and anatomically connected. The extended foot is a major visual anchor, almost as important as the face. One arm is compressed toward the body while the opposite arm reaches outward through the narrow visual space. The pose should feel constrained but playful, as though a compressed spring is beginning to unfold. Despite the physical tension, the character looks unexpectedly cheerful, cute and slightly amused, with a natural sense of playfulness and freedom. Her expression should make the entire scene feel enjoyable rather than stressful. She seems to be having fun with the strange compressed situation. Cute confidence, slight bashfulness and effortless charm. She wears a cute, refined black bikini with a simple but charming design. The bikini should remain visually minimal so the anatomy, waist, hips, torso and leg structure are immediately readable. Add only subtle cute details such as tiny bows, delicate curved edges, small decorative shapes or softly rounded design elements. Keep it elegant and tasteful rather than ornate. Over the bikini is a slightly small apron-like garment. The apron must clearly read as an actual small apron rather than a tiny decorative front panel. It begins naturally around the waist and extends downward over the front of the hips and upper thighs, with enough width to create a recognizable apron silhouette while remaining noticeably smaller and lighter than a full skirt. The sides remain open enough to preserve the body's silhouette and the black bikini. The apron has a cute, slightly playful shape, soft folds and a clean compact construction. It should feel like a deliberately small apron worn over the bikini, not a skirt, dress or oversized costume. Her hair is extremely long, asymmetrical deep chestnut brown, swept strongly toward one side. Keep it within one unified color family with subtle reddish-brown, copper-brown, plum-brown and violet-brown modulation. No strong two-tone division. The hair participates in the escape motion, flowing beyond the compressed space. Use broad elegant masses with selective internal linework rather than countless individual strands. CORE VISUAL LANGUAGE: The image is high-resolution and information-rich, but visually compressed. Abundant pixels, colors, tonal values and line information are concentrated into the perceptually important regions: face, eyes, hair silhouette, torso, waist, hips, hands, legs and feet. Secondary regions use larger coherent masses and fewer redundant details. Large color planes remain simple and readable while containing sophisticated internal modulation. The image should feel dense without feeling noisy. Precision comes from exact color relationships, tonal hierarchy, anatomy, silhouette, line placement and compositional balance rather than excessive micro-detail. SURFACE + LINE PRINCIPLE: The colors and lines should feel gently embedded into the depicted forms, as though the visual information has settled naturally into a soft, warm, dense surface. Use softly fused color planes, gently embedded coloration, compressed tonal volume, warm integrated surface coloration, smooth pigment-to-form transitions and clean but softly settled edges. The linework follows the same principle. Lines should not look like hard digital ink sitting on top of the image. They should feel partially absorbed into the color surface while remaining exceptionally readable. Some lines are crisp at important anatomical landmarks, while others soften slightly into adjacent color planes. The result is a distinctive line-and-color relationship in which the drawing appears to exist inside the surface rather than being mechanically overlaid on it. Create UNIQUE LINEWORK: The line is neither conventional clean anime lineart nor rough sketching. It has a soft, tactile, slightly pressed quality with controlled variation in thickness, density and visual pressure. Lines can subtly widen, narrow, flatten, disappear into a color plane, then re-emerge where structural information becomes important. Use selective line density instead of uniform outlines. Important contours around the face, eyes, hands, waist, knees, ankles and feet receive highly intentional lines. Secondary contours may partially dissolve into adjacent color masses. Some contours are represented by a narrow tonal boundary instead of an explicit line. Lines should feel as if they have been gently impressed into the color rather than drawn aggressively over it. Their edges may have an extremely subtle softness while retaining structural precision. Avoid messy sketchiness. Avoid fuzzy outlines. Avoid generic cel-animation lineart. The most distinctive lines should appear where form changes direction: the cheek, jaw, hair turns, shoulder, waist, hip, knee, ankle and foot. These lines should communicate volume through their curvature and pressure rather than through conventional cross-hatching. Use occasional short, elegant graphic marks that echo the movement of the body and hair. These marks should feel organically integrated into the composition rather than decorative symbols. SKIN: Smooth, plump and beautiful with substantial dimensionality despite the flattened rendering language. Use rich internal tonal variation: warm skin tones, dusty rose, soft raspberry, lavender, lilac, peach, warm pink-violet and muted periwinkle in the shadows. Highlights are localized and controlled. The lips have softly plump three-dimensional form with restrained localized gloss communicated mainly through curved color relationships. APPARENT LUMINOSITY: Create visual brightness through carefully organized color relationships rather than literal emission. Dark colors can appear visually lifted by surrounding values. Use strong but controlled warm/cool relationships, local value hierarchy and concentrated high-value areas. Maintain many perceptually distinct tonal levels throughout the image without turning the image into a smooth-gradient painting. ABSTRACT BACKGROUND: No recognizable environment. No walls, floor, room, poster, screen or literal container. The background is an abstract field of sophisticated compressed color planes and integrated graphic structures. It shares the same surface and line logic as the character. Integrate an artistic FX trading-chart vocabulary: thin candlestick-like structures, rising and falling price paths, zigzag movements, support/resistance lines, small volume-bar rhythms, horizontal levels and trend curves. These are not a trading interface. No numbers, labels, logos, menus or platform UI. The chart structures behave like an invisible force field: pressure → resistance → momentum → breakout. They become denser around compressed body regions and stretch toward the escaping hand, foot and hair. Rising paths may echo the extended leg. Resistance structures can align with the compressed torso. Breakout-like lines may emerge exactly where the silhouette begins to escape. The FX graphics and character linework should feel like parts of the same visual language, not separate layers. COMPOSITION: The character nearly fills the canvas. Minimize unused space. The framing itself creates the sensation of compression. Hair, hands, feet and graphic structures may push toward or slightly beyond the expected spatial boundary without appearing accidentally cropped. Primary perceptual flow: FACE → TORSO → WAIST → HIPS → EXTENDED LEG → FOOT Secondary flow: HAIR → SHOULDER → ARM → OUTER EDGE The face and feet are the two strongest recognition anchors. The final image should feel strangely cheerful, cute, soft, dense, tactile and sophisticated at the same time. Its uniqueness should come from the unusual relationship between embedded color, partially absorbed linework, compressed information, playful body mechanics and elegant FX-chart visual forces. It should feel like a new drawing language rather than a conventional anime rendering style.
Ｍｒ．✚ナタ 'ﾉ
#Melonbooks

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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