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AI art "Line" featuring #Minimalistic Composition
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Line

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Minimalistic Composition
Avatar image of DurianAI

DurianAI

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kezimestyleil, SpichoStyle, takorin (artist), pixel art, ianairud, NSFW, explicit, tenchisouha, namespace, noodlenood, nezunezu, boingoo, jeffr, 1girl, solo, female, chubby, curvy, gigantic chest, gigantic ass, wide hips, thick thighs, thick arms, floating hair, thick eyelashes, long eyelashes, skindentation, two-sided fabric, revealing clothes, sun hat, sundress, floating clothes, virtual youtuber, alternate costume, adapted costume, cosplay, hair flip, lineart, hatching (texture), wide shot, very wide shot, absurdly wide shot, white background, empty background,
Show Parameters
Size
572 x 1024
Sampling Steps
23
Sampling Method
Euler a
CFG Scale
4
Negative
lowres, bad anatomy, worst quality, artistic error, SFW, crowd, people, bangboo, text, name, logo, username, signature, watermark, web address,

Model & LoRA used

illust_vxp - AI Model cover image

SDXL

illust_vxp
3
[KEZIME] Artist Style Illustrious - AI Model cover image

User LoRA

[KEZIME] Artist Style Illustrious
93
namako style art - AI Model cover image

User LoRA

namako style art
47
Moo-Spicho Styl - AI Model cover image

User LoRA

Moo-Spicho Styl
29

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AI artwork
Avatar image of ใ‚‚ใ‚ใ“ใ—
character: mihono_bourbon_(umamusume) 1girl, solo, mihono_bourbon_(umamusume), white line art only, solid jet-black background, no fills, thin crisp loosely hand-drawn white outlines, monochrome, high-contrast black and white illustration, retro Japanese minimalism, PS1 1999 aesthetic, hand-drawn vector line art, sketch-quality white outlines on pure black, diamond-shaped hair accents, softly polygonal face, long unbroken stroke ribbon, long unbroken stroke dress, mid-step, walking, one hand raised, head tilted up, playful confident expression, long_hair, brown_hair, ahoge, hairband, hair_between_eyes, blue_eyes, animal_ears, horse_ears, tail, horse_tail, floating geometric shapes, zigzag line, empty rectangle, star sparkles, motion, dynamic pose, from side, dutch angle, full body, Seen from a low dutch-angled side view, tilted so the figure leans into the frame's diagonal, a single girl strides through an absolute black void drawn with nothing but thin, crisp, loosely hand-drawn white contour strokes. Every region inside an outline stays pure jet black; there is no fill, no hatching, no shading, no gradient, no grey โ€” only white line on black, flat and total. Her silhouette is gently geometric: the face is softly polygonal with a clean jaw plane and a deliberate angle at the cheek, brows and lashes a few confident strokes, both blue eyes only as outlined almond shapes with black interiors; her head tilts slightly upward so the chin lifts and the jaw line opens toward the upper edge. Long hair sweeps back in a handful of long unbroken strokes, and along its outer edge sit three or four small diamond-shaped accents drawn as closed rhombi, tips sharp against the dark; one narrow hairband stroke crosses the crown, a single ahoge curls up from the top of her head, and a pair of pointed horse ears rises above the hair. Her body is caught mid-step: the front leg is planted and bearing the weight, the back leg trails with the toe just leaving the ground, knee soft; the skirt and the long ribbon at her back flare backward as long interrupted-free strokes, each one continuous from origin to tip, so that the flare alone records the direction of travel. Her raised hand is up near shoulder height, fingers open and relaxed โ€” the wrist bent, palm turned slightly inward โ€” while the other arm hangs loose behind the hip. A thin flowing tail line curls out behind her calf in a single clean arc. Drifting around her in the void, drawn in the same thin white line, float a few plain geometric obstacles: a flat rectangular step shape at the lower left, its long edges exactly horizontal; a zigzag line snapping left-right-left in the upper right; an empty rectangle tilting slightly off-axis at mid height to her right, corners meeting cleanly. Scattered between them, five or six small four-pointed white star sparkles, each a single-stroke cross with tapered tips, brightest and largest near her raised hand and thinning to specks toward the edges. The composition is open and airy โ€” the figure occupies the left two-thirds, obstacles and sparkles carry the right and the corners, negative black space wide around everything. High contrast everywhere, no soft edges, no bloom, no vignette, no grain: the strokes look like raw light-pen lines pulled fast across darkness, some slightly wobbling with hand-drawn pressure, all of them white, none of them filled. Minimal, monochrome, playful motion frozen in one frame.
ใ‚‚ใ‚ใ“ใ—

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์Œ๋ญ์ง€ ์•ˆ๋˜์„œ ๋‹ค์‹œ ๋ถ€๊ณ„๋งŒ๋“ฌ
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