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- Original Prompt
- 傑作、最高品質、score_7, score_8, score_9, この画像はアニメーション画像です。 この画像では少女と風景を描写しています。 俯瞰、少女と少女の身長以上の大剣の対比、風景画、ゲームのタイトル画面、巨大な大剣が画面を占有、 身の丈以上の巨大な大剣、無骨な漆黒の大剣、赤と黒の基調の大剣、抜き身の大剣、ベルセルク、竜殺し、 右手で掴んだりんごを無造作に食べる、かじられた赤いリンゴ、左手で大剣の柄を握る、大剣を左肩に担いでいる、 100m以上高い塔の頂上に座っている、空に足を投げ出している、こちらを見ている、 屋外、フォーカスが当たっていない背景、ファンタジー、ピントが合っていない背景、 ファンタジーのヨーロッパ、青空、広大な風景、壮大なファンタジーの世界、町並みを見下ろせる、 lens flare:2.0, ゴツゴツしたタイルで構成された建物、建物の下には町並みが広がっている、空に浮かんだ島、目立たない鳥たち、 色収差、リムライト、シネマティックライティング、ドラマチックライティング、表面下散乱、艶やかな肌、 ワイドアングル、望遠、俯瞰、被写界深度、シャープフォーカス、ドラマチックなボリュームライト、神々しい印象、 一人の少女、 艶のある髪、艶のある肌、黒髪、ぱっつん前髪、スーパーロングヘア、髪が肩に乗っている、ストレートヘア、マルチカラーヘア、赤い色のインテーク、アホ毛、大きい目、かわいい、ジト目、目の下に大きな隈、 ファンタジーの冒険者の衣装、銀色の胸当て、ブラウンのコルセット、装備の下に着ている金の刺繍が入った赤いドレス、ドレスの裾がズタズタ、膝丈まであるドレス、フード付きのシュラグ、黒いブーツ、ズタズタの袖、黒と赤を貴重にした服装、
- Size
- 720 x 1280
- Sampling Steps
- 15
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- (最低品質:1.2), (低品質:1.2), (標準品質:1.1),低品質, 初期, 古い, score_1, score_2, score_3, カートゥーン, グラフィック, 絵画, クレヨン, 黒鉛, 抽象画, グリッチ, 変形, 突然変異, 醜い, 容姿の崩れ, 長すぎる胴体, 不自然な解剖学的構造, 不自然な手, 指の欠損, 指の過剰, 指の数が多い/少ない, トリミング済み, 非常に不快, JPEGノイズ, 低解像度, 悪いプロポーション, 悪い構図, 悪い遠近法, 悪い顔, 余分な目, 余分な顔, 余分な腕, 余分な脚, 余分な四肢, 余分な手, 余分な指, 指の欠損, 指の癒着, 複製, キャラクターの重複, ピント外れ, フレームアウト, アーティスト名, 署名, 透かし, ユーザー名,
Model & LoRA used
![[anima-base] hibimaru-styles - AI Model cover image](https://images-ng.pixai.art/images/thumb/53cea262-cd1a-402f-ac3c-c8bab4a5ad19)
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((4k, 8k, Ultra HD)), ((masterpiece)), ((best quality)), ((detailed)), ((detailed background)), detailed eyes, beautiful eyes, beautiful face, beautiful hair, shiny skin, blush, impossible body, voluptuous, huge chest, slim, kanairo style, cute, kawaii, cute, slender_face_style, sharp_eyeline_style, black hair tied back, cute, beautiful girl, black eyes, holding a sword, fantasy, adventurer's clothing, background is a fantasy town.
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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