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boy
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- Original Prompt
- 1man, solo, 8k illustration, masterpiece, full body, portrait, 上半身、 1boy, solo, light skin, 17 years old, sexy, light blue eyes, black eyelashes, well-formed face, muscular, ear piercings, minimal shading, aesthetic, cool, retro, sketch style, ikemen, bishounen, handsome, simple background, yandere, 1man, solo, portrait, 8k illustration, masterpiece, depth of field, Clear background, upper body illustration, long bangs, eyes hidden, black eyes, light skin, masculine, sexiness, glossy skin, big buttocks, 和風の水母、クラゲ擬人化の幻想的な着物衣装。深海をイメージした濃紺・群青・水色・淡紫・銀白・透明の配色。着物そのものをクラゲ化したデザイン。黒髪、短髪、ガラス玉と小さな鈴の髪飾り。深く開いた着物風の襟、銀色のチェーンと細い紐の胸元装飾。非常に長く半透明な袖、波打つフリル、透明なリボンと水滴型ビーズを触手のように垂らす。大きな濃紺の帯結び、中央に巨大な透明ガラス玉、銀細工と鈴の装飾。着物を変形させたロングスカート、前面に大きなスリット、前が短く、後ろが長いスカート、濃紺から群青、水色、淡紫へのグラデーション。裾から無数の細長い半透明シフォンとリボンが触手のように流れる。背面には大きな帯結びと長い透明な布。ヘソの形。銀色の和風サンダル。透明感、浮遊感、深海の光、水滴、ガラス、揺らめく布、幻想的で神秘的な水母姫。クラゲ型の傘。海辺の背景。岩場に座る、上からの視点。暗い水面。 透明感、浮遊感、揺らめき、深海の光、泡、水滴、ガラス、鈴の音を視覚的に表現する。 オーガンジー、シフォン、サテンなど、光を透過・反射する繊細な素材を多用。 伝統的な和装の美しさと、海洋生物としてのクラゲの異質さを融合した、水母・海の妖精・深海のエロスのような幻想的なデザイン。 露出の多い服。男性的な筋肉のある体。 Men, men's clothing, luxury, accessories,ma1ma1helmes_b_illu,sketch,clean linework; detailed lighting; soft; stunning; detailed; detailed eyes; colored lineart; detailed art; detailed background,ma1ma1helmes_b_illu,sketch,clean linework; detailed lighting; soft; stunning; detailed; detailed eyes; colored lineart; detailed art; detailed background
- Size
- 720 x 1280
- Sampling Steps
- 18
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, nsfw
Face Fix
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
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The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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