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【天翠】

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1boy, handsome male adult character, full body standing, looking back over shoulder, short messy dark brown hair with light beige-brown highlights, sharp and handsome features, almond-shaped brown eyes, calm expression, broad shoulders, toned muscular upper body, wearing white shirt partially removed, draped over arms, black and brown two-tone trousers with belt, accurate human anatomy, detailed muscle shading, fine clothing wrinkles, high quality, high resolution, detailed anime illustration, semi-realistic, anime style, digital illustration, painterly, soft shading, clean lineart, detailed eyes, glossy lips, high-gloss hair, smooth rendering, semi-realistic
Show Parameters
Original Prompt
成人男性の美形キャラクター、全身立ち絵、背中を見せながらこちらを振り返るポーズ。短めの無造作なダークブラウンの髪、後頭部から毛先にかけて淡いベージュブラウンのハイライトが入った立体的な髪。端正で精悍な顔立ち、切れ長の茶色い瞳、自然な眉、落ち着いた表情。広い肩幅、引き締まった筋肉質の上半身、自然で正確な人体構造、背中から肩・腕にかけた美しい筋肉の陰影。白いシャツを脱ぎかけ、両腕にシャツを引っ掛けた状態、シャツの自然な布のたるみと細かなシワ。黒とブラウンのツートンカラーの長ズボン、ベルト着用。腰から脚まで自然な体型と正確な骨格を描写。斜め後方からの視点、振り返った横顔が印象的な構図。高画質、高解像度、繊細なアニメイラスト、セミリアル、透明感のある肌、自然な光と陰影、立体感、細密描写。顔・髪・手・指・筋肉・衣服のシワまで丁寧かつ鮮明に描く。人体の歪み、変形、手指の崩れ、余分な指、癒着、不自然な関節を避ける。背景は完全透過、キャラクターのみ。, anime style, digital illustration, painterly, soft shading, clean lineart, detailed eyes, glossy lips, high-gloss hair, smooth rendering, vivid eyes, sketch, messy sketch, creamy rendering, messy render, semi-realistic, birdskin_vintageink, detailed ink linework, vintage print texture, muted retro colors
Size
768 x 1280
Sampling Steps
25
Sampling Method
Euler a
CFG Scale
6
Negative
worst quality, bad quality, very displeasing, displeasing, bad anatomy, artistic error, lowres, bad hands, signature, artist name, multiple views, variations, old, oldest, missing fingers, excess fingers, extra hands, excess hands, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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