📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

れいわのだらさん

#Shrine maiden#blush#Japanese clothes#Outdoors#Very Long Hair#Fangs#long hair#solo#Monster girl#Black hair#Smile#Lamia#Parted bangs#Bell#Bell#Long sleeves#Looking at viewer#Girl#Holding#full body#Extra arms#Biting Own Lip#Closed mouth#Reiwa no Dara-san#Dara-san
More to See

Comments8

(((shrine maiden clothes(cosplay), shrine background,In the forest))), (score_9, score_8_up, score_7_up, Master piece, perfect anatomy, best quality, vibrant colors, sharp focus, depth of field, cinematic lighting, beautiful face, super detailed skin, beautiful detailed eyes, beautiful nose), BREAK, Black hair, very long hair, parted Bangs, thin slanted eyes, slanted eyes, narrow eyes, adult woman, Japanese woman, slit-mouthed woman, very small pupils, snake teeth, snake tongue, six arms, multiple arms, lower half of giant snake, necklace with three bells, (female (lamia)), (lamia:1.2), slit-mouthed woman, mouth split to the ears,
Show Parameters
Size
768 x 1280
Sampling Steps
5
Sampling Method
DPM++ SDE Karras
CFG Scale
3
Negative
(bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5), (((bad hands, bad fingers, bad hand, bad feet, extra fingers, extra digits, extra toes, extra legs, extra limbs, extra arms, missing fingers, missing finger, missing limbs, missing arms, missing legs, fewer digits, split fingers, fused fingers, fused arms, fused hands, fused legs, interlocked fingers, polydactyly, the wrong limb, conjoined, malformed limbs, more limbs, more hands, more legs, more feet, stretched limbs, limb artifacts, duplicate limbs, limb artifacts))),

Model & LoRA used

Similar Images

Show more
AI artwork
小亞
This is a medium shot from a portrait perspective, centered on a lamia woman in a warm, Japanese-style room. The woman has a human upper body and a five-meter-long, glossy white serpent tail with smooth scales on the back and pale skin-toned ventral plates on the belly. She has long, fluffy brown hair, aqua eyes filled with tears of joy, and a tender smile on her flushed cheeks. She wears a white miko kimono top that is tight across her chest, exposing deep cleavage, paired with red hakama cloth gathered at her hips. Her hands are gently clasped over her belly in a gesture of inner warmth. The background is a traditional Japanese interior, bathed in soft yellow light that creates a warm halo. The scene is enhanced with bokeh effects, floating dust particles, and golden sparkles, resulting in an enchanting and whimsical atmosphere with detailed linework and painterly shading.
小亞
AI artwork
小亞
A medium shot, portrait perspective features a lamia woman centered in a warm, Japanese-style setting. The woman has a human upper body and a five-meter-long, glossy white serpent body with smooth white scales on the back and pale skin-toned ventral plates on the belly. She has long, fluffy brown hair and tear-filled aqua eyes, her expression one of deep sorrow. She wears a white miko kimono top that strains over her oversized breasts, exposing deep cleavage, with red hakama cloth gathered at her hips. She is actively wiping away her tears with both hands. The scene is set in a traditional Japanese room, where the environment is filled with soft yellow light. The lighting creates a warm halo effect, complemented by bokeh, floating dust particles, and golden sparkles. The overall atmosphere is enchanting and whimsical, rendered with detailed linework and painterly shading in a high-quality anime illustration style.
小亞

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬