📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

『見るだけじゃ終わらない』

TAKE 26 「終わったね……でも、ここからだね。」 ライブ直後の舞台裏。 先・マキ・美咲の3人が肩を寄せ合い、汗と涙の混じった笑顔で余韻に浸る。 マキはスティックを握ったまま笑い、先はギターを膝に置いてほっと息をつき、美咲は水を飲みながら二人に寄りかかる。 ステージの向こうには、まだ消えきらないシアンの光と観客の余韻。 3人で立った最初の大きなステージが終わった。 でもAqua Palaceの物語は、ここから先へ続いていく。

More to See

Comments

プロンプト Aqua Palaceのライブ直後の舞台裏。 3人の少女ガールズロックバンドが、ステージ袖の床に寄り添って座り、ライブを終えた達成感いっぱいの笑顔で肩を寄せ合っている。 中央に水ノ杜先。薄い緑から薄い水色へのグラデーションのロングヘア、猫耳あり、黒を基調にしたフリル入りのライブ衣装、首に白いタオル、膝の上に青いエレキギター。 左に水ノ杜マキ。黒髪ショート、猫耳あり、金色の瞳、黒いライブ衣装、首に白いタオル、手にドラムスティックを持ち、元気で無邪気な笑顔。 右に田中美咲。猫耳なし、濃い藍色のロングヘアに赤いエクステ、赤い瞳、黒いライブ衣装、首に白いタオル、赤いベースギターを抱え、片手にペットボトルの水を持って笑っている。 3人はとても仲が良く、ライブ後の高揚感と絆が伝わる雰囲気。 背景はライブハウスの舞台袖。機材ケース、ケーブル、照明スタンド、ボトル、水滴のついたタオル、ステージへ続くカーテン越しに、氷晶モチーフの青〜水色〜シアンのステージ照明が見える。 奥には観客席とペンライトの海、ステージ上には**“Aqua Palace”** の発光ロゴ。 左右の機材ケースには英字のメッセージやセットリストの紙が貼られている。 全体はエメラルド寄りではなく、青・水色・シアン中心の氷雪ネオンカラー。 ライティングはライブ直後らしいきらめく逆光と反射光、汗や髪の濡れ感、金属機材のハイライトを丁寧に描写。 構図はややローアングル気味の横長構図で、3人を画面中央に密集させ、親密さと余韻を強調。 高精細、繊細なアニメイラスト、プロアニメーター品質、感情表現豊か、きらめく空気感、青春バンドの余韻、ライブ後の幸福感。 ネガティブプロンプト extra arms, extra fingers, missing fingers, bad hands, bad anatomy, duplicate character, wrong character design, cat ears on Misaki, no cat ears on Saki, no cat ears on Maki, short hair on Misaki, wrong hair color, green overall color cast, low quality, blurry, deformed face, multiple instruments merged, broken guitar, broken bass, broken drumsticks, text乱码, watermark, logo distortion
Show Parameters
Size
512 x 512

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬