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櫻田茜 (城下町のダンデライオン) / sakurada akane (dandelion)
城下町のダンデライオンの櫻田茜のXL用のLoRAも作りました。 扱いに関して注意事項がありますのでLoRAの詳細説明をよく読んで下さい。
Show Parameters
- Size
- 1024 x 1024
- Sampling Steps
- 20
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- worst quality, bad quality, low quality, lowres,
Face Fix
HiRes
Model & LoRA used
Similar Images
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喜多ちゃん
はとっぽ
喜多ちゃん
はとっぽ
違
1girl, red hair, slender, slim figure, japanese school uniform, ribbon at the neck, checked plaid skirt, ultra miniskirt, black thighhighs, full body, from below, standing on one leg, looking at viewer, light smile, blush, outdoors, sunlight
A low-angle full-body shot looking up at a slender high school girl. She is balanced on her left leg, her right foot tilted upward with the toe barely touching the pavement, causing a slight shift in her hips. She leans her upper body slightly toward the lens, her hands clasped behind her back, causing her shoulders to pull back. Her long red hair cascades down her back, with a few stray strands fluttering in a light breeze. She looks directly at the viewer with a soft, closed-lip smile and a faint blush across her cheeks. She wears a dark navy school blazer over a white shirt, cinched at the throat by a neat red ribbon. Her ultra-miniskirt is a red and black checked plaid, the hem riding high on her thighs. The gap between the edge of the skirt and the tops of her black thigh-high socks is clearly visible. Bright, midday sunlight strikes her from the upper right, casting a sharp, short shadow on the grey concrete ground beneath her feet and creating a high-contrast sheen on the fabric of her socks. The background is a blurred, sun-drenched sidewalk with a soft-focus urban haze. Bright and youthful.
違法改造めがね
スクスト 杏橋 天音
SG
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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