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nao10s
Show Parameters
- Original Prompt
- ,Graham Aker, 1boy, male focus, solo, green eyes, blonde hair, short hair, uniform, white shirt, collared shirt, grey necktie, blue jacket, high collar, white pants, white gloves, shoes, black footwear,sup3rmark3t, indoors, shelves, store, food, groceries
- Size
- 768 x 1280
- Sampling Steps
- 28
- Sampling Method
- Euler a
- CFG Scale
- 5
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Model & LoRA used
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ど
copyright: mobile_suit_gundam, gundam, gundam_seed
1boy, solo, young adult, early twenties, full-body, full figure from head to boots, three-quarter view, standing, weight shifted onto one leg, contrapposto, one hand raised, waving, open hand, gentle smile, closed mouth, looking at viewer, warm reddish eyes, large eyes, golden-blond hair, fluffy hair, wavy hair, loose hair strands framing face, white military uniform, military jacket, stand collar, red-trimmed collar, gold-edged collar, black shoulder panels, black undershirt, white slacks, black boots, bright hangar, warm afternoon light, blurred background, depth of field, crisp cel shading, clean lineart, flat cel highlights
A three-quarter view of a young man in his early twenties, seen from knee-height upward at a slight from-below camera so his boots sit close to the lower frame edge and the hangar ceiling recedes above his head, the whole figure from hair to boot soles fitting inside the frame with a hand's width of air at the top and bottom. He stands with his weight settled hard onto his right leg, that hip pushed out and that boot planted flat, while his left leg is relaxed: knee slightly bent, left boot set a half-step forward and turned out at an angle, heel barely weighted. His right arm hangs easy and slack at his side, fingers loosely curled. His left arm is raised to shoulder height, elbow softly bent, forearm angled up and outward, palm open and turned three-quarters toward the viewer, the wave caught mid-swing with the hand tilted a little at the wrist. His shoulders are level but not square — his right shoulder sits back, his left forward, opening his chest toward the camera in the three-quarter turn. His head is tipped slightly toward his raised hand. Fluffy, wavy golden-blond hair falls loosely around his face in soft separated locks, one wave flopping across his forehead and the ends curling just under his ears and brushing the collar behind; a few strands lift at his temple as if from his own motion. His large warm reddish eyes are wide and bright, catching the afternoon light as a small crisp highlight, and he looks directly at the viewer with a gentle, easygoing smile — lips closed, corners lifted just enough to soften his cheeks, no teeth, eyes narrowed slightly by the smile. His chin is tucked a touch, relaxed.
He wears a white military uniform jacket, the fabric a clean matte white with crisp cel-shadowed folds across the chest and at the inside of the elbow; the stand collar is trimmed in red piping and edged in gold, sitting snug around his throat, and the black shoulder panels are sharp, flat-edged blocks at the top of each sleeve. Beneath the open collar the black undershirt shows as a dark neat wedge at his throat and chest. The jacket falls to his hip. Below, matching white uniform slacks with a crisp crease down each leg, breaking once over the tops of black boots that come up over the ankle, their toes scuffed faintly and catching a hard specular highlight along the polish.
The hangar around him is bright and warm: a tall open bay behind his right shoulder, structural girders and a gantry rail receding, a large hangar mouth letting in low late-afternoon sun. The background is softly blurred — girders, cabling and panel seams reduced to soft out-of-focus shapes with only the big silhouettes readable, nothing sharp behind him. Warm afternoon light comes in low from the front-right of frame, striking the right side of his face, his right shoulder panel and the leading plane of his white slacks in a golden tone; the shadowed side of his face and the underside of his raised arm sit in cool reflected grey bounced off the hangar floor. A long soft cast shadow falls from his boots across the polished concrete toward the lower left of the frame. The palette is warm gold light, clean white cloth, black panels and undershirt, red and gold trim, with cool grey-blue only in the shadows and the blurred hangar depths. Dust motes hang visible in the sunbeam where it cuts across the bay, drifting and half-lit, the one thing that makes the still air of the hangar readable. Rendered in an early-2000s Sunrise broadcast-anime look: crisp cel shading with two-tone shadow blocks and hard-edged highlights, clean uniform lineart, the flat glossy eye with a single large catchlight, the simplified Hirai-style facial structure of a high forehead, pointed chin and long clean jaw. Friendly and sunlit.
どうするどうする？
1boy,,orange hair, short hair, blue eyes, white trench coat, long coat,blue edges of clothing, vampire hunter stun, Brown gloves, Brown boots, Small shoulder pads adorned with gold designs, black belt, brown pockets on the belt, bayonet, knife mounted on a rifle, firing at viewer,
Lily altrus
c
Lloyd Bannings Police
chenkienchiang
ど
1boy, male focus, solo, blue eyes, black hair, curtained hair, highres, blue hair, short hair, gloves, vest, belt, boots, open vest, orange vest, open clothes, brown boots, brown vest, pants, bodysuit, brown jacket, jacket, long sleeves, brown belt, shirt, open jacket, knee pads, orange gloves, green gloves, shoes
どうするどうする？
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