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AI art "一日の終わり" featuring #Kemonomimi, #Furry, #Cigarette and #Girl
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一日の終わり

特に何もせず一日が終わった日

#Kemonomimi#Furry#Cigarette#Girl
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A medium shot from a side angle depicts a fox beastgirl with brown fur sitting cross-legged on a stained, dirty futon inside a cluttered apartment room. The girl has long, messy black hair with blue inner color and bedhead, large fox ears—with two silver ring piercings in her right ear—and a large fluffy tail. She has a long muzzle, small breasts, and heterochromatic eyes with the left being light blue and the right gold. She is wearing an oversized white T-shirt that reaches below her knees, her skin glistening with sweat. She holds a lit cigarette in her hand, exhaling a plume of smoke. The room is filled with piles of trash and debris, while in the background, the balcony reveals a twilight scene with a gentle, warm orange glow from the setting sun. The atmosphere is lethargic and gritty, rendered in a high-quality anime illustration style with soft golden hour lighting contrasting the dingy interior.
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大きな耳と大きな尻尾の生えた女の子の狐獣人です, 黒色の長い髪で後ろ髪には青いインナーカラーをしています, 髪の毛は寝癖でボサボサしています, 体には茶色の体毛が生えた獣人です, 手と足も獣人の姿をしています, 顔のマズルの長さは長いです, キャラクターの胸は貧乳です, 目の色は左目が水色で右目が金色のオッドアイです,キャラクターは白いTシャツを着ています, Tシャツはサイズが大きくて膝の下までの長さがあります, 右耳に2個の銀色のリングピアスをしています, 左耳にリングピアスはありません, キャラクターは沢山のゴミで散らかったアパートの一室にいます, アパートの一室で茶色いシミが沢山付いて汚れた布団の上で胡座をかいてタバコを吸っています,ベランダの外には夕陽が優しく差し込む夕暮れ時の光景が広がっています,キャラクターは全身に汗をかいています,
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lite
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1280 x 768

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Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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