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View detailsカンフー世界観メモ37 ~陽龍暖湯大浴室〜
日本人らしく温泉やサウナが大好きな田中のチャイナタウンでの憩いの場。名前からして中華圏の人間にはで「そっち系(ハッテン場)」、あるいは「男性専用の少し怪しげなサウナ」と言わずもがなな施設。しかし純粋な日本男児である田中(実家を支えるためバイトに勤しむ青春だったので年齢=彼女無し、しかも色事に疎い)は気付かずによく通う。妙に触れ合いを求めてくる、市場などで顔見知りのおっちゃん達。大陸の人間は親しくなると距離感が近いと潜入前の研修で学んでいたので、田中は大して気にせずにセクハラされながらも通い続ける。 ************ 深夜のチャイナタウン。雑居ビルの地下へと続く階段には、怪しげなピンクと緑のネオンで『陽龍暖湯大浴室』の文字が浮かんでいた。 「ふぅーっ……やっぱ仕事終わりのサウナは最高だな……」 サウナハットを目深にかぶり、水風呂で整っているのは田中孝太郎――武館での潜入名「燕義」である。 実家への暗号通貨の送金を終え、国維局への定時報告(「本日も異常なし、師匠は相変わらずアホです」)を済ませた彼の癒やしの時間だった。 そこへ、丸々と太った市場の干物売りの陳(チェン)おじさんが、タオル一枚でドスンと水風呂に入ってきた。 「やおー! 燕義くん、今日もイイ体してるねぇ~! むっちりしてて最高だよ~!」 「あっ、陳さんこんばんは。ハハハ、やめてくださいよ、揉むのは.......ぁん゙ッ」 陳おじさんが露骨に田中の太ももや尻をペタペタと触ってくる。普通の日本人なら叫んで警察を呼ぶレベルのセクハラだが、田中は爽やかな笑顔で耐えていた。 (……落ち着け田中。これは大陸特有のスキンシップだ。研修で教わったろ? 『物理的距離の近さは信頼の証』だと。ここで嫌がったら国維局のスパイだと怪しまれる……!) 「結構コッテルネ〜、ここなんか特に」 陳が田中の逞しい胸で硬さを増している左右の飾りを、両手の人差し指と親指で集中的にテクニカルかつリズムカルに揉みほぐす。 「そこハッ......(やべぇ、精乳が出るッ)」 田中の我慢も虚しく、勢いよく飛び出る白い甘露。慌ててタオルで胸を拭おうとする田中の腕を抑える陳おじさん。 「ほぉ、これが噂の精乳か......ダメだよ、燕義くん。食べ物を粗末にしちゃ」 鼻息を荒くしながら、タオルで拭くなんて勿体ない、と陳おじさんはマッサージの報酬を遠慮なく、むしゃぶるように味わうのであった。 真面目すぎるが故の致命的な誤認。田中は「信頼されている証拠」として、陳おじさんのセクハラをありがたく受け入れていた。
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- 614 x 1024
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- 12
- Sampling Method
- Euler a
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- 2
- Negative
- (bad quality, worst quality, worst detail, bad, low quality, bad anatomy, penis, nsfw, viscera, grotesque, femboy, cuts, scars, Facial-tattoos, flaw, kemomimi, unclear-face, cloned-face:6.5), (cloned-face, Two heads, conjoined bodies, beard, realistic-style, polydactyly, extra digits, extra heads, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:6.9), (twin-bun hair:2.5), loli, baby, (3D-anime, CG:2.9), (Mismatched Eyes, extra heads, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error:5.9), (Long hair, ponytail:5.8), (bad anatomy, interlocked fingers, extra heads, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn:5.5), (censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured:5.5), (long body, bad hands, missing fingers, extra heads, extra faces, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts:5.5), (username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, nsfw:5.5), (bad anatomy, bad hands, bad feet:5.9), (bright light, sunny day, modern objects, electrical appliances, neon lights, clear daylight, high-key lighting, out of focus, blurred face, distorted anatomy, shoes on tatami:5.9),
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[V2] CartoonyMen
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Realistic Men (Actually Semi-Realistic Men)
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57
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Bad Anatomy SD XL Negative LORA: Improved Anatomy for XL Models
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カンフー⭐2v1.0
0
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[Hands with 5 fingers]
22
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line art_style
206
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Hyper+DMD2+PCM+Perfection
622
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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