Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

山水画

Contest Entry
IBITSU Illustration Contest♪
#Touhou Project#Scenery#River#Mountain#Waterfall
More to See

Comments

(rough lineart, strong ink lines, rough lineart, sketch texture, cross-hatching shading), Shanshui painting. A landscape painting with no people. Texture as if drawn with paper and brush. In the lower half of the illustration, low trees grow on slightly reddish-brown rocky mountains. On the left side of the mountain, a waterfall is falling vigorously. Two pine trees stand side by side next to the waterfall. In the upper half of the illustration, several mountains are depicted in pale colors within the mist. At the very top of the illustration, only the shadows of mountains are faintly visible. Overall, the colors are pale, but the waterfall is clearly depicted in deep blue. There is some margin around the edges, (rough lineart, strong ink lines, rough lineart, sketch texture, cross-hatching shading).
Show Parameters
Original Prompt
山水画。人物無しの風景画。紙と筆で描かれたような質感。イラスト下半分では若干赤みがかった茶色の岩山に背の低い木が生えている。山の左側では滝が勢いよく落ちている。滝のそばには松が二本並んでいる。イラスト上半分には霧の中にいくつかの山が淡い色使いで描かれている。イラストの最上部にっは山の影だけがうっすらと見える。全体的に淡い色使いだが、滝は濃い青ではっきりと描かれている。周囲には若干の余白がある, ,(rough lineart, strong ink lines,rough lineart, sketch texture, cross-hatching shading),
Mode
pro
Size
1024 x 1280
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬