Sign up free and get 10,000 credits

Creation credits for new users, available on your signup day.

📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

いかに死ぬか、どう生きるのか。

若い頃から誰かを助ける人生だった。 おかげで素晴らしい出会いも多々あった。 だが、私はどんどん衰えて、おかしくなっていく。 どう退場すればいいのだろうね、私は、ここから。

More to See

Comments

This is a medium shot from a low-angle perspective in a large urban park in Japan during autumn. In the background, a 50-year-old male salaryman with salt-and-pepper hair, dressed in a formal business suit, sits on a wooden park bench. He is leaning forward with his elbows resting on his knees and his face resting on his hand, gazing toward the foreground with a serene, knowing smile. In the immediate foreground, children are playing, their figures captured in extreme close-up and blurred, creating a natural frame that partially obscures the edges of the scene. The environment is filled with the golden hues of autumn leaves and the sprawling greenery of a city park. The visual style is a painterly anime illustration blending soft, thick oil-like textures with luminous watercolor light, featuring broad brushstrokes and gentle color bleeding. The atmosphere is peaceful yet melancholic, conveying a sense of quiet reflection on a life well-lived as the man faces the inevitable approach of old age with tranquility.
Show Parameters
Original Prompt
手描き風の厚塗りの水彩画, 秋の日本、少し大きな都会の公園で 50歳の白髪混じりの中年サラリーマンが スーツ姿で公園のベンチに座って遠くで遊ぶ子供を見つめている 部下を育てて、若者に与えて、貧困者を救った人生。 そこに老いと衰えは死神のようにやって来る。 『さて、俺はどういう風にくたばればいいのやら』 ベンチに座ったままその膝に肘を乗せて 手に顔を乗せながら、子供達の背中に微笑んでいた。 ーーー構図ーーー 奥の方にベンチに座った中年サラリーマンが居る。 カメラの方にいる子供達のほうを向いているが 画面手前のカメラに迫るほどの至近距離に子供達が居て ある種の『額縁』のように一部だけがボヤけて見える。 ーーー保助プロンプトーーー 平穏,幻想的,迫り来る衰え,死と向き合い微笑む男,平和のために,世界のために,
Mode
pro
Style
Water-Infused Oil
Size
992 x 1280
Style: Water-Infused Oil

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬