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黑髮藍眼後街少女
這張插畫完美展現了我對這個角色的喜愛，她那深邃的眼神和不經意的姿勢讓我深受吸引。每次看到這樣的作品，都會讓我感受到藝術的魅力，期待未來能分享更多創作！喜歡的話記得點個讚、跟蹤我喔！
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- Quality Tag
- ﹝Prompts﹞, beautiful anime aesthetic, very aesthetic, high definition, amazing quality, masterpiece, best quality, very aesthetic, highres, absurdres, sensitive
- Size
- 768 x 1280
- Sampling Steps
- 16
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
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ハイライトないお姉さん
あんこ
pure traditional watercolor painting, authentic watercolor artwork, watercolor paper texture, visible paper grain, strong watercolor washes, layered watercolor washes, strong tonal variation, rich light and dark variation, varied pigment density, uneven pigment concentration, multiple tonal values within each color, transparent pigments, translucent watercolor layers, natural pigment diffusion, watercolor bleeding, wet-on-wet watercolor, wet-on-dry watercolor, natural pigment spreading, watercolor blooms, soft blended edges, feathered pigment edges, irregular watercolor boundaries, pigment pooling, pigment granulation, visible brushwork, varied brush pressure, subtle dry brush texture, natural paint imperfections, organic hand-painted texture, natural blending of multiple watercolor tones, soft watercolor-softened outlines, delicate watercolor linework, varying line weight, opaque clothing, fully opaque fabric, no fabric transparency, no see-through fabric, no visible skin through clothing, controlled watercolor bleeding within fabric boundaries, watercolor pigment remains within the fabric, upper body, medium close-up, waist-up, medium framing, character filling most of the frame, dynamic low-angle perspective, dramatic foreshortening, slightly tilted camera angle, asymmetrical composition, character positioned slightly off-center, upper body leaning dynamically toward the viewer, one shoulder closer to the camera, strong sense of depth, face clearly visible, flowing hair and clothing creating visual movement, dramatic atmospheric background, vast open space behind the character, large architectural structures receding into the distance, layered depth, atmospheric perspective, distant scenery fading softly into the background, scattered particles drifting through the air, subtle light filtering through the environment, strong foreground-background separation, cinematic depth, immersive three-dimensional composition
耳とれ
1girl, best quality, high quality, vivid colors, soft lighting, bright lighting, slightly hazy, soft focus, delicate colors, clean lineart, smooth shading, subtle glow, polished illustration, detailed eyes
ark
1girl, yamada ryo\(bocchi the rock!\), SYAGAMU Artstyle, masterpiece, intricate details, ultra hires, illustration, detailed, 4k, highest quality, ultra hd, high resolution, absurdres, 8k, official visual, sharp lines, vivid contrast, glossy texture, aesthetic, dynamic angle
Yamada Ryo/clove
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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