Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

あちっ

海に来た さんみぃ

#Ocean#Motorcycle#Girl
More to See

Comments

High quality, natural twilight light. 7.5 heads tall, 24-year-old Japanese woman, petite and slender supple feminine body, fluffy bob hair mixed with cream and silver. White nails. Winter seaside parking lot. Leaning lightly against a classical naked motorcycle. Thick black riding jacket, white fleece, black pants. A helmet with a heart pattern and removed gloves on the motorcycle seat. The one is holding a hot canned coffee with both hands as if wrapping it, bringing it close to her mouth. A natural expression of instinctively saying "ouch" due to the heat. Slight white breath. The setting sun slowly sinking toward the horizon. Winter sea illuminated by the setting sun. A natural snapshot casually taken by a touring companion. Natural posture, not a posed pose. A composition where the person, the motorcycle, and the sea are all visible.
Show Parameters
Original Prompt
高品質、自然な夕暮れの光。 7.5等身、24歳の日本人女性、小柄で細身のしなやかな女性らしい体型、クリーム色に銀色が混じるふんわりしたボブヘア。白のネイル。 冬の海辺の駐車場。 クラシカルなネイキッドオートバイに軽く寄りかかっている。 厚手の黒いライディングジャケット、白のフリース、黒いパンツ。 オートバイのシートにハート柄がついたヘルメット、外したグローブ。 日和は熱々の缶コーヒーを両手で包むように持ち、口元に近づけている。 熱さに思わず「あちっ」となった自然な表情。 少し白い息。 水平線へゆっくり沈む夕陽。 夕陽に照らされた冬の海。 ツーリング仲間が何気なく撮った自然なスナップ写真。 作ったポーズではない自然体。 人物とオートバイと海がすべて見える構図。
Mode
pro
Size
1280 x 768
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬