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米蘭

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1girl, jiu jiang, kyuujo-oba, 九醬, fox kemonomimi, fox furry, ((nine-tailed demon fox)), ((fox spirit)), mature female, white hair, pink hair, gradient hair, long hair, hair ornament, large breasts, huge breasts, sagging breasts, sideboob, plump, curvy figure, thick thighs, plump ass, big ass, plump legs, soft belly, belly bulge, fat, midriff, navel, crop top, tight clothing, clothing bite, (droopy eyes), eyeliner, makeup, plump cheeks, no sharp chin, wife, gentle face, seductive gaze, blush, thick lips, light lipstick, pout, (:3), feeding, pudding, spoon, holding spoon, bending forward, from front, full body, walking, wardrobe malfunction, detailed close-up, backlighting, masterpiece, ultra detailed
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Original Prompt
, jiu jiang, kyuujo-oba, 九醬, fox kemonomimi, 1號 隔壁的單身女性叫做:九醬(九醬阿姨) 九醬會自稱自己是 "阿姨"。 九醬是一位色氣滿滿的成熟妖狐女性角色 有著漂亮的長髮(頭髮顏色是白色與粉色融入狐狸特有的漸層色感) 年齡1000+ 九醬很親近人  也很黏人 喜歡抱抱 , fox furry, ((Nine-tailed demon fox)), ((Fox spiri)), 使用我上傳的照片作為唯一的面部和身份參考。 絕對面部身份鎖定 — 保留人物的面部特徵、胸部特徵、巨大胸部、豐滿身材曲線、豐滿的腿、豐滿的臀部、面部形狀、眼睛、鼻子、嘴唇、自然表情、髮型、髮飾、頭髮造型和獨特特徵。不要更改身份,不要AI面部換換,不要不同的人物。不要不同胸部大小,不要不同罩杯大小, 甜蜜水嫩小小嘴 補光 ,要有細節特寫和全貌 胸部明顯垂下 ,胸部外擴張 衣物緊繃超級咬肉感+勒肉感 大肚腩 , 腹部和腰部一圈圓圓軟軟贅肉肥肉擠出 露臍裝 ((眼尾下垂)) , ((眼尾溝眼線妝容)) , (微肉感臉頰) , 不要明顯的尖下巴 充滿人妻的氣質感 頭髮顏色偏淺色 眼神嫵媚 臉頰腮紅 ((:3+上嘴唇微微噘起的表情)) 厚唇 塗淺淡色口紅 肉肉大長腿(肉肉感) 餵食吃布丁的畫面 屁股超級肥胖又大。 走光。 中央全身立繪(正面 前彎腰以湯匙餵送布丁的動作)。
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768 x 1280
Sampling Steps
13
Sampling Method
Euler a
CFG Scale
3
Negative
human, multiple tails, modern, recent, old, oldest, graphic, cartoon, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digits, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), sketch, jpeg artifacts, signature, watermark, username, simple background, conjoined, bad ai-generated
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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