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AI art "いとさん"
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いとさん

蕪

蕪さん

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1boy, solo, handsome man, masculine, muscular, healthy skin, pale skin, translucent skin, light orange pink cheeks, blue eyes, purple eyes, double eyelid, large eyes, long eyelashes, drooping eyelashes, blonde eyelashes, light blonde hair, blue hair, straight hair, messy hair, center parted bangs, hair between eyes, black shirt, v-neck, collarbone, adam's apple, no hands, expressionless, expressionless look, slightly sad eyes, looking at viewer, staring, low saturation, black background, masterpiece, high quality, no highlights, masculine man, bishounen
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Original Prompt
19歳くらいの男性、綺麗な卵形丸顔ではないで、マッチョほどではないが筋肉質。透明感のある健康な肌、自然な少しオレンジでピンク色の頬。色素が薄く透き通るような肌。目の色は青、赤紫色素が薄い色り二重まぶたで、目の奥にほんのりと陰りや闇を感じさせる眼差しそして大きい。まつ毛はとても長い、下がり気味。一本一本は薄い金色で少しだけ青色のサラサラとした質感の髪。前髪は無造作なセンター分けで目にかかりそうだが、顔ははっきりと見えている。服は鎖骨が見えない黒色のＶネックで清潔感がある。まっすぐこちらを見つめ、口元は自然なピンク色で無表情で無頓着な印象。高品質。ハイライトは消すこと。少し悲しげな目をさせること。カメラ目線。 男なのでしっかりとした鎖骨と喉仏を作ること。 カメラ目線じっと見つめている。手を映さないこと彩度は全体的に低め。背景は黒。 まつげの主張強めで。まつ毛は金色。絶対に手は移さない。美男子。でも男らしい。 でもゴツゴツしすぎているわけではない
Size
768 x 1280
Sampling Steps
16
Sampling Method
Euler a
CFG Scale
3
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose

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Avatar image of こはく
masterpiece, sketchy, cel shading, delicate features, 2d illustration, detailed illustration, detailed eyes, muted colors, soft lighting, sharp linework, fine linework, defined outlines, soft shading, highly detailed, expressive eyes, soft lighting, diffused lighting, cinematic lighting, ambient light, smooth, shading, clean shading, soft shadows, clean line art, light-touch, clean sketch style, glossy skin, rough rendering, semirealistic artstyle, realistic features, detailed hair, detailed eyes, droopy eyes, downturned eyes, manhwa, long lashes up and bottom, aegyo sal
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
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