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マスオの味噌煮

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マスオの味噌煮

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character: son_goku. A close-up shot from a front-facing angle focuses intensely on the face of son_goku in his Super Saiyan form. He possesses an expression of pure rage, with his sharp green eyes wide and glaring directly at the viewer, and his brow furrowed deeply in anger. His signature spiked hair is a vibrant, glowing blonde, standing up in sharp, voluminous clumps. The character's facial features are defined by sharp, clean lines and bold cel-shading typical of high-quality anime illustrations, with deep creases around his nose and mouth emphasizing his fierce emotion. The background is a simple, neutral space to keep all focus on his intense expression. The lighting is bright and dramatic, creating high contrast between the golden highlights of his hair and the shaded contours of his face, evoking a powerful and aggressive atmosphere.
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Original Prompt
怒りの表情のスーパーサイヤ人孫悟空の顔正面ドアップ、 アニメ塗り、
Mode
lite
Size
768 x 1280

Model & LoRA used

Tsubaki.2 - AI Model cover image

PixAI DiT.2

Tsubaki.2
19.09k

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qp
character: son_goku 1boy, solo, upper body, son goku, super saiyan, spiked hair, blonde hair, long hair swept up into short blunt spiked locks, cyan eyes, muscular male, orange dougi, blue shirt, blue sash, blue wristbands, white gloves, crossed arms, closed mouth, smile, faint closed-lip smile, cyber red aura, yellow aura, cyan aura, cyber glitch red aura, red cybernetic scanline glow, jagged golden energy corona, layered multicolor aura, dark background, from below, looking down at viewer, Shot from below at close range: a single muscular young man fills the frame from the waist up, arms folded tight across his chest so that the white-gloved hands grip the opposite biceps just above the blue wristbands. His chin dips slightly toward the lens and the eyes — flat, icy cyan irises — look down along the line of his own collarbone at the viewer. The mouth is closed, the corners of it turned up in a small, self-assured smile that barely parts his lips; the grin sits in the cheeks rather than the teeth, and it widens a hair at the left corner, where his head is turned that way. His hair is a single mass of blonde spikes rising from the forehead and flaring up and outward like a chiseled flame; the mass is short and close to the crown, with longer strands sweeping out at the back, past the nape, into the space behind the shoulders where the crop lets them fall out of frame. A few displaced spikes float free of the mass, pushed upward by the pressure of the energy around him, and a faint shadow line crosses his brow. He wears an orange dougi jacket with a high, snug collar; beneath it a blue shirt shows in the V of the neck and under the blue sash knotted across his waist, whose tail hangs to the right hip and is dragged sideways by the updraft. The blue wristbands are snug, and the white gloves are folded at the cuffs. All across the top half of the frame, around the whole width of his shoulders, three energy colors fight over the same man: a golden-yellow aura boils off him, creasing into hard jagged peaks that rise past his spiked head, while a cold cyan aura peels away from the shoulder and arm edges in thin, wire-bright lines — and everywhere the red aura bites through, the edges of his figure fall apart into horizontal scan-lines, slicing bars of pure cyber-glitch red out of his bicep, out of the spikes, and out of the sash's tail. Wherever the glitch passes, it leaves the silhouette intact but shredded at the borders, each displaced red band faintly haloed in cyan. The spiked hair is where the energy change is most visible: each peak is double-lit, warm gold on the inner face and crisp cyan on the outer edge. The background is a deep dark-olive void, the only thing in the frame besides him and the light; no ground line is visible, and the golden light spills upward to the upper edge of the picture, leaving the bottom of the frame darker. Every lit surface on his body faces the camera — face, chest, shoulders, arms — and the underside of the folded forearms and the jaw are in shadow. The aura is not a flat glow: the brightest red band is at the shoulder seam, and its light falls on the top edge of his forearm and the underside of his chin. Electric, quietly proud.
QuincyPoughtR QuincyPoughtR
#Blonde hair#Gi#Dragon Ball

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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