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AI artwork featuring #Tsubaki.3
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1boy, monster, 2bodies, from behind, fisheye, wide shot, from below, looking up, cowering, hunched, huddling, defensive stance, arms raised, bent elbows, crisp white shirt, formal trousers, retro refrigerator, open refrigerator, towering blob, slime monster, luminous green mold, dripping, food fibers, eye sockets, hollow eyes, gaping mouth, goofy smile, oozing, dark liquid, tendrils, linoleum floor, beige wall, breakroom table, overflowing lunchboxes, stained containers, 1950s office, retro advertising art, mid-century commercial illustration, desaturated palette, olive green, beige, cinematic lighting, high contrast A low-angle fisheye lens perspective captures an office scene distorted along its curved edges, framing a terrified office worker from behind as he cowers before a towering monstrosity. In the lower foreground, the worker sits hunched and huddled on the floor with his back completely turned to the viewer, weight collapsed onto his shins. His arms are raised with elbows sharply bent in a protective reflex, hands balled tightly, while his neck strains upward in sheer horror toward the ceiling. He wears a crisp white button-up shirt with sharp creases pulled tight over his tense shoulder blades and tailored dark trousers. Directly ahead, bursting from the wide-open door of a retro 1950s refrigerator, a massive, towering blob creature composed of luminous green mold and tangled, dripping expired food fibers swells upward. The creature’s form features two deep, dark hollows in place of eyes and a wide, slack, toothless goofy smile dripping thick ropes of oozing dark liquid. Fluffy spore filaments and gloppy, stringy tendrils of bright mold spread outward from its base, creeping across the patterned linoleum floor and reaching up the adjacent walls. To the side of the refrigerator, a small utility table is piled high and overflowing with empty, stained metal lunchboxes and food tins. The scene employs a mid-century commercial illustration aesthetic with a muted, desaturated palette of olive and beige across the flat graphic walls and furniture, contrasting with the vibrant, glowing green and realistic rotting textures of the looming blob. Cinematic lighting casts deep, elongated shadows across the warped floor, with the sickly emerald glow of the mold washing over the shoulders of the worker's white shirt as viscous droplets stretch downward to form heavy puddles. Grotesque retro horror.
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Original Prompt
1950s advertising art style illustration with desaturated, muted olive and beige tones with realistic. A terrified office worker in a crisp white shirt is hunched huddling looking up in sheer horror (arms raised bent, his back turned to us). Emerging from a fridge is a massive, towering blobb made of luminous green mold and stringy dripping expired food fibers. The creature has hollows instead of eyes, and a wide stringy toothless goofy smile oozing of dark liquid. Stringy, goo gloppy tendrils of fluffy mold spread across the linoleum floor and beige walls in a fisheye lens perspective. Beside the fridge is a table overflowing with empty, stained lunchboxes. Cinematic lighting highlights the contrast between the flat 50s office aesthetic and the vibrant, rotting textures of the looming blob.
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1104 x 1840
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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a gigantic grotesque eldritch creature with a slime-like appearance, blue-green and magenta gradient coloration, massive amorphous body, numerous tentacles, no eyes, no ears, no mouth, completely faceless, eerie and ominous atmosphere, unsettling organic texture, horrifying non-human creature, inside a mysterious hospital-like environment, magenta viscous liquid overflowing across the floor and surrounding area, dark medical horror atmosphere, surreal and disturbing scene, highly detailed, square composition, 1:1 aspect ratio
るるる
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Avatar image of C9I
dark horror close-up, from behind, over-the-shoulder composition, cracked mirror, reflection as melting monstrosity, rotting sloughing flesh, countless screaming mouths, hollow black eyes, clawed hands reaching out of mirror, hands gripping figure's throat, human figure clutching throat with both raised hands, head bowed toward mirror, plain tattered clothes in muted grey tones, blurred background, distorted bloated insectoid humanoid creatures, tattered clothes on background creatures, creatures going about daily lives unaware, gothic surrealism, chiaroscuro, deep blacks, sickly desaturated flesh tones, charcoal grain, dense ink cross-hatching, gritty tactile texture, smeared distorted forms, visceral disgust, self-loathing, dread, vertical composition, ar 2:3 Seen from behind and slightly over the figure's shoulder, a gaunt human figure in plain tattered everyday clothes stands hunched before a tall, badly cracked mirror, the fracture lines splintering across the glass and slicing the reflection into jagged shards. The figure's head is bowed toward the glass, both hands raised reflexively toward its own throat, fingers curling in mid-air as something else gets there first. In the mirror, the reflection is not the person: it is a melting monstrosity of rotting, sloughing flesh, its surface studded with countless small screaming mouths gaping at every angle, jaws mid-wail, and hollow black eye sockets with no depth and no light inside. Two long, clawed hands push out through the mirror surface -- the glass warping and rippling around the wrists like thick liquid -- and grip the figure's throat from behind, talons dimpling the skin, the mirror edge crushing against knuckles at the point of contact. The figure's fingers close over the creature's claws, gripping them uselessly, a contact of flesh on flesh that should be impossible. Behind, thrown far out of focus in the deep murky background, other figures go about their daily lives completely unaware: bloated, insectoid humanoids in tattered clothes, one chitin-segmented shape carrying grocery bags down a warped corridor, another hunched many-limbed form leaning over a counter, segmented bodies and twitching antennae softened by the blur so that only the mundane gestures read clearly. None of them turns around. The scene is lit by a single weak overhead source -- a bare bulb somewhere above the mirror -- casting hard chiaroscuro: the light rakes down the figure's bowed back and collar, while the reflection catches almost none of it, its black eyes and screaming mouths drinking the light, its rotting flesh rendered in sickly desaturated greys and bruised ochres against absolute black shadows pooling at the mirror's base. Charcoal grain and dense ink cross-hatching roughen every surface; the melting flesh smears and drips downward along the hatching lines, the deepest black held for the hollow sockets and the throat grip. Palette: ash grey, black, jaundiced flesh, nothing else admitted. Physical telltale: fine glass dust and shards fall from the cracks, catching the bulb's thin light as they pass through it before vanishing into the dark below. Mood: visceral disgust and self-loathing, quiet dread.
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