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黒髪イケメン男子の魅力全開！
私はこのイラストのクールな黒髪男子に一目惚れしちゃいました！彼の繊細な表情と引き締まった腹筋に惹かれます。何度も見返してしまうくらい好きな作品です。いいねやフォローで応援してもらえると嬉しいです！これからも素敵な作品を楽しみにしています！コメントもぜひ気軽にどうぞ〜
Show Parameters
- Original Prompt
- 高校生 男 つり目 眉が少し直線的で鋭い 口元に小さなホクロが1つ 黒髪レイヤー強めで毛先が無造作なウルフ 前髪は目に少しだけかかるくらい 琥珀色の瞳 長いまつ毛 左耳にだけ黒銀のピアスを1つ付けてる 細身だけどしっかりと筋肉がある 制服のシャツのボタンは1つ開けてる 表情があまり変わらない 背景は教室 1boy, solo, single character, one person, upper body, waist up, mid shot, standing, facing viewer, lifting his shirt, shirt lifted up, holding the hem of his shirt with one hand, exposed abdomen, bare stomach, visible abs, defined abdominal muscles, toned torso, slightly raised shirt, shirt lifted above the waist, natural pose, relaxed expression, black hair, amber eyes, handsome young man, school uniform, white shirt, black pants, school gymnasium, indoor sports hall, anime style, detailed illustration
- Size
- 902 x 1024
- Sampling Steps
- 30
- Sampling Method
- Euler a
- CFG Scale
- 3
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Face Fix
Model & LoRA used
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ぐみ
A man, 28 years old, 185cm tall, silky beautiful black hair, moderately toned with faintly visible abdominal muscles. He is seductive. Usually has a gentle personality. An idol, clean linework, fine lineart, soft, detailed, A handsome man, fair skin, beautiful depiction.
ぐみ
Glass Aetheris, beautiful eyes, black, downer, beautiful, black hair wolf cut with M-shaped bangs, jet black, jet black eyes with no highlights, many piercings, background is a white wall with shadows, man, lifting clothes with one hand to reveal stomach, extremely alluring, handsome.
二酸化炭素
黒髪ピアス男子の魅惑的な微笑み
わさび茶漬け
kureha5639
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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