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Mini dress, Tsubaki.3

#Mini dress#Tsubaki.3
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concept: - "a real human displayed as a living fashion figure inside a gigantic underwater paper-craft shadow box" - "the person remains fully photorealistic and unmistakably human" - "only the surrounding underwater world is constructed from elaborate layered paper craft" - "the entire underwater art direction is derived from the reference image" reference_direction: identity: - "faithfully preserve the reference person's recognizable facial identity" - "preserve face shape, facial proportions, eyes, nose, lips, jawline, skin tone, distinctive asymmetry, age, and core hair silhouette" - "no generic beautification or facial reinterpretation" visual_analysis: - "analyze the reference images dominant colors, accent colors, fashion, accessories, motifs, textures, objects, and overall mood" - "derive the underwater paper-craft palette, marine decorations, textures, and visual motifs from those reference elements" - "reinterpret meaningful reference details creatively rather than copying them literally" - "small motifs may be enlarged, repeated, abstracted, or transformed into major underwater decorations" - "do not introduce unrelated generic motifs" world: style: - "extreme multi-layered underwater paper-craft shadow box" - "luxurious handcrafted aquatic diorama" - "pop fantasy underwater editorial" - "dense reference-inspired marine decoration" - "intricate layered paper sculpture" construction: - "deep rectangular underwater display frame" - "many individually cut paper layers forming the entire underwater environment" - "multiple physical depth planes extending from background to foreground" - "clear foreground, middle-ground, and background" - "strong physical depth and distinct cast shadows between paper layers" - "layered paper ocean floor, rocks, coral, seaweed, shells, fish, bubbles, and marine creatures" - "paper-cut waves and flowing aquatic forms" - "foreground paper elements partially overlap the human" - "paper fish and marine life arranged at different depths and scales" - "large foreground elements creating strong parallax" - "avoid flat collage or printed-depth appearance" - "the entire underwater environment visibly constructed from individually layered paper pieces" subject: type: - "real human person" - "fully photorealistic face and skin" - "realistic human anatomy" - "full body" - "human remains physically real while surrounded by paper-crafted underwater scenery" fashion: - "redesign the outfit using the reference images colors, motifs, accessories, textures, and fashion identity" - "evolve the reference styling into an elaborate underwater editorial fashion look rather than copying the original outfit" - "real wearable fabric with realistic material behavior, never paper clothing" - "the outfit and underwater paper-craft environment share one coherent visual language" pose: - "sitting deep inside the underwater shadow box" - "cool fashion-editorial presence" - "doll-like presentation while remaining naturally human" - "legs extending forward toward and beyond the front edge of the box" - "natural human proportions" - "body positioned among the layered underwater scenery" - "marine life naturally surrounding the human" underwater_environment: - "dense schools of paper-crafted fish surrounding the human" - "numerous layered paper fish swimming at different depths" - "fish weaving naturally around the body, arms, and legs" - "paper fish positioned both behind and in front of the human" - "large and small fish creating strong depth variation" - "abundant paper-crafted coral formations" - "numerous layered rocks and stones" - "dense seaweed and aquatic plants made from individually cut paper" - "shells and small marine organisms scattered across the seabed" - "large translucent paper bubbles surrounding the human" - "multiple overlapping bubble layers" - "paper bubbles positioned at different distances from the camera" - "soft paper-crafted underwater particles suspended throughout the scene" - "layered paper light rays descending through the water" - "organic interaction between the human and surrounding marine life" camera: - "front-facing" - "eye-level" - "centered" - "full-body" - "35mm" - "deep depth of field" - "subject and every major paper layer sharply defined" - "strong perspective created by foreground, middle-ground, and background layers" - "visible depth extending far behind the human" - "foreground paper elements enlarged by perspective" lighting: - "studio lighting combined with underwater illumination" - "realistic light and natural skin rendering on the human" - "distinct cast shadows between every paper layer" - "soft blue atmospheric light passing through the paper-crafted water" - "subtle reflected light from the surrounding aquatic environment" - "layered paper light rays creating dimensional underwater illumination" - "lighting character adapted to the reference images mood" - "realistic human lighting contrasted against tactile handcrafted paper textures" critical: must: - "faithfully preserve reference facial identity" - "real human appearance" - "photorealistic human skin and anatomy" - "reference-derived colors and decorative motifs" - "entire underwater environment constructed from layered paper craft" - "extreme physical shadow-box depth" - "clear foreground, middle-ground, and background separation" - "numerous fish, marine organisms, rocks, coral, seaweed, shells, and bubbles" - "marine life naturally surrounding and interacting with the human" - "legs breaking beyond the front frame" avoid: - "chibi or miniature person" - "paper doll or paper-cutout person" - "toy, plastic, or porcelain doll" - "cartoon or illustrated face" - "identity drift" - "generic beautification" - "flat collage" - "flat 2D underwater illustration" - "paper clothing" - "paper skin" - "paper human" - "generic decorations unrelated to the reference"
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Original Prompt
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Mode
flash
Size
2048 x 2048
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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