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AI artwork featuring #Honkai Series, #Honkai: Star Rail, #Trailblazer, #Caelus and #Jing Yuan
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Trailblazer, Caelus

#Honkai Series#Honkai: Star Rail#Trailblazer#Caelus#Jing Yuan
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character: caelus_(honkai:_star_rail), phainon_(honkai:_star_rail), copyright: genshin_impact, honkai:_star_rail genshin impact art, genshin impact art game cg, Caelus (Honkai Star Rail), half-body close-up, close-up, background is a modern street, one of Caelus's hands is linked arm-in-arm with Phainon (Honkai Star Rail) (only Phainon's shoulder to hip area is visible in the frame), Caelus's other hand is holding a white and blue color-block Chimera (Honkai Star Rail), Caelus has his mouth slightly open, talking and laughing, genshin impact art, genshin impact art game cg
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Original Prompt
穹（caelus/HonkaiStarRail ），半身特写，近景，画面背景为一个现代街道，穹的一只手与白厄（phainon/HonkaiStarRail ）手挽着手（白厄在画面中只露出肩膀到胯部部分），穹的另一只手则抱着一只白蓝拼色奇美拉（Chimera/HonkaiStarRail ），穹微微张开嘴，有说有笑,genshin impact art ，genshin impact art game cg,
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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Honkai：Star Rail Art - AI Model cover image

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Honkai：Star Rail Art
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character: caelus_(honkai:_star_rail), phainon_(honkai:_star_rail), copyright: genshin_impact, honkai:_star_rail two men, Caelus (caelus/HonkaiStarRail), character wearing his signature outfit, upper body close-up, close-up, the background of the image is a modern street, Caelus and Phainon walking side by side, one of Caelus's hands linked with Phainon's (phainon/HonkaiStarRail) hand, a Chimera (Chimera/HonkaiStarRail, grey and white, with two small horns on its head and fluffy grey fur on its neck) lying on Caelus's head, Caelus's mouth slightly open, talking and laughing, genshin impact art, genshin impact art game cg, honkai star rail art, honkai star rail game cg
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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