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Ruined City

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Sky#Outdoors#Signature#Scenery#Tree#Cloud#Car#No humans#Cityscape#Sunlight#Power lines#Street#City#Building#Lamppost#Daytime#Cloudy sky#Bridge#Road#Crosswalk#Light Rays#Skyscraper#Sidewalk
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c, d, e, Sprawling ruined megacity apocalypse, 5 years after civilization collapse, massive concrete jungle of crumbling skyscrapers and smashed highway overpasses. Overgrown urban decay, green vines and moss reclamation climbing up decaying skyscraper walls. Shattered glass windows, rusted car skeletons abandoned on cracked asphalt streets, giant steel skybridges hanging precariously between buildings by frayed cables. Cinematic lighting, dramatic gloomy storm clouds parting to let golden hour sun rays pierce through the dense fog, realistic post-apocalyptic, photorealistic texture, masterpiece, highly detailed, moody atmosphere, concept art, no people, empty abandoned world.
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Original Prompt
Sprawling ruined megacity apocalypse, 5 years after civilization collapse, massive concrete jungle of crumbling skyscrapers and smashed highway overpasses. Overgrown urban decay, green vines and moss reclamation climbing up decaying skyscraper walls. Shattered glass windows, rusted car skeletons abandoned on cracked asphalt streets, giant steel skybridges hanging precariously between buildings by frayed cables. Cinematic lighting, dramatic gloomy storm clouds parting to let golden hour sun rays pierce through the dense fog, realistic post-apocalyptic, photorealistic texture, masterpiece, highly detailed, moody atmosphere, concept art, no people, empty abandoned world.
Mode
pro
Size
1104 x 1824
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Model & LoRA used

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AI artwork
uy
no humans, scenery, destruction, ruins, wind, debris, flying debris, collapsed building, rubble, shattered glass, dust, city, after disaster, wide shot, dutch angle, from below, storm clouds, crepuscular rays, dark sky, post-apocalypse, Low-angle wide shot framed with a steep dutch angle, gazing up through the catastrophic wreckage of a decimated city caught in a raging gale. Massive concrete monoliths lean fractured against one another, their sheared facades spilling twisted girders and tangled rebar into the choked avenue below. A severed highway overpass terminates abruptly in empty air, its snapped suspension cables whipping horizontally under the force of the wind. The gale blasts across the frame from the left, propelling a turbulent sheet of airborne gravel, splintered structural debris, and thousands of glittering shards of pulverized glass in flattened horizontal vectors across the midground. Detached sheets of corrugated steel twist and tumble through the air currents, their edges blurred by velocity. Along the buckled pavement, dense plumes of concrete ash drag in razor-straight slipstreams that reveal the gale's severe directional force. Overhead, bruised charcoal and slate-purple tempest clouds churn in turbulent vortex bands, rent open by a jagged rift that admits piercing amber-gold crepuscular rays; this directional sunlight casts blinding specular highlights across the swirling particulate cloud and rim-lights the broken edges of falling masonry, while leaving deep, cavernous teal-black shadows beneath the collapsed slabs. The palette is bound to concrete ash, oxidized iron rust, and stormy indigo, slashed through with piercing pale amber light. Cataclysmic desolation.
ut yatu
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Avatar image of ゴリリン
zombie apocalypse, post-apocalyptic, scenery, wide shot, from below, dutch angle, ruined city, overgrown city, abandoned buildings, crumbling skyscrapers, collapsed highway, cracked asphalt, rubble, overgrown with moss, ivy, rusted cars, abandoned vehicles, multiple zombies, horde of zombies, shambling, lurching, dragging feet, tattered clothes, frayed fabric, sunken eyes, slack jaw, overcast sky, heavy clouds, gloomy, atmospheric fog, haze, dust particles, murky puddle, water ripples, desaturated palette, A wide shot from a low camera angle with a slight dutch tilt looks down the length of a devastated, silent urban boulevard in the grip of a zombie apocalypse. In the foreground, fractured asphalt buckles into deep crevices where wild weeds and dark moss burst through the stone. A rusted, paint-stripped sedan sits canted at an angle across the lane, its shattered windshield framing the jagged pavement below. At the immediate left, a shambling zombie in a frayed, oil-streaked grey coat drags its left foot heavily along the road, torso hunched forward with its head tilted slack toward its shoulder, unblinking milky eyes fixed down the street and jaw hanging slightly agape; its dragging boot heel clips the edge of a shallow puddle of murky rainwater pooled in an asphalt fissure, sending crisp concentric ripples outward across the sky's dull reflection. Further right, another emaciated infected figure in a shredded flannel shirt lurches past the rusted vehicle door, its stiff arm outstretched with splayed fingers reaching toward the empty air ahead. In the midground, the wide canyon between decaying skyscrapers is choked with abandoned vehicles, collapsed overhead transit tracks, and tangled dead power cables. Thick curtains of ivy and wild climbing vegetation carpet the hollow lower stories of concrete towers, whose upper windows are blown out into dark, gaping voids. Scattered through the drifting ground mist, dozens of silhouetted zombies shamble in ragged, irregular procession, their staggering postures receding into the haze. In the far background, the skeletal silhouettes of crumbling high-rises disappear into a heavy, ash-grey overcast sky where faint plumes of dark smoke linger motionless. The lighting is cold, diffuse daylight filtered through dense cloud cover, casting soft, pervasive shadows underneath rusted chassis and rubble piles, with faint pale highlights catching the damp pavement and shards of broken glass. The palette is strictly desaturated and weathered, dominated by slate grey, rust ochre, moss green, and decayed asphalt charcoal, devoid of warm vitality. Desolate dread.
ゴリリン
AI artwork
하
A city street abandoned after an infection outbreak, a commercial district where people have disappeared, cars abandoned throughout the roads and overturned vehicles, broken traffic lights, cracked building exterior walls, broken glass windows, widely grown weeds and vines. Parts of store signs are fallen off, and long-neglected household waste and debris are scattered on the street. Some buildings have collapsed exterior walls due to fire and collapse, and tall buildings seen in the distance are also damaged in places. There are many blind spots between vehicles and buildings where people seem like they could be hiding, and dark alleys continue into the distance. The sky is cloudy, natural light is weak, and the overall atmosphere suggests that a considerable amount of time has passed since people disappeared. A wide and uneasy space where one would have to constantly stay vigilant of the surroundings when moving, a survival world atmosphere that is quiet but where danger could appear at any time.
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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