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AI art "眇の魚（すがめのさかな）" featuring #water, #Darkness, #from above, #Fish, #Boy, #GeGeGe no Kitarō, #Facing away and #Tsubaki.3
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眇の魚（すがめのさかな）

漫画「蟲師」で主人公のギンコがギンコと名乗るようになったきっかけのお話をイメージしました

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#water#Darkness#from above#Fish#Boy#GeGeGe no Kitarō#Facing away
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copyright: mushishi A quiet and mysterious anime-style illustration. The coloring and atmosphere should be in the same vein as previously created images of deep forests. Soft anime coloring, delicate light expression, subdued colors, deep shadows, stillness, mystery, and a finish that evokes a slight sense of loneliness. No grainy noise or film grain. No text in the image. The scene is the moment a boy finds the "Master of the Swamp." However, the "swamp" here is not necessarily a literal swamp. Depict it as a space where it is unclear whether it is a real swamp, underwater, a mental landscape, or another world. In a space that spreads out like a black abyss, there are only faint ripples, slight reflections, and the presence of water. Do not draw bubbles, aquatic plants, schools of fish, a clear water surface, or realistic swamp shores or ground. Do not make it feel too much like being underwater; make it a dark region that is vast enough for fish to swim in, yet where it is unknown where it is. The composition is from a perspective closer to the boy. Draw the boy relatively large in the frame, with a composition where the boy is seen from behind or diagonally behind, looking far down below himself. The boy is floating in the space or standing upright as if only gravity exists. Do not draw ground, a water surface, footing, ripples, or a reflective floor at his feet. The boy is not drowning and is not swimming. He is in a normal standing posture, but the place where he stands is inexplicable. Only a black abyss spreads beneath his feet. The boy is wearing plain traditional Japanese clothing (wafuku) and straw sandals (waraji). The boy's body is wrapped in a faint white light, but the boy himself is depicted as a physical entity. His expression is not one of shock or fear, but rather a quiet expression as if he has happened upon something far below him. No large reactions are needed. The boy's gaze should naturally lead the viewer's eye toward the giant Master at the bottom of the screen. Far below the boy, in the depths of the black abyss, is the "Master." The Master is a giant fish-like insect. It is enormous and occupies a significant portion of the screen. Parts of its body may extend outside the frame. It is overwhelmingly huge compared to the boy, an existence that evokes a quiet awe. However, it does not attack the boy nor does it react to him; it simply swims serenely. The Master has not encountered the boy; it is simply that the boy has unilaterally found the Master who has been there since long ago. Do not draw the Master as a realistic fish. Scales, raw fish textures, detailed anatomical descriptions, and realistic fish eyes or mouths are unnecessary. Express it as a blurred, giant white outline of a fish. It looks like a fish, but it is neither a normal fish, a spirit, nor a monster; it maintains an ambiguity as an insect. Do not draw the fins or tail too realistically; make them soft, flowing membranes of light, thin cloth, or shapes swaying like mist. The contours are blurred and faintly emitting white light. The Master is missing one eye. From the other eye, or the position where the eye should be, a dense darkness overflows. This darkness must be depicted as emerging from the "position of the eye" on the side of the head. Do not depict it erupting from the top of the head or the back. Do not make it spout upward like a whale's blowhole. The darkness seeps out from the orbital socket or deep within the eye and flows backward along the direction the Master is swimming, clinging to the body surface. That black darkness extends for about half the length of the Master's body, appearing like a heavy flowing shadow over the white body. Rather than blood or a wound, make it a mysterious expression where darkness itself is leaking from the eye. Do not make the Master's darkness wild as a horror effect, but draw it quietly yet clearly so that the abnormality is understood. Emphasize the contrast between the blurred, giant white body of the fish and the black darkness flowing backward from the eye. The presence of the Master is beautiful, incomprehensible, and evokes awe. The visual flow of the entire screen should be: First, look at the boy → Follow the boy's gaze down into the black abyss at his feet → Notice the giant white Master swimming serenely far below, covering the screen → Further notice that black darkness is flowing from the Master's eye position for about half the body's length. Prioritize quiet mystery and awe over horror. It is not a completely gentle picture; include a quiet fear as if peering into something beyond human understanding. The world is not human-centric. The Master does not exist for the boy. The boy simply found it; the Master has just been swimming there since long ago. The final impression should be: "In a place like a black abyss—unidentifiable as a swamp, underwater, another world, or a mental landscape—a boy wrapped in faint light has found, all alone, a giant white Master swimming serenely far below him." Value the stillness, mystery, ambiguity, vastness, awe, and a Mushishi-like atmosphere.
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Original Prompt
静かで神秘的なアニメ風イラスト。 塗りや空気感は、以前作成した深い森の中の画像と同系統にする。 やわらかなアニメ塗り、繊細な光の表現、落ち着いた色彩、深い陰影、静けさと神秘性、少しの寂しさを感じさせる仕上がり。 ザラついたノイズ感やフィルムグレインは不要。画像内に文字は入れない。 場面は、少年が「沼の主」を見つけた瞬間。 ただし、ここでいう沼は現実の沼そのものとは限らない。 現実の沼なのか、水中なのか、心象風景なのか、異界なのか判然としない空間として描く。 一面に広がる黒い深淵のような空間の中に、かすかな揺らぎ、微かな反射、水の気配だけがある。 泡、水草、魚群、明確な水面、現実的な沼の岸辺や地面は描かない。 水中らしさを強くしすぎず、「魚が泳げるほど広大なのに、そこがどこなのか分からない」暗い領域にする。 構図は少年寄りの視点。 少年を画面内で比較的大きく描き、少年の背後または斜め後ろから、少年が自分のはるか下を見下ろしているような構図にする。 少年は空間の中に浮いている、または重力だけが存在しているように直立している。 足元に地面、水面、足場、波紋、反射の床などは描かない。 少年は溺れておらず、泳いでもいない。 普通に立っている姿勢だが、その立っている場所は説明できない。 足元にはただ黒い深淵が広がっている。 少年は平服の和服姿で、わらじを履いている。 少年の体は淡い白い光に包まれているが、少年自身はあくまで実体として描く。 驚愕や恐怖の表情ではなく、静かに、足元の遥か下にいるものを見つけてしまったような表情。 大きなリアクションは不要。 少年の視線によって、画面下方の巨大な主へ自然に視線が誘導されるようにする。 少年のはるか下、黒い深淵の奥に「主」がいる。 主は巨大な魚のような蟲。 非常に大きく、画面のかなりの部分を占める。 体の一部が画面外へ続いていてもよい。 少年と比べて圧倒的に巨大で、静かな畏怖を感じさせる存在。 ただし少年に襲いかかるのではなく、少年に反応することもなく、ただ悠然と泳いでいる。 主は少年と出会ったのではない。 少年が一方的に、そこに昔からいた主を見つけてしまっただけである。 主は現実の魚として描かない。 鱗、生々しい魚の質感、細かい解剖学的描写、写実的な魚の目や口は不要。 白抜きでぼんやりとした巨大な魚の輪郭として表現する。 魚のように見えるが、普通の魚でも精霊でも怪物でもなく、蟲としての曖昧さを保つ。 ヒレや尾びれは写実的に描きすぎず、柔らかく流れる光の膜、薄い布、霧のように揺らぐ形にする。 輪郭はぼやけ、白く淡く発光している。 主には片目が無い。 もう一方の目、または目に当たる位置から、濃い闇が溢れ出している。 この闇は必ず、頭部側面の「目の位置」から出ているように描く。 頭の上や背中から噴き上がる描写にはしない。 鯨の潮吹きのように上方向へ噴出させない。 闇は眼窩や目の奥から滲み出し、主の泳ぐ向きに沿って、体表にまとわりつくように後方へ流れている。 その黒い闇は主の体の半分ほどまで長く伸び、白い体の上に重く流れる影のように見える。 血や傷口ではなく、闇そのものが目から漏れ出しているような不思議な表現にする。 主の闇は恐怖演出として派手に暴れさせるのではなく、静かに、しかしはっきりと異常さが分かるように描く。 白くぼやけた巨大な魚の体と、目から後方へ流れる黒い闇の対比を強調する。 主の存在は美しくもあり、理解不能で、畏怖を感じさせる。 画面全体の視線誘導は、 まず少年を見る → 少年の視線を追って足元の黒い深淵へ視線が落ちる → その遥か下に、画面を覆うほど巨大な白い主が悠然と泳いでいることに気づく → さらに見ると、主の目の位置から黒い闇が体の半分ほどまで流れていることが分かる という順番にする。 雰囲気は恐怖よりも、静かな神秘性と畏怖を優先する。 完全に優しい絵ではなく、人の理解を超えたものを覗き込んでしまったような静かな怖さを含ませる。 世界は人間中心ではない。 主は少年のために存在していない。 少年が見つけただけで、主はただ昔からそこを泳いでいただけ。 最終的な印象は、 「黒い深淵のような、沼とも水中とも異界とも心象風景ともつかない場所で、淡い光に包まれた少年が、自分のはるか下を悠然と泳ぐ巨大な白い主をただ一人で見つけてしまった瞬間」 であること。 静けさ、神秘性、曖昧さ、広大さ、畏怖、そして蟲師的な空気を大切にする。
Mode
ultra
Quality Tag
masterpiece, ﹝Prompts﹞
Size
1232 x 1632
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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beautiful light, best shadow, color blink, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth, semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin, 1girl, solo, underwater, deep sea, deep ocean, floating underwater, full body, full shot, side view, profile, long white hair, blue eyes, white dress, barefoot, bubbles above her head, fish swimming around her, underwater environment, ocean floor, deep blue water, sunlight rays filtering through water, floating hair, flowing dress, floating hair, flowing dress
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