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スダホーク号

競馬評論家・須田鷹雄氏のペンネームの元ネタ、現役引退後にバラエティ番組【明石家さんまのなンでもダービー】に本業の競走馬として参戦したりと、この子もある意味でアイドルホース。 シリウスシンボリやミホシンザンの同期で、彼らの後塵を拝してはいましたが弥生賞・AJCC・京都記念・阪神大賞典と重賞を4つ制している“まぎれもなく強者”でした。 それ故になンでもダービーに出走した時の当時の視聴者のざわめきぶりが…w 20年ほど前の記録ですが、ニコ動にて当時の彼の勇姿を確認できます。距離的ハンデが響いて敗北こそしましたが、「現役を引退した12歳のステイヤーが、1200mのスプリント戦をハンデ付けられて出走」した事を念頭に置いてご視聴くだされば、如何に現役時の彼が強かったかを認識できるかと思います。 ホーク:「バラエティ番組のエキシビジョンとは言え、一切妥協はしないぞ…ダービー2着、菊花賞2着の実力を侮るなよ?」

Contest Entry
PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Elbow gloves#Miniskirt#Kemonomimi#collar#Skirt#Hair ornament#long hair#Fingerless gloves#Smile#orange eyes#brown eyes#Swept bangs#Gem#Bare shoulders#Looking at viewer#Jewelry#Girl#Running#Blue Gloves#Uma Musume Pretty Derby#Blurry Background#Horse racing track
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Recolor the fingerless gloves on both arms of the character in image1 to blue, while keeping her white hair, horse ears, white and blue striped outfit, running pose, and the stadium background unchanged. The rest of the image remains the same as the input image1.
Show Parameters
Mode
pro
Quality Tag
﹝Prompts﹞
Size
1088 x 1824

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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