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やはりうちのTsubakiちゃんは代々呪われてますね 下手に描けとか指定してないです😋
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- @1(先生),@2(生徒),@3(生徒)のキャラクターを使って、フルカラー4コママンガを描いて下さい。1コマ目:@1を中心に左に@2,右に@3,調理台を囲んで並んでいます。@1が授業の開始を宣言します。@2,@3はにこやかに拍手をして楽しそうにしています。2コマ目:@2がボウルで"生クリーム"を混ぜています。ウトウトして眠そうです。@2の背後では@3が"たい焼き"に絵の具を塗って、"たい焼き"の半分をカラフルにしたものが机に置いてあります。3コマ目:@1がとてもビックリしている様子を(アーティスト:原哲夫)劇画タッチで効果線を用いて描きます。4コマ目:最前面に調理机を描き、右に@2が"生クリーム"に全身を包まれて寝ている様子、左に@3がカラフルに絵の具で塗られた"たい焼き"を満足そうに掲げている様子、2人の背後で@1が自分で着ているエプロンを両手で握って端を噛んで苦しがっている様子を描きます。1コマ目, 2コマ目, 4コマ目は(アーティスト:大塚真一郎)。美しい解読可能な日本語の文字で、状況に合ったフキダシセリフ、キャプションを含みます。 sharp lines, soft watercolor wash, flat painting, high contrast, vibrant colors, (Masterpiece), (Best quality), Super fine illustration, Clear picture, (Ultra detailed), (Detailed background),Extremely detailed CG unity 8k wallpaper, Exquisite designed costume, Intricate details, Insanely details,
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Show moreラプちゃんの印象
ねっこも
シュールなごちうさ
ヒロキ
d
Silverhair GothicLolita Twintails 14yearsold Elf Beautifulgirl Holdsparasol, detailed face, detailed eyes, detailed outfit, detailed mouth, High details, high quality, Maximum facial details, Maximum detailed shadows, Maximum detailed backgrounds Maximum Facial Detail, cinematic lighting, extremely detailed, cinematic postprocessing, soft pastel, masterpiece, best quality, ultra details, amazing stunning illustration,cnpny,smile,:3,chibi,emphasis lines,speech bubble,open mouth, (comic style), komawari, Multi view, Frame, frying pan, fried egg, comedy, ((rolling eyes in the last frame)), (girl enters a treasure chest in the last frame)
drあじしお
読めないマンガ空気じゃなくて相変わらずセリフ文字が
○黃月13日里
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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