Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

user-2021099334679801552

More to See

Comments

character: airi_kanna, An extreme wide cinematic establishing shot from a high angle, capturing a colossal underwater civilization where the environment dominates 90% of the frame. Airi Kanna is a tiny figure occupying only 10% of the scene, seen from behind and slightly from the side on an enormous balcony of the Ryugu palace, her original long multicolored hair and white shirt drifting gently in the current as she gazes at the vastness. Below her rises the monumental Ryugu palace with massive pearl domes and golden gates, surrounded by an endless underwater capital of thousands of glowing buildings, towering coral forests, and ancient sunken ruins. Enormous whales and manta rays glide through the deep blue haze, emphasizing the staggering scale. The lighting is a deep cyan and turquoise atmospheric haze, with volumetric sunlight filtering from the distant surface and golden illumination emanating from the palace architecture. Floating particles and tiny bubbles drift through the water, creating a majestic, awe-inspiring, and dreamlike atmosphere of a lost oceanic empire.
Show Parameters
Original Prompt
Airi Kanna, Kanna, Ryugu princess, underwater kingdom, masterpiece, best quality, ultra detailed, cinematic fantasy, epic environmental artwork, colossal underwater civilization EXTREME ENVIRONMENTAL SCALE, ENVIRONMENT DOMINATES THE IMAGE, MASSIVE UNDERWATER WORLD, EPIC ESTABLISHING SHOT. The underwater environment is the absolute primary subject. Airi Kanna is only a SMALL FIGURE within the enormous scene, occupying approximately 10~15% of the entire frame. The underwater kingdom, colossal Ryugu palace, gigantic coral formations, ancient ruins, deep ocean and enormous sea creatures occupy approximately 85~90% of the image. This must NOT be a character portrait. This must NOT be a character-focused composition. Use an extremely wide cinematic establishing shot. The viewer should feel overwhelmed by the enormous underwater world before noticing Kanna. CHARACTER: Airi Kanna retains her ORIGINAL DEFAULT VIRTUAL AVATAR DESIGN. Keep her original default virtual avatar hairstyle, original hair color, original default outfit, original colors, original accessories and recognizable character details. Do not redesign her clothing. Do not turn her into a generic mermaid or fantasy princess. No mermaid tail, no fish tail, no animal ears, no animal features. Kanna stands very small on an enormous elevated balcony of the Ryugu palace. She is seen mostly from behind and slightly from the side. Her attention is directed toward the gigantic underwater civilization. Her original hair and original clothing gently drift with the underwater current. She is only a scale reference for the enormous environment. COLOSSAL RYUGU PALACE: The palace must be absolutely gigantic. A monumental underwater royal palace rises from the ocean floor like an enormous ancient city. Hundreds of gigantic towers, massive pearl-covered domes, enormous coral columns, towering golden gates, huge palace bridges, gigantic terraces, ancient statues, massive curved rooftops, colossal staircases, ornate underwater architecture. The central palace structure should be so enormous that Kanna looks tiny beside it. The palace extends far beyond the visible frame. Only a portion of the complete palace is visible. GIANT UNDERWATER CAPITAL: The palace is surrounded by an ENORMOUS UNDERWATER CAPITAL. Thousands upon thousands of buildings stretch across the ocean floor. Ancient streets, massive bridges, royal districts, temples, markets, towering monuments, glowing lanterns, pearl-covered buildings, coral structures. The city extends from the foreground all the way toward the distant horizon. It should feel like an entire civilization hidden beneath the ocean. Do NOT make the city look like a small village or a small fantasy town. COLOSSAL CORAL FOREST: Beyond the city is an enormous coral forest. Towering coral formations rise hundreds of meters. Gigantic kelp forests sway slowly. Massive glowing sea plants illuminate sections of the darkness. Enormous coral arches form natural gateways. The coral forest should be larger than entire buildings. ANCIENT UNDERWATER RUINS: Far beyond the main capital are gigantic forgotten ruins. Colossal broken temples, enormous fallen pillars, ancient statues, massive stone gates, buried palaces, broken bridges. Some ruins disappear beneath the sand. Others are covered completely in coral. The ruins extend into the darkness of the deep ocean. GIANT SEA CREATURES: Several enormous whales slowly swim through the distant background. Huge manta rays glide between gigantic palace towers. Massive schools of fish form flowing patterns across the scene. Far in the darkness, an almost unbelievably gigantic ancient sea creature is barely visible through the blue haze. The creatures should emphasize the enormous scale of the ocean. DEEP OCEAN SCALE: The ocean must feel almost endless. The palace is located incredibly deep beneath the surface. Far above the kingdom, the ocean surface is barely visible. Long rays of sunlight descend from the surface through kilometers of water. The sunlight gradually disappears into deep blue darkness. The distance between the palace and the ocean surface should feel enormous. LIGHTING: deep blue and cyan underwater atmosphere, subtle turquoise illumination, golden light from the palace, soft glowing coral, faint violet magical plants, volumetric underwater light rays, deep atmospheric haze, floating particles, tiny bubbles. The brightest areas should be the gigantic palace and glowing underwater structures. Kanna remains relatively dark and subtle. Do NOT brightly illuminate Kanna. Do NOT make her the brightest object. The environment must receive most of the visual attention. COMPOSITION: EXTREME WIDE SHOT. Kanna is positioned near the lower edge of the frame on the palace balcony. The balcony itself is enormous. Behind and below her: the colossal Ryugu palace, the enormous underwater capital, gigantic coral forests, ancient ruins, massive whales, manta rays, deep ocean. The palace occupies a huge portion of the middle ground. The underwater city extends horizontally across almost the entire frame. The distant ruins and coral forests disappear into atmospheric haze. The upper portion of the image contains enormous volumes of deep blue ocean. The viewer should feel as though they are looking at an entire underwater world from above. SCALE PRIORITY: 1. ENORMOUS UNDERWATER WORLD 2. COLOSSAL RYUGU PALACE 3. MASSIVE UNDERWATER CAPITAL 4. GIANT CORAL FOREST AND RUINS 5. ENORMOUS SEA CREATURES 6. KANNA AS A SMALL SCALE REFERENCE Kanna should never visually overpower the environment. The world must feel at least hundreds of times larger than Kanna. The palace should feel like a monumental civilization rather than a single building. The city should continue beyond the edges of the image. The ocean should feel endless. ATMOSPHERE: ancient underwater civilization, lost ocean kingdom, royal underwater capital, mysterious deep sea, majestic, peaceful, dreamlike, ancient, magical, vast, awe-inspiring. The image should create the feeling: "An enormous civilization exists at the bottom of an endless ocean, and Airi Kanna is standing high above it as its princess." CINEMATIC DETAILS: extreme atmospheric perspective, multiple layers of depth, floating bubbles, underwater particles, slowly drifting kelp, glowing plankton, fish schools, distant whales, manta rays, ancient statues, pearl decorations, coral-covered architecture, golden palace lights, deep blue shadows, volumetric sunlight, distant ocean haze, enormous scale. The final artwork should resemble a high-budget fantasy anime establishing shot of an entire hidden underwater civilization. NEGATIVE: character-focused composition, close-up, medium shot, portrait, large character, character dominating frame, small palace, small village, empty ocean, flat background, generic mermaid, mermaid tail, fish tail, fantasy princess redesign, outfit redesign, hairstyle redesign, different hair color, animal ears, animal tail, bright character lighting, shallow environment, simple background
Mode
pro
Style
Lucid Dreamy
Size
1280 x 720
Negative
worst quality, photorealistic, bad anatomy, blur, low resolution
Style: Lucid Dreamy

Model & LoRA used

Similar Images

Show more

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬