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AI art "Fantina" featuring #Tsubaki.3
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Fantina

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
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Byun

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Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: vivian_banshee 1girl, solo, cowboy shot, sitting on floor, posing for photoshoot, light smile, grey seamless background, balanced daylight studio, gentle shadows, depth of field, 85mm lens, f/1.8, sharp and clear photo, photorealistic, hyperrealism, realistic physical, realistic hair, east asian chinese girl, small slim body, pretty small face, red lips, very smooth glossy pale skin, large breasts, pointy ears, red eyes, mole under eye, very long hair, purple hair, white hair, streaked multicolored hair, drill hair, ahoge, hairband, sidelocks, black nail polish, chinese clothes, hanfu beizi, qixiong ruqun, two-tone gradient dress, gradient dress, see-through wide long sleeves, very thin fabric, see-through clothes, robe, tassel, looking at viewer, light smile, knees together, weight on one hip, hands resting on floor, head tilt, relaxed shoulders, A vertical cowboy shot cropped at mid-thigh: a single young East Asian woman sits on the seamless grey studio floor, framed from the thighs up, the camera slightly above her eyeline so it looks gently down across her small slim torso and her pretty small face. She is turned a quarter away from square, weight settled on her right hip, both knees drawn together and folded to her left, her left leg's calf tucked under her right thigh. Her hands rest flat on the floor beside her, the right one just behind her hip for balance, the left one loose in front of her knee, all ten black-lacquered nails catching small oval highlights; the see-through wide long sleeves of the hanfu beizi robe pool and gather around her wrists where they meet the floor, the very thin fabric folding into itself in translucent layers so the grey ground reads faintly cool through it. Her spine is upright but not stiff, shoulders dropped, chest lifted so the qixiong ruqun's high wrapped waistband sits just under the bust and the two-tone gradient dress flows from a pale white at the shoulders through soft lilac into deep purple at the hem, tassels hanging from the waist tie and from the sleeve cuffs, their cords hanging straight down under gravity while the silk above them sags. Over it all the beizi robe falls open in a soft V, its edges and wide sleeves rendered in the same sheer tissue so the layers beneath stay visible without any hard opacity. Her head tips a few degrees toward her left shoulder, chin slightly down, red eyes looking straight down the lens with a warm, composed light smile, lips parted just barely and painted cleanly red, the small mole sitting under her right eye as a single dark point on the glossy pale skin. The hair is the loudest shape in the frame: very long, drifting down past the crop line, mostly deep purple with white streaks threading through it and one block of pale white at the front lock, gathered at the crown by a hairband and falling into two heavy drill-shaped ringlets that spiral forward over her right shoulder and behind her left, while the sidelocks frame her jaw and a single ahoge springs up and curls against the flat grey behind it. Pointy ears emerge clean through the hair on both sides, their tips catching the key light. The lighting is a balanced daylight studio: a large soft key from the upper left front and a broad fill from the right, wrapping the face evenly, leaving only gentle, low-contrast shadows under the chin, beneath the fall of the sleeves and in the hollow of the folded legs; the grey background is lit a half stop lighter behind her shoulders so a soft tonal gradient travels across the seamless and her own shadow on the floor is a faint blurred ellipse directly beneath and behind her hips. At f/1.8 the plane of focus sits on her eyes and lips, her hair's near ringlet and her hands still crisp, and the seamless paper, the far tips of the drill curls and the trailing tassels falling off into clean optical softness. The palette is disciplined to grey, white, lilac and deep purple with red only at the lips and eyes and black at the nails. Serene, effortlessly polished.
cylic2020

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character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#Attack on Titan#Mikasa Ackerman
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