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drek'ar, 1boy, male furry, dragon furry, purple scarf, black short sleeve t-shirt, black long jeans, black sneakers, black fingerless gloves, white background, blush, fart, raised tail
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Size
768 x 1280
Sampling Steps
25
Sampling Method
Euler a
CFG Scale
6
Negative
NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,

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Hoshino - AI Model cover image

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Hoshino
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mauzymice [Artist Style] (Boykisser / Silly cat artist) - AI Model cover image

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mauzymice [Artist Style] (Boykisser / Silly cat artist)
173
Drek'ar - AI Model cover image

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Drek'ar
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ia
1boy, solo, anthro, otter, male, adult, muscular, muscular male, buff, broad shoulders, thick arms, bare chest, topless, body fur, brown fur, cream muzzle, small round ears, whiskers, thick otter tail, diaper only, wearing diaper, thick white diaper, sagging diaper, heavily soiled diaper, bulging diaper, oversized bulging load in diaper, brown stains, yellow stains, stained diaper, poop, comedic poop, fart, fart cloud, green fart cloud, gassy, from behind, looking back, over-shoulder, standing, one hand on diaper, embarrassed grin, gritted teeth, blush, sweatdrop, comic, humorous, full body Seen from behind at a three-quarter over-the-shoulder angle, a single adult male anthropomorphic otter stands with his back to the camera, twisting his head around so his face shows in profile-and-a-half above his right shoulder. He is a big, broad, powerfully built man: heavy trapezius muscles sloping into thick shoulders, a wide back tapering to a solid waist, thick arms hanging loose, and a short dense pelt of sleek brown fur that lightens to cream across his throat, chest and muzzle. A thick, muscular otter tail drops behind his legs and rests near the floor between his heels. He wears exactly one garment — a thick white absorbent diaper taped snugly around his hips, bare everywhere else from the shoulders down, nothing on his feet, nothing at his throat. The diaper's padding is stuffed enormously full and sags heavily between his thighs, its bulk sagging low and pulling the waistband down against the base of his spine; the back panel is swollen into a taut, strained mound that pushes the plastic cover out into a rounded bulge, and along that bulge the white surface is smeared with brown streaks and yellow-green seeps in blotchy, comic, cartoonish patches, a couple of drips running down the back of the thigh fur. Directly behind and below his tail, a small puffy cartoonish cloud of green-yellow gas hangs in the air, one curling puff just leaving the leg opening, blown slightly sideways by the same current that lifts the loose waistband edge. His weight sits on his right leg, left heel lifted, knees slightly bent, the stance braced and a little knocked-kneed by the sheer bulk in the padding. His right hand reaches back and pinches the diaper's back waistband between thumb and forefinger, tugging it away from his fur so the fabric tents; his left hand is curled into a loose fist at his side. His head turns back over his right shoulder, jaw clenched in a strained half-grin, teeth showing, one eyebrow crooked up, one eye squinted shut, a sweatdrop at his temple and a flush across the muzzle and ear tips. His gaze flicks back and down toward the viewer behind him and toward the cloud at his heels. The pose drags the diaper's side tapes off-center and pulls the waistband askew; his tail and the loose edge of the padding both drift in the same small breeze. The setting is a simple, dim, tiled locker-room bathroom wall behind him, kept plain and shallow: pale grey-green tiles, a horizontal metal rail at hip height, a soft ambient light from above and to the left that rakes the back muscles and leaves the underside of the diaper's bulge and the crook of his neck in shadow, casting his shadow forward onto the tiles with the gas cloud silhouetted soft against the wall. The palette stays limited — warm chestnut brown fur, cream undercoat, the glaring white of the diaper, and the ugly yellow-brown-green of the stains and cloud as the only accents. Comic, unapologetically gross-out, deadpan funny.
I am chease man
#Morenatsu

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음뭐지 안되서 다시 부계만듬
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