飯を不味くするやつには容赦しない
なんかシュールな絵面になったので。2巻の部長相手に古武術するやつのつもりです。
Show Parameters
- Mode
- flash
- Size
- 1536 x 2048
Model & LoRA used
Creation Assistant
Agent
Mio.2
Minimal input, professional output
Similar Images
Show moreは
A full-body gag panel composition with slightly tilted dutch-angle framing, depicting a dynamic judo seoi-nage shoulder throw between the men from image1 and image2. The tall man performing the throw features the exact face, wavy dark hair, and age of the man from image1; he is dressed in a dark kimono and haori. He leans forward with a pronounced bent back, pulling his opponent over his shoulder with an exaggerated funny expression. The small airborne man being thrown has the exact face, short dark hair, and youthful age of the man from image2. Wearing a dandy striped suit, he flies completely upside down above the tall man's bent back, his legs kicking wildly and his face frozen in outrage, as his beret floats off his head mid-flip. The scene takes place inside a dim little izakaya bar illuminated by warm amber lamplight, with sake bottles lined on shelves and shocked patrons frozen in the background. Comic speed lines radiate around the figures to emphasize the action. The style is changed to a retro Shōwa-era gag manga illustration featuring thick ink outlines, flat vintage colors, and an aged-paper texture.
bent_back: A character bends forward deeply, making the back a pronounced C-like or bow-shaped curve. The spine’s middle projects behind or above both ends, creating a clearly rounded silhouette. This can occur while curling around an object or another person. Common realizations include compact seated or crouched poses with knees drawn close, the head lowered or face obscured, and arms bracing the body or wrapping around the legs.
はらきりおじさん
は
retro manga, gag manga, shōwa era, 1960s manga style, full body, dutch angle, speed lines, action lines, seoi nage, judo throw, throwing, midair, upside-down, legs kicked up, exaggerated expression, outraged, screaming, tall thin man, dark kimono, dark haori, short man, striped suit, long wavy dark hair, black beret, flying headwear, izakaya, sake bottles on shelves, shocked patrons, warm amber light, flat vintage colors, aged paper texture, thick ink outlines
A slightly tilted dutch-angle full-body composition captures a slapstick altercation inside a dim, narrow izakaya bar. In the center, a tall and gaunt Japanese author plants his feet wide on the wooden floorboards, bending his back deeply forward into a sharp bow to execute a judo seoi-nage shoulder throw. Dressed in a dark traditional kimono beneath a dark haori that billows with sudden momentum, he grips his opponent firmly, grimacing with an exaggerated, gritted-teeth gag expression of comic exertion. Flung directly above the author's arched back, a diminutive poet opponent hurtles upside down through the air; dressed in a fitted striped dandy suit, his legs kick outward in frantic mid-air flailing, while his long wavy dark hair splays in gravity-defying disarray. The poet's face is contorted into an outraged cartoonish scream with popping eyes, his black beret floating freely off his head at the apex of the flip. Dynamic, hand-inked comic speed lines streak along the parabolic arc of the throw. In the background behind the counter, other tavern patrons stand frozen in comic paralysis, their bodies rigid, jaws hanging slack, and eyes reduced to stunned wide circles while holding sake cups mid-air. Rustic shelves laden with ceramic sake bottles and flasks line the dim wooden walls. The entire scene is illuminated by the warm amber lamplight of a single low-hanging overhead fixture, rendered with bold, thick weighted ink outlines, flat desaturated vintage color fills, and a nostalgic, toothy aged-paper texture. Farcical nostalgic uproar.
はらきりおじさん
は
2boys, retro artstyle, showa retro, gag manga, full body, dutch angle, judo throw, seoi-nage, fighting, izakaya, sake bottle, indoor, wooden counter, japanese clothes, kimono, haori, dark kimono, striped suit, dandy, beret, midair, upside-down, flailing, kicking legs, outraged, open mouth, exaggerated expression, spectators, speed lines, action lines, warm lighting, aged paper texture, flat color, vintage, dynamic pose, A dynamic full-body gag panel composition framed at a tilted dutch angle in a retro Shōwa-era manga style, executed with thick black ink outlines, flat desaturated vintage colors, and a tactile aged-paper texture. In the center of a dim izakaya bar, a tall, handsome Japanese author in his mid-20s—with a youthful smooth-skinned face and wavy black hair combed back—executes a vigorous judo seoi-nage shoulder throw. His stance is planted wide, knees flexed and his back bowed deeply forward in a bow-like curve, his hands gripping the jacket lapel and sleeve of his opponent to whip him forward over his shoulder, the wide sleeves of his dark kimono and haori flaring with the rotational snap. Flying horizontally upside-down through the air directly above the author's bent back, a small, delicate boyish poet in his early 20s with large dark eyes and long center-parted black hair falling past his shoulders flails in mid-flip. Dressed in a fitted striped dandy suit, his legs kick comically in the air and his face twists into an exaggerated, outraged wide-mouthed shout, while his black beret floats cleanly detached in empty air just above his inverted head. Bold black comic speed lines follow the sweeping arc of the throw across the frame. In the dim background, rustic wooden shelves stacked with sake bottles line the tavern wall, where frozen izakaya patrons gawk in wide-eyed, jaw-dropped shock. A warm amber hanging lantern provides the sole key light from above, projecting hard, graphic black shadows onto the wooden floorboards amidst a muted palette of tea-stained ochre, charcoal, and aged cream. Comedic chaos.
はらきりおじさん
は
A dynamic wide-angle action anime illustration featuring the tall man from image1 performing a judo seoi-nage shoulder throw on the smaller man from image2. The man from image1 crouches low, firmly gripping the other's arm. He retains his exact facial features from image1, including his long face and messy, pushed-back dark hair, and wears a dark kimono and haori. The smaller man from image2 is airborne upside down above the taller man's shoulder, his legs flailing wildly. He maintains his precise youthful, round face and short dark hair from image2, while his dark beret slips off his head and a long scarf trails behind him in the air. The dramatic low camera angle captures them in a traditional tatami room, illuminated by a single hanging bulb casting warm amber light. Dust bursts and comic speed lines radiate energetically around the figures. The style is changed to a bold modern anime aesthetic with high-contrast cel shading and a crisp cinematic composition.
はらきりおじさん
Explore more
Recommended Users
You might like
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ゚◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).。*♡ 🍁 ☕
(mai)
Comments