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- Original Prompt
- 1girl, black hair, short hair, flat cap, blazer, pants, mary janes, leg up, alley, smile, open mouth, open jacket, night, outstretched hand,
- Mode
- pro
- Style
- Seasonal Glow
- Quality Tag
- ﹝Prompts﹞
- Size
- 1104 x 1824
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
Style: Seasonal Glow
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1girl, solo, Louise Brooks bob, heavy straight blunt bangs, sharp short bob haircut, chin-length hair, flat sleek hair, symmetrical hair, straight hair, black hair, gentle smile, closed mouth, peaceful expression, soft eyes, long pleated skirt, retro outfit, cream vintage blouse, Peter Pan collar, long sleeves, black tights, opaque pantyhose, black shoes, extreme low angle, from below, looking down at viewer, standing on one leg, tiptoes, arms up, outstretched arm, leaning forward, hand reaching toward viewer, head tilt, cowboy shot, townscape, quiet town, cobblestone street, low stone wall, old shopfronts, overcast daylight, muted palette, film grain
An extreme low-angle shot taken from ground level: the camera lies almost flat on the cobblestones, so the girl towers over the lens and the pale overcast sky opens wide behind her small head. She is one young girl with a black chin-length Louise Brooks bob, cut sharp and blunt, the heavy fringe a flat straight curtain across her brow, the two sides falling in symmetrical sleek wings that touch the corners of her jaw with no wave or lift anywhere in the hair. Seen from beneath, her face is foreshortened: rounded chin tipped down toward the viewer, one brow slightly arched, lips closed in a gentle smile, the peace of her expression held in lowered lids and a soft unforced curve. She balances tipped up on her toes, right heel lifted off the stones, left foot taking her weight, both arms flung high overhead so the sleeves slide back and her hands reach out of the top of the frame; the pleated skirt swings forward around her knees with the movement, its long forest-green folds fanning open so a sliver of the black tights shows at the back of one shin above her dark shoes. Skirt hems, blouse cuffs and the ends of her bob lift toward the camera together, pushed by the same air. The environment is a quiet townscape behind and around her: a low stone wall running along the left of the street, small old shopfronts with shutters, a single distant figureless lane narrowing away, all roofs and upper walls looming and leaning in because of the steep upward perspective, the stones of the ground sharp in the near foreground and the buildings compressing toward the sky. Even, cool overcast light falls from above, catching the flat sheen of her hair, the pleats' ridges and the tops of her shoulders while the undersides of her chin and skirt stay softly shadowed; no hard cast shadows on the ground. The palette is restrained and vintage — deep forest green, cream, flat black, wet grey stone and pale sky. Her upturned face and reaching hands carry the detail budget, with the distant town simplified to clean massed shapes. Serene, gently buoyant.
黒
1girl, solo, Louise Brooks bob, heavy straight blunt bangs, sharp short bob haircut, chin-length hair, flat sleek hair, symmetrical hair, straight hair, black hair, gentle smile, closed mouth, peaceful expression, soft eyes, long pleated skirt, retro outfit, cream vintage blouse, Peter Pan collar, long sleeves, black tights, opaque pantyhose, black shoes, extreme low angle, from below, looking down at viewer, standing on one leg, tiptoes, arms up, outstretched arm, leaning forward, hand reaching toward viewer, head tilt, cowboy shot, townscape, quiet town, cobblestone street, low stone wall, old shopfronts, overcast daylight, muted palette, film grain
An extreme low-angle shot taken from ground level: the camera lies almost flat on the cobblestones, so the girl towers over the lens and the pale overcast sky opens wide behind her small head. She is one young girl with a black chin-length Louise Brooks bob, cut sharp and blunt, the heavy fringe a flat straight curtain across her brow, the two sides falling in symmetrical sleek wings that touch the corners of her jaw with no wave or lift anywhere in the hair. Seen from beneath, her face is foreshortened: rounded chin tipped down toward the viewer, one brow slightly arched, lips closed in a gentle smile, the peace of her expression held in lowered lids and a soft unforced curve. She balances tipped up on her toes, right heel lifted off the stones, left foot taking her weight, both arms flung high overhead so the sleeves slide back and her hands reach out of the top of the frame; the pleated skirt swings forward around her knees with the movement, its long forest-green folds fanning open so a sliver of the black tights shows at the back of one shin above her dark shoes. Skirt hems, blouse cuffs and the ends of her bob lift toward the camera together, pushed by the same air. The environment is a quiet townscape behind and around her: a low stone wall running along the left of the street, small old shopfronts with shutters, a single distant figureless lane narrowing away, all roofs and upper walls looming and leaning in because of the steep upward perspective, the stones of the ground sharp in the near foreground and the buildings compressing toward the sky. Even, cool overcast light falls from above, catching the flat sheen of her hair, the pleats' ridges and the tops of her shoulders while the undersides of her chin and skirt stay softly shadowed; no hard cast shadows on the ground. The palette is restrained and vintage — deep forest green, cream, flat black, wet grey stone and pale sky. Her upturned face and reaching hands carry the detail budget, with the distant town simplified to clean massed shapes. Serene, gently buoyant.
黒
1girl, solo, Louise Brooks bob, heavy straight blunt bangs, sharp short bob haircut, chin-length hair, flat sleek hair, symmetrical hair, straight hair, black hair, gentle smile, closed mouth, peaceful expression, soft eyes, long pleated skirt, retro outfit, cream vintage blouse, Peter Pan collar, long sleeves, black tights, opaque pantyhose, black shoes, extreme low angle, from below, looking down at viewer, standing on one leg, tiptoes, arms up, outstretched arm, leaning forward, hand reaching toward viewer, head tilt, cowboy shot, townscape, quiet town, cobblestone street, low stone wall, old shopfronts, overcast daylight, muted palette, film grain
An extreme low-angle shot taken from ground level: the camera lies almost flat on the cobblestones, so the girl towers over the lens and the pale overcast sky opens wide behind her small head. She is one young girl with a black chin-length Louise Brooks bob, cut sharp and blunt, the heavy fringe a flat straight curtain across her brow, the two sides falling in symmetrical sleek wings that touch the corners of her jaw with no wave or lift anywhere in the hair. Seen from beneath, her face is foreshortened: rounded chin tipped down toward the viewer, one brow slightly arched, lips closed in a gentle smile, the peace of her expression held in lowered lids and a soft unforced curve. She balances tipped up on her toes, right heel lifted off the stones, left foot taking her weight, both arms flung high overhead so the sleeves slide back and her hands reach out of the top of the frame; the pleated skirt swings forward around her knees with the movement, its long forest-green folds fanning open so a sliver of the black tights shows at the back of one shin above her dark shoes. Skirt hems, blouse cuffs and the ends of her bob lift toward the camera together, pushed by the same air. The environment is a quiet townscape behind and around her: a low stone wall running along the left of the street, small old shopfronts with shutters, a single distant figureless lane narrowing away, all roofs and upper walls looming and leaning in because of the steep upward perspective, the stones of the ground sharp in the near foreground and the buildings compressing toward the sky. Even, cool overcast light falls from above, catching the flat sheen of her hair, the pleats' ridges and the tops of her shoulders while the undersides of her chin and skirt stay softly shadowed; no hard cast shadows on the ground. The palette is restrained and vintage — deep forest green, cream, flat black, wet grey stone and pale sky. Her upturned face and reaching hands carry the detail budget, with the distant town simplified to clean massed shapes. Serene, gently buoyant.
黒
Stop!!
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