📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

杏奈と萌子、ツーリング

#Tokyo Tower#Motorcycle#Honda#The Dangers in My Heart#Anna Yamada#Super Cub#Moeko Sekine
More to See

Comments

character: yamada_anna, sekine_moeko, copyright: boku_no_kokoro_no_yabai_yatsu Anime "The Dangers in My Heart", Anna Yamada, Moeko Sekine (loose fluffy half-up hairstyle, cat-like mouth, hehe-shaped mouth), anime style, (anime coloring:2.0), modern anime illustration, high quality, clean and precise lineart Two of them touring together happily Anna Yamada's outfit and bike: summer uniform blouse with long sleeves slightly rolled up, navy blue knee-high socks, white Arai full-face helmet, bike is a Flash Yellow HONDA Super Cub 110, model JA44 Moeko Sekine's outfit and bike: summer uniform blouse with long sleeves slightly rolled up, white loose socks, white full-face helmet, bike is a Summer Pink HONDA Super Cub 110, model JA44 Background is Tokyo Tower, with their two bikes lined up neatly vertically Yamada and Sekine are straddling their bikes for a commemorative photo, helmets are either held in their hands or placed on the bike mirrors, each striking a pose together, captured from a slightly distant perspective
Show Parameters
Original Prompt
アニメ『僕の心のヤバイやつ』山田杏奈、関根萌子(髪型ゆるふわなハーフアップの、口元は猫口、ヘヘの字口)、 anime style, (anime coloring:2.0), modern anime illustration, high quality, clean and precise lineart 2人で仲良くツーリング 山田杏奈の格好とバイク 夏用制服のブラウスは長袖で少し捲くり紺色のニーソックス、ヘルメットは白いアライ製フルフェイス、バイクはフラッシュイエローのHONDAスーパーカブ110で型式JA44 関根萌子の格好とバイク 夏用制服のブラウスは長袖で少し捲くり白のルーズソックス、白のフルフェイスヘルメット、バイクはサマーピンクのHONDAスーパーカブ110で型式JA44 背景は東京タワーをバックにそれぞれのバイクを2台綺麗に縦に並べる 山田、関根はバイクに跨り記念撮影、ヘルメットは手に持つかバイクのミラーに乗せる、それぞれ撮影ポーズを決めて2人一緒、少し遠目に撮影してもらいました!感じ
Mode
flash
Size
1104 x 1824
Prompt Helper

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬