Show Parameters
- Original Prompt
- white background, solo, , big belly, digestion sounds, solo, prey struggling in belly, sitting down on floor, legs spread, gigantic belly, belly noises, sloshing belly sounds, male, posing, cool pose, awesome poses, confidence, smug smile, happy, detailed, laying down, looking at viewer, lean body, male, smug face, forest setting, one hand on belly
- Size
- 768 x 1280
- Sampling Steps
- 25
- Sampling Method
- Euler a
- CFG Scale
- 6
- Negative
- NSFW, worst quality, bad quality, low quality, lowres, scan artifacts, jpeg artifacts, sketch, (worst quality, bad quality:1.1), lowres, jpeg, artifacts, signature, username, text, logo, bad anatomy, artist name, artist logo, extra limbs, extra digit, extra legs, extra legs and arms, disfigured, missing arms, too many fingers, fused fingers, missing fingers, unclear eyes, blur, film grain, noise,
Model & LoRA used
Similar Images
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Sonikko (Female Sonic)
Hyper Zexo
jd
green hill zone, solo1, tails the fox\(sonic the hedgehog\), short, shortstack, pudgy, ((cartoony limbs, less detailed limbs, noodle limbs)), ((3 toed feet, barefoot, nude)),, Classictails, black eyes, furry male, fox boy, fox, fox ears, animal nose, black nose, bangs, yellow hair, yellow fur, white fur, two-tone fur, fox tails, two tails, V1sage, inflation, big belly, round belly, belly inflation, bloated belly, MNO-rear, SMTH-rear, featureless crotch, smooth rear, cartoony rear
Jane Doe
fv
character: neo_metal_sonic, tails_(sonic)
2subjects, sitting, couch, sofa, living room, mecha, robot, blue armor, massive belly, huge swollen belly, blue belly, stretched stomach, pressing against belly, belly bulge, struggling, thrashing, inside belly, silhouette, glowing red eyes, black sclera, grinning, smug, blush, completely red face, full-face blush, fox, fox ears, two tails, spiral eyes, dizzy, scared, panic, medium shot, front view
Front-facing medium shot centered on a wide upholstered sofa. An imposing cobalt-blue robotic humanoid sits comfortably reclined against the sofa cushions, with one dark-jointed metal arm draped along the backrest and the other clawed hand resting possessively atop the apex of its massive, swollen midsection. Its angular blue head carapace features flared quills swept backward, and its metallic faceplate is flushed entirely bright crimson with an intense, overheated blush. A broad, sharp grin parts its lower faceplate beneath glowing red optical sensors with solid black sclera. Resting heavily across its lap is an enormous, taut, spherical blue belly that sags deeply into the foam of the seat cushion. The stretched blue surface ripples and flexes under continuous motion from inside, where the silhouette of a small anthropomorphic two-tailed fox frantically pushes and kicks against the interior wall. Two small gloved hands press hard against the pliant skin, raising distinct, stretched bumps on the outer blue surface. The small fox's face presses visibly against the taut blue membrane from within, showing wide eyes filled with disoriented concentric spiral lines, an open distressed mouth, and cheeks completely glowing red with embarrassment and fear. The heavy metallic weight compresses the sofa cushions beneath it, creating deep radial stress creases in the fabric. Ambient indoor light casts glossy curved highlights across the polished dome of the distended blue stomach. Smug comedic mischief.
Federico Vecchi
Cream belly
Loser bot
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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