Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details

Tsubaki.3

#Tsubaki.3
More to See

Comments

The Image shows a full view of a tall male character with ash gray skin covered in scars. He wears a distinctive knight LARP helmet under a white stitched and tattered hood with a scarf. He wears a sleeveless pale and dirty leather vest with straps. He has a small blue glowing crystal pendant. He wears an old long tattered brown skirt with overlapping steel plates and riveted leather straps. He wears a brown waist bag on his belt. He wears dirty dark brown pants with old worn brown boots and rusted greaves. He has old tattered and dirty brown bandages wrapped tightly around his hands and forearms. He is dual wielding axes with runes engraved in the blades. The blades of both axes are glowing yellow and are emitting a pulse of purple energy with black lightning. Standing in a white void, zoomed out, full body view, Hyper-detailed anime illustration in 8K, vivid anime coloring, gradation eyes, official art style, sharp focus, anime screencap and game CG style, anime-style layered composition with clear foreground, midground, and background separation, clean lineart and cel shading, midground character in sharp focus, soft atmospheric background, cinematic depth and visual hierarchy, stylish lighting that accentuates highlights and contrasts, cinematic lighting, cinematic angle, soft light, color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors.
Show Parameters
Original Prompt
The Image shows a full view of a tall male character with ash gray skin coverd in scars. He wears a distinctive knight LARP helmet under a white stitched and tattered hood with a scarf. He wears a sleeveless pale and durty leather vest with straps. He has a small blue glowing crystal pendant. He wears an old long tattered brown skirt with overlapping steel plates and riveted leather straps. He wear a brown waist bag on his belt. He wears dirty dark brown pants with old worn brown boots and rusted greaves. He has old tattered and dirty brown bandages wrapped tightly around his hands and forearms. He is duel wielding axes with runes engraved in the blades. The blades of bothaxes are glowing yellow and are emitting a pulse of purple energy with black lightning. Standing in a white void, zoomed out, full body view,Hyper-detailed anime illustration in 8K, vivid anime coloring, gradation eyes, official art style, sharp focus, anime screencap and game CG style, anime-style layered composition with clear foreground, midground, and background separation, clean lineart and cel shading, midground character in sharp focus, soft atmospheric background, cinematic depth and visual hierarchy, stylish lighting that accentuates highlights and contrasts.,cinematic lighting , cinematic angle, soft light , color detail, backlighting, Depth of field, long exposure, light steps, intricate colors, vibrant colors,
Mode
lite
Size
960 x 1280

Model & LoRA used

Similar Images

Show more
AI artwork
nw
artist: sa-dui, doppel_(bonnypir) 1boy, solo, (toned male:0.55), short hair, white hair, blue eyes, glowing eye, mouth mask, red robe, hood up, red hood, mechanical joints, black prosthesis, mechanical arms, cyborg, robot, black cargo pants, cargo pants, adeptus mechanicus tech priest, armor, omnissian axe, servo-skull, skull, weapon, sci-fi, white background, simple background, from below, cowboy shot, holding axe, looking at viewer, dutch angle, dramatic angle, windblown robe A low, tilted three-quarter view from below the hip line, a single male tech priest planted wide on an unseen dark floor, the frame cut as a cowboy shot with the crown of his red hood near the top edge and the bottom hem of the red robe sweeping out of frame. His weight rides on his rear leg, the forward hip pushed out, torso twisted a quarter turn toward the lens, and the whole long red robe has been pulled into a wind-caught billow behind him, cloth bellies away from the body on the far side while its front falls taut across his chest. The hood is up and sits low, casting a hard shade over the upper face, a deep shadow lying under the brim. Short white hair pushes out at the hood's edge, brittle strands lit along the temples. His eyes are visibly blue and cold, and the odd one glows, a hot pinpoint under the shadow that throws a faint light onto the rim of the mask. A featureless mouth mask seals the lower face entirely, black and unmarked, its seams catching a hard specular line. The neck and jawline connect to a mechanical throat, the joints visible as a stack of ball-and-socket rings of bare gunmetal. Both arms read as engineered limbs from the shoulder down, plated, seamed and jointed, hands the only thing close to human proportions, and the right hand is closed around the long haft of a broad-bladed Omnissian axe, its head angled over his shoulder, the blade edge catching a cold rim of light. Both feet are black prostheses under the black cargo pants, which are bloused into the ankles, their cargo pockets and heavy thigh straps pulled tight where the cloth strains over the mechanical knee joints. Blue-grey light comes from below the frame and behind the lens, so the undersides of the hood, the mask, the axe head and the knee plating take the light and the top of the shoulders and the peak of the hood are the darkest places in the image. Just off his left shoulder, a servo-skull hovers at head height, its bare cranium lifted, its jaw slack, the eye sockets dead except for a tiny dwell of reflected glow from his lit eye, the skull drifting with a slight tilt all its own. Nothing but a flat seamless white carries the whole ground and sky, unvaried edge to edge, clean white meeting the moving red cloth, the only other colours in the picture gunmetal, black and the blue-white pin of the eye. Clean, dispassionate, menacing.
NADWay
AI artwork
nw
artist: sa-dui, doppel_(bonnypir) 1boy, solo, (toned male:0.55), short hair, white hair, blue eyes, glowing eye, mouth mask, red robe, hood up, red hood, mechanical joints, black prosthesis, mechanical arms, cyborg, robot, black cargo pants, cargo pants, adeptus mechanicus tech priest, armor, omnissian axe, servo-skull, skull, weapon, sci-fi, white background, simple background, from below, cowboy shot, holding axe, looking at viewer, dutch angle, dramatic angle, windblown robe A low, tilted three-quarter view from below the hip line, a single male tech priest planted wide on an unseen dark floor, the frame cut as a cowboy shot with the crown of his red hood near the top edge and the bottom hem of the red robe sweeping out of frame. His weight rides on his rear leg, the forward hip pushed out, torso twisted a quarter turn toward the lens, and the whole long red robe has been pulled into a wind-caught billow behind him, cloth bellies away from the body on the far side while its front falls taut across his chest. The hood is up and sits low, casting a hard shade over the upper face, a deep shadow lying under the brim. Short white hair pushes out at the hood's edge, brittle strands lit along the temples. His eyes are visibly blue and cold, and the odd one glows, a hot pinpoint under the shadow that throws a faint light onto the rim of the mask. A featureless mouth mask seals the lower face entirely, black and unmarked, its seams catching a hard specular line. The neck and jawline connect to a mechanical throat, the joints visible as a stack of ball-and-socket rings of bare gunmetal. Both arms read as engineered limbs from the shoulder down, plated, seamed and jointed, hands the only thing close to human proportions, and the right hand is closed around the long haft of a broad-bladed Omnissian axe, its head angled over his shoulder, the blade edge catching a cold rim of light. Both feet are black prostheses under the black cargo pants, which are bloused into the ankles, their cargo pockets and heavy thigh straps pulled tight where the cloth strains over the mechanical knee joints. Blue-grey light comes from below the frame and behind the lens, so the undersides of the hood, the mask, the axe head and the knee plating take the light and the top of the shoulders and the peak of the hood are the darkest places in the image. Just off his left shoulder, a servo-skull hovers at head height, its bare cranium lifted, its jaw slack, the eye sockets dead except for a tiny dwell of reflected glow from his lit eye, the skull drifting with a slight tilt all its own. Nothing but a flat seamless white carries the whole ground and sky, unvaried edge to edge, clean white meeting the moving red cloth, the only other colours in the picture gunmetal, black and the blue-white pin of the eye. Clean, dispassionate, menacing.
NADWay

Explore more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬