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ほんとに怒りそう😿‪

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pastel colors, clean lineart, anime style, 748cmstyle, cute, girl, pastel color, <CCpkmnStyleMix>, watercolor texture, white background, gradient colors, gradient watercolor, abstract background, watercolor painting, cute, semi-realistic, thick painting, painterly texture, translucent glow, soft rim light, sub-surface scattering, fine details, masterpiece, Male, Vibrant blue short hair, Thin, natural eyebrows, same color as the hair, Large, rounded eyes, vibrant light blue, with drooping outer corners, Cheeks have a slight redness, Thin bridge of the nose, small tip of the nose, Small mouth, thin lips. Lips have a healthy color, Fair and smooth skin, Rounded face contour, From the waist down, the body transforms into one single slender fish tail, The tail begins at the waist and extends directly backward, away from the front of the body, The tail is long and slender, gradually widening toward its very end, The entire tail is vibrant light blue and covered with fine scales, A single large caudal fin is attached only to the very end of the tail, The caudal fin is fan-shaped and spreads sideways only at the very end of the tail, The center of the caudal fin is vibrant light blue, becoming a deeper blue toward the outer edges, Only the tips and outer edges of the caudal fin are black, The black coloration forms thin borders and does not cover the entire fin, Many thin fin rays extend from the base of the caudal fin toward its outer edges, The caudal fin is located far behind the upper body, at the end of the tail, The caudal fin does not surround, overlap, or attach to the upper body, The dorsal fin is small, thin, light blue, with black edges, The dorsal fin is located only on the upper rear side of the fish tail, behind the body, There are no fins extending from the head, neck, shoulders, chest, arms, or sides of the upper body, There are no wing-like fins, The only large fin is the single caudal fin at the very end of the tail, The body is facing directly forward, The upper body is fully visible from the front, The fish tail extends directly backward from the waist, aligned with the body's center line, The tail goes away from the viewer and remains behind the body, The caudal fin is located at the far end of the tail, behind the body, The caudal fin does not extend around the sides of the body, The tail and caudal fin must never curve around to the front of the body, The tail and caudal fin must not appear beside, in front of, or around the upper body.
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lite
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768 x 1280

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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