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- Original Prompt
- 薄茶色の無造作な髪、鮮やかな赤い瞳の美少年。 黒いオーバーサイズのパーカーを着て、片手に大きなメガホンを持ち、こちらに向かって勢いよく叫んでいる。 もう片方の手は顔の横で拳を高く掲げている。 少し頬を赤らめ、汗を浮かべた必死で感情的な表情。 耳には複数のシルバーピアス。 ポップアート×アメコミ×日本の漫画風イラスト。 太く荒々しい黒線、手描き感のある線画、強いコントラスト、ハーフトーンドット、網点、ざらざらした印刷物の質感、レトロコミック風。 赤・黄色・ターコイズ・ピンク・黒を中心にした派手で高彩度な配色。 背景いっぱいに巨大なタイポグラフィ、落書き風文字、星、稲妻、矢印、警告マーク、ステッカー風モチーフを配置。 文字は「IN MY HEAD」。 文字の一部を人物やメガホンの後ろに隠し、雑誌の表紙のような大胆なレイアウト。 画面手前にメガホンを大きく配置した強い遠近感。 人物はバストアップ、斜め構図、顔を中央付近に配置。 サイケデリックで少しパンク、Y2Kグラフィック、ストリートアート感。 細密、高品質
- Mode
- lite
- Size
- 768 x 1280
Model & LoRA used
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A beautiful boy with messy, fluffy light brown hair, vivid red eyes, and thin-framed round glasses.
Wearing a black oversized knit sweater, white shirt, and tie.
Bold upper body close-up composition.
One hand placed against his temple, fingers in a pistol-like pose.
The index finger of the other hand placed against his mouth.
A provocative and emotional expression with his mouth wide open and tongue slightly poking out.
Brows furrowed, cheeks flushed red, with sweat on his face and neck.
Glaring sharply at the viewer with red eyes.
The background is a vivid mustard yellow.
Poster-style layout where text appears to be behind the figure.
Pop art x Punk x Japanese manga style.
Rough black ink line art, thick outlines, fine cross-hatching, halftone dots, screentone, print blurring, paper texture, ink splashes, and retro printing style with slight color misalignment.
Strong vivid pink to magenta shadows on the skin.
High saturation colors centered around light brown, red, black, and yellow.
An atmosphere like an underground manga, punk magazine, or a scene from a music video.
Bust-up, dynamic composition, high density, detailed, high quality.
あまち
はぴまるｻﾌﾞ
赤い瞳のクールな男の子
®
現代っ子
haruki3-0211
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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