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AI artwork featuring #Moon, #Outdoors, #Blood moon, #No humans, #Night, #Full moon, #Pillar, #Architecture, #Building, #Night sky, #Bloodborne and #Tsubaki.3
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Bloodborne, Moon

Tsibaki.3 공모전 붉은달의 검은 성지

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Moon#Outdoors#Blood moon#No humans#Night#Full moon#Pillar#Architecture#Building#Night sky#Bloodborne
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skll235

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no humans, scenery, landscape, night, red moon, full moon, black stone, ruins, sanctuary, shrine, monolith, wide shot, from below, outdoors, painterly, visible brush strokes, sketch lines, A low-angle wide shot looking up at a desolate, sacred black sanctuary standing solitary under the night sky. Colossal monoliths, tiered obsidian pillars, and cracked ceremonial arches of deep soot-black stone tower into the atmosphere, completely devoid of people, human figures, or silhouettes. In the heavens, an enormous crimson moon dominates the sky, casting a vivid scarlet glow across the weathered stone surfaces and creating long, stark shadows across the cracked flagstone ground. A cool teal-blue atmospheric haze drifts between the towering pillars, while warm golden highlights trace the ancient weathered carvings, gilded filigree, and cracked edges of the black altars. Crimson moonlight strikes only the upward-facing planes and beveled rims of the dark megaliths, while the low-lying mist gathers into the deep fissures between the stones without disturbance. Executed in a soft, painterly anime style with visible brush textures, layered color blocks, and loose, sketch-like linework, where cool teal-blue atmospheres contrast with warm golden highlights and the blood-red lunar glow. Eerie solemnity.
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Original Prompt
붉은달과 검은 성지, moon, night, masterpiece, best quality, no humans,
Mode
ultra
Size
1408 x 1408
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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l3
no humans, scenery, wide shot, panoramic, ruin, ancient ruins, temple, sanctuary, floating island, night, starry sky, stars, milky way, twin moons, glowing vines, bioluminescence, crystal formations, crystals, pillar, broken pillar, lantern, floating lights, light particles, glowing rings, rings of light, cosmic, outer space, dark fantasy, deep blue, violet, cyan accents, gold accents, glowing, mystical A wide panoramic shot captures an ancient temple complex shattered across colossal islands of weathered stone floating weightlessly in deep space. Weathered stone sanctuaries with fluted architraves and cracked altars rest upon the tiered rocky plateaus, their jagged granite bases tapering into empty space. Dense networks of luminous cyan vines snake through fissure lines in the masonry and coil around broken classical pillars, casting cool bioluminescent ripples across aged paving stones. Clustered prismatic crystal formations jut from fractured plinths, catching and refracting ambient starlight into sharp faceted gleams. Encircling the central floating islands, massive concentric rings of golden light rotate on tilted orbital axes, projecting faint geometric runes onto the drifting monoliths. Across the upper half of the frame, a vivid Milky Way trails billowing violet and indigo nebular clouds behind twin moons that illuminate the scene from above—one dominant pale silver sphere and a slender violet crescent hanging in tandem. Small brass lanterns flicker with warm golden embers from ruined archways, while loose ethereal light motes drift leisurely between fractured columns. Micro-shards of pulverized masonry suspend and drift slowly upward near the perimeter of the luminous rings, pulled by localized orbital gravity against the deep violet void. Sacred and enigmatic.
l3
#Fate series
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uy
wide shot, no humans, wind, destruction, ruins, crumbling stone arcade, collapsed colonnade, shattered masonry, exposed rebar, dust in the air, debris scattered across broken flagstones, leaning facade, torn awning shreds snapping in the gale, dust cloud, from below, dutch angle, dramatic sky, low horizon, cold desaturated palette, volumetric haze, long cast shadows The camera looks up from ground level at a tilted angle, so the ruined arcade overhead leans across the top of the frame and its broken columns converge toward a vanishing point skewed to the right. In the foreground a cracked flagstone terrace, half of it sheared away into a rubble slope that falls toward the viewer's left; a broken column drum lies on its side across the terrace with one chipped flute catching the light. Midground: a shattered three-arch colonnade, two arches collapsed into heaps of stone, the third still standing but bowed, its keystone slipped a hand's width downward; behind it a gutted facade of pale stone with a torn awning hanging from a bent rail, its shreds whipping outward to the right and snapping taut then slack in the gusts. Background: dust-hazed rubble hills and broken walls receding into a pale grey sky, reduced to flat silhouettes without detail. Nothing living stands in the frame; the ruin is the entire subject. The wind is the actor and every surface obeys one direction, blowing from the left of frame to the right. Dust and fine grit streak horizontally through the middle of the image, thinning to nothing in the foreground where the terrace blocks the flow, so the haze is dense at the colonnade and clear at the viewer's feet. The awning's shreds stream rightward and lift; loose papers and grit skid flat across the open flagstones, but where the terrace cracks open the grit piles up in windrows and does not cross, so the debris reveals the wind instead of floating randomly. The cracked flagstone terrace and the tops of the broken column drums are scoured clean and pale by the blowing sand, while the sheltered underside of every fallen block stays dark and grit-crusted. Loose grit hisses along the ground in shallow drifts at the base of the standing arch. One light source: a low sun from the left, cold and raking. It strikes the left-facing flutes of the standing column and the left edge of the bowed arch, throwing long hard shadows of the fallen stones to the right that stretch across the terrace and break against the rubble slope. The right side of every block sits in cool shadow. Sky is a pale, wind-scoured grey-white, brightest low on the left horizon; no sun disc visible. Light is filtered through dust, so distant ruins read soft and low-contrast behind a veil of haze. Palette is dust-grey stone, chalk-white sun-bleached highlights, deep cool slate in the shadows, one warm note of rust-orange in the exposed rebar and in a fragment of fallen ochre plaster, and the pale grey-white of the sky. No green anywhere. High detail on the foreground column drum, the cracked flagstones and their grit windrows, the shed awning shreds; the background is simplified to haze and silhouette. Quiet desolation, harsh, cold.
ut yatu
#zetaCollab#Fate series
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Avatar image of Skye Hawkins
no humans, scenery, landscape, fantasy, wide shot, from below, ancient ruins, stone arch, floating islands, mineral pools, terrace, waterfalls, glowing crystals, bioluminescence, twilight, starry sky, two moons, aurora, moss, overgrown, nature, atmospheric Wide low-angle view of a completely uninhabited fantasy landscape at twilight, entirely devoid of any human or humanoid presence. In the foreground, stepped terraces of pale mineral stone cup shallow basins of luminous turquoise water, where quiet trickles spill over smoothed stone rims into lower pools. A colossal fractured archway of weathered black basalt dominates the midground, its crumbling masonry bound tightly by ancient twisted roots that pulse with faint golden bioluminescence. Several sharp rock fragments and small monoliths float completely motionless in mid-air beneath the arch's span, defying gravity. In the far distance, sheer mountain spires dissolve into a deep violet mist under a twilight sky punctuated by two pale crescent moons and an emerald auroral ribbon weaving across the stars. Illumination arrives from two distinct sources: the cool, diffuse indigo and violet glow of the celestial sky from above, and the warm cyan radiance of submerged crystals inside the water terraces from below, casting soft upward light onto the underside of the floating stone shards. Tiny glowing spores drift upward on the evening thermal currents rising from the warm mineral water, their soft paths curving through the calm air, while persistent condensation dripping from the overhanging roots breaks the glassy surface of the stone pools into clean concentric rings. The palette is held strictly in deep indigos, violet dusk, stone gray, and brilliant luminescent turquoise, accented by forest moss. Ancient serenity, mystical quietude.
Skye Hawkins
#Tsubaki.3

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