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AI art "한장씩 뽑는게 퀄리티가 더 좋은가?"
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한장씩 뽑는게 퀄리티가 더 좋은가?

요즘 이 캐릭터의 핑크빛 눈동자와 깜찍한 투톤 헤어에 푹 빠져서 한참을 바라봤어요. 회색과 핑크가 어우러진 의상이 마치 작은 요정 같아서 자꾸만 마음이 가네요. 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 함께 이야기해요〜

Contest Entry
The Incarnation! Pokemon/Digimon/OC Personification Contest #Incarnation Personified
#Hat#pink hair#Multicolored hair#Grey hair#Pink eyes#Girl#Indoors#Banette#Low twin braids
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oracho

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character: mega_banette mega banette, personification, from below W-sitting. The background is a warm, old house. Sitting in the middle of a room filled with old wooden furniture, looking down with a mischievous smile. The perspective is a close-up viewpoint looking up at the face. The girl is hugging the camera to her chest, embracing it with both hands. Both hands are wearing gloves shaped like Banette's hands. The girl is wearing a Mega Banette mask/costume over her head, with her face poking out. Behind her, a Mega Banette is leaning against the wall like a doll. ,sugar style,masterpiece,high quality,modern illust style,highly detailed anime style,highly detailed eyes,high-quality anime illustration,professional illustration,visually appealing composition,polished finish,ultra-detailed,masterpiece quality,
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Original Prompt
mega banette, personification, from below W-sitting. 따듯한 낡은 집이 배경이야. 낡은 나무가구들이 놓여진 방 한가운데 앉아서 장난스럽게 웃으며 내려다보고 있어. 시점은 가까이서 얼굴을 올려다보는 시점이야. 소녀는 카메라를 품에 묻은 채 양손으로 감싸고 있어. 양손 모두 다크펫의 손 모양 장갑이 씌워져 있어. 소녀는 메가 다크펫의 탈을 뒤집어 썻고, 얼굴은 튀어나와있어. 뒤에는 메가 다크펫이 인형처럼 벽에 기대어 놓여져있어. ,sugar style,masterpiece,high quality,modern illust style,highly detailed anime style,highly detailed eyes,high-quality anime illustration,professional illustration,visually appealing composition,polished finish,ultra-detailed,masterpiece quality,
Mode
pro
Size
1232 x 1632
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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1#Attack on Titan#Mikasa Ackerman
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