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AI art "常盤御前の雪中逃避行 ver. Tsubaki.3"
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常盤御前の雪中逃避行 ver. Tsubaki.3

何時の時代も母の愛は強いものです。

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Barefoot#Japanese clothes#Child#Outdoors#Geta#Black hair#Family#Mother and son#Snow#Baby#Winter
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4people, 1woman, 2boys, 1baby, wide shot, full body, from side, walking, fleeing, looking cold, shivering, trembling, snowy wilderness, snow, falling snow, blizzard, muddy snow, slush, rutted path, tsubo shozoku, tucked hem, layered kimono, katsugi, veil draped over head, no hat, elevated geta, ashida, red thongs, carrying baby, baby in arms, swaddled baby, hanjiri, patterned boy's robe, kukuri bakama, puffy trousers, tied trousers, chigo-gashira, straight bob cut, blunt bangs, barefoot, bare feet, red toes, traditional japanese wash and ink rendering, muted organic pigments, flat perspective, sumi-e, mid-edo japanese painting style In a wide side-profile composition executed in the manner of a mid-Edo period Japanese handscroll painting, a noble mother trudges leftward through a desolate, snow-covered wasteland with three young children in her charge. The mother leans forward against the driving winter chill, her upper body slightly hunched to protect the infant clutched against her chest. She wears Heian-period travel attire consisting of patterned, layered silk robes bound high at the waist with their hems hoisted above the mire; her head is draped exclusively in a voluminous dark indigo katsugi robe that acts as a cowl and mantle falling over her shoulders, leaving her crown completely free of any hat or woven headpiece. On her feet she wears elevated two-toothed wooden ashida geta secured by vivid vermilion-red fabric thongs, lifting her soles several inches above the freezing muck, with no straw sandals worn. Her delicate face is flushed pink by the wind, her brows knit in strained concentration as her lowered gaze watches the frozen ground before her children's feet. Held securely within the cross-folded lapels of the mother's robes, the swaddled baby peeks out from the heavy silk wrapping, dark round eyes gazing into the gray expanse with quiet curiosity, its small cheeks flushed red by the chill. To her right, her elder young son walks closely beside her, his fingers clutching a gathered fold of her tucked robe for support; he wears a short patterned hanjiri tunic over voluminous kukuri-bakama trousers cinched tightly below the knees, with his dark hair trimmed in a neat chigo-gashira bob that swings with his trembling steps. Behind them, the smaller second boy shivers violently, his arms tucked tight into the wide sleeves of his own hanjiri robe, his matching chigo-gashira bobbed hair catching wet specks of falling snow. Both boys walk with completely bare feet and ankles, their exposed toes curled and stained ruddy red from the bitter cold as they step directly through icy white snow and churned dark brown slush. The wilderness road forms a low diagonal swath of frozen ruts, trampled slush, and exposed black earth flanked by bent, frost-crusted winter reeds. A single pale, diffused light filters through a heavy, overcast winter sky, casting no hard shadows and leaving the expansive negative space of the tea-toned aged washi paper ground flat and quiet. Footprints behind the travelers reveal the physics of their flight: small five-toed bare impressions immediately pool with dark, muddy meltwater, contrasting against the crisp parallel rectangular ruts carved into the snow crust by the mother's tall wooden geta. Rendered in traditional Japanese wash and ink with muted organic pigments and flat perspective, defined by fine calligraphic sumi ink contours and mineral pigment washes of indigo, gofun-white, raw umber, and touches of cinnabar. Somber endurance.
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Original Prompt
常盤御前の雪中逃避行の様子。江戸中期の日本画風。雪道の荒野の中を、壺装束(平安時代末期の女性の旅装)を着た常盤御前(ただし市女笠ではなく被衣をかぶり、草履ではなく赤い鼻緒の足駄を履いている)が3人の子どもを連れて歩いている。子ども3人の内、1人は赤ちゃんで、女性に抱かれて見守られている。2人は半尻(平安時代末期の童子の上着)と括り袴(平安時代末期の童子のズボン)を着て、稚児頭(平安時代末期の童子のおかっぱ頭)で素足である。雪に泥濘んだ悪路を、皆で寒そうに歩いている。
Mode
pro
Size
1232 x 1632
Negative
lowres, worst quality, low quality, bad anatomy, explicit

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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2men, ukiyo-e, woodblock print, traditional media (artwork), wide shot, panoramic, dramatic angle, judo, seoi nage, martial arts, throwing, upside-down, midair, tall lanky man, dark kimono, haori, bent forward, short man, black beret, long coat, scarf, trailing scarf, long hair, floating hair, dynamic pose, bold black outlines, visible woodgrain, ink texture, stylized curved motion lines, radiating lines, flat color, flat lighting, limited palette, indigo, vermilion, generous negative space, off-white background Wide panoramic composition from a low profile angle. In a dramatic display of judo seoi-nage, a tall, lanky writer in a deep indigo kimono and flowing haori bends low at the waist, driving his hips upward as a fulcrum with his geta-clad feet planted firmly into the ground. Both of his hands grip the lapel and sleeve of a much shorter poet, launching him entirely over his shoulder. The small poet arcs across the upper sky completely upside-down, his body curved into a graceful, swooping brushstroke silhouette. A round black beret clings to the poet's head while his long dark hair and vermilion wool scarf stream tautly behind him, their fluttering ripples revealing the pure parabolic curve of centrifugal force. Flaring coat tails whip through the air as the poet hangs weightless at the apex of the throw. Bold, stylized motion swirls and stark radiating lines slice across the background in sharp calligraphic strokes to map the momentum. The vast upper and lateral margins remain generous negative space on an unprinted, warm ivory paper ground, accented by subtle vertical woodgrain textures and rich fibrous ink bleeds along the heavy, hand-carved black outlines. Rendering is strictly flat with traditional print lighting, disciplined entirely to rich indigo, vivid vermilion, sumi-e black, and raw paper tone. Kinetic drama.
はらきりおじさん
#Dragon Ball#Easy Apocalypse

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