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373 tomi
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- Original Prompt
- cel anime, masterpiece, best quality, very aesthetic, absurdres, newest, hyper detailed, advertisement,official art, perfect proportion, perfect legs, elaborately designed clothes,elaborately designed clothes,detailed clothes, 1girl, takagaki_kaede,medium breasts, looking at viewer, full body, toe, light smile, sg lingerie, white lingerie, ruffled bra, ruffle panties, navel, sailor collar, bare shoulder, frills, jewelry, earrings, cleavage, voluptuous, curtains, bedroom, soft lighting, black ribbed knee-high socks, over-the-calf socks, dark charcoal socks, red embroidered logo on sock cuff, detailed fabric texture,
- Mode
- ultra
- Size
- 1632 x 1232
- Negative
- lowres, worst quality, low quality, bad anatomy, explicit
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s6
character: takagaki_kaede
1girl, solo, takagaki_kaede, (sailor bikini:1.2), navy sailor collar, navy necktie, micro bra, white frilled bra top, cleavage, underbust, frilled panties, white strappy panties, double hip straps, side-tie panties, frills, lingerie, cosplay, navy ribbed knee-high socks, over-the-calf socks, red embroidered logo on sock cuff, ((detailed fabric texture)), shiny black leather penny loafers, classic school shoes, (detailed toes and shoes:1.2), yokozuwari, sitting, legs folded to one side, classroom, long silver air mattress on the floor, natural lighting, from above, cowboy shot, looking down at viewer, head tilt, faint closed-lip smile, short hair, brown hair, heterochromia, green eyes, blue eyes, mole under eye,
Shot from above at a slight three-quarter angle: the girl sits in yokozuwari on the long silver air mattress laid along the floor between the classroom's rows of desks, her knees together and bent as in seiza, both lower legs folded back and to her right so that her shins lie flat along the mattress top and one hip takes all her weight, the other hip lifted a fraction in a relaxed counter-tilt. Her short brown hair falls loose and slightly disarranged from the tilt of her head; a small mole sits under one eye, and her eyes hold two different colours, one green and one blue, both aimed up at the lens with a cool, faint closed-lip smile and a single lifted brow. Her shoulders are bare above the navy sailor collar, which lies square across her back and chest with its light stripes and hangs a tail of fabric behind her; the navy necktie runs from under the collar down the centre of her sternum, knot pulled neat, tip resting just at the top of the micro bra. The white frilled bra top cups her, its underbust edge cutting a clear horizontal seam beneath the bust, lace frilling out in a soft scalloped band along that edge and around each cup, cleavage bare between the cups. Below, the white strappy panties ride high on her hips, side-tie bows knotted at both hip bones with the double hip straps crossing skin in two narrow bands on each side, frills edging the leg openings; the fabric everywhere reads close and detailed, every rib of the white lace and every stitch of the close navy knit legible. Her knee-high navy ribbed socks rise over the calf and stop below the knee, the ribs tightening around the muscle, and on the cuff of each sock a small red embroidered logo sits crisp against the dark navy. Her shiny black leather penny loafers are still on her feet, the leather catching the daylight in a long hard highlight and a soft one across each toe, the strap and the penny slot cut clean, the toes scuffed softly at their tips where the welt meets the floor. Her hands rest one over the other on the mattress beside her folded legs, fingertips pressing shallow dents into the silver vinyl, and one shoe's heel just touching the mattress edge compresses the surface into a deepening dimple with a fine radial crease running out from it. Around her, the classroom recedes: two rows of wooden desks with steel legs, chairs tucked unevenly, a green chalkboard on the left wall with its tray of chalk and a smudged illegible ghost of old writing, tall windows on the right behind her letting cool flat daylight pour across the mattress, lighting the whole left side of her face and body and leaving a soft shadow on the right side and a thin parallel shadow beneath each desk leg; the mattress reflects the window as a dull silver sheen, brighter where the light strikes and darker than the source, and the room's long perspective narrows to a pale door at the far end. The palette is the navy and white of her outfit and the silver of the mattress against the warm tan of the wood and the soft nail-green of the board, no other colour admitted, and the mood is quietly playful and effortlessly stylish.
sute69
s6
character: takagaki_kaede
1girl, solo, takagaki_kaede, (sailor bikini:1.2), navy sailor collar, navy necktie, micro bra, white frilled bra top, cleavage, underbust, frilled panties, white strappy panties, double hip straps, side-tie panties, frills, lingerie, cosplay, navy ribbed knee-high socks, over-the-calf socks, red embroidered logo on sock cuff, ((detailed fabric texture)), shiny black leather penny loafers, classic school shoes, (detailed toes and shoes:1.2), yokozuwari, sitting, legs folded to one side, classroom, long silver air mattress on the floor, natural lighting, from above, cowboy shot, looking down at viewer, head tilt, faint closed-lip smile, short hair, brown hair, heterochromia, green eyes, blue eyes, mole under eye,
Shot from above at a slight three-quarter angle: the girl sits in yokozuwari on the long silver air mattress laid along the floor between the classroom's rows of desks, her knees together and bent as in seiza, both lower legs folded back and to her right so that her shins lie flat along the mattress top and one hip takes all her weight, the other hip lifted a fraction in a relaxed counter-tilt. Her short brown hair falls loose and slightly disarranged from the tilt of her head; a small mole sits under one eye, and her eyes hold two different colours, one green and one blue, both aimed up at the lens with a cool, faint closed-lip smile and a single lifted brow. Her shoulders are bare above the navy sailor collar, which lies square across her back and chest with its light stripes and hangs a tail of fabric behind her; the navy necktie runs from under the collar down the centre of her sternum, knot pulled neat, tip resting just at the top of the micro bra. The white frilled bra top cups her, its underbust edge cutting a clear horizontal seam beneath the bust, lace frilling out in a soft scalloped band along that edge and around each cup, cleavage bare between the cups. Below, the white strappy panties ride high on her hips, side-tie bows knotted at both hip bones with the double hip straps crossing skin in two narrow bands on each side, frills edging the leg openings; the fabric everywhere reads close and detailed, every rib of the white lace and every stitch of the close navy knit legible. Her knee-high navy ribbed socks rise over the calf and stop below the knee, the ribs tightening around the muscle, and on the cuff of each sock a small red embroidered logo sits crisp against the dark navy. Her shiny black leather penny loafers are still on her feet, the leather catching the daylight in a long hard highlight and a soft one across each toe, the strap and the penny slot cut clean, the toes scuffed softly at their tips where the welt meets the floor. Her hands rest one over the other on the mattress beside her folded legs, fingertips pressing shallow dents into the silver vinyl, and one shoe's heel just touching the mattress edge compresses the surface into a deepening dimple with a fine radial crease running out from it. Around her, the classroom recedes: two rows of wooden desks with steel legs, chairs tucked unevenly, a green chalkboard on the left wall with its tray of chalk and a smudged illegible ghost of old writing, tall windows on the right behind her letting cool flat daylight pour across the mattress, lighting the whole left side of her face and body and leaving a soft shadow on the right side and a thin parallel shadow beneath each desk leg; the mattress reflects the window as a dull silver sheen, brighter where the light strikes and darker than the source, and the room's long perspective narrows to a pale door at the far end. The palette is the navy and white of her outfit and the silver of the mattress against the warm tan of the wood and the soft nail-green of the board, no other colour admitted, and the mood is quietly playful and effortlessly stylish.
sute69
s6
character: takagaki_kaede
1girl, solo, takagaki_kaede, (sailor bikini:1.2), navy sailor collar, navy necktie, micro bra, white frilled bra top, cleavage, underbust, frilled panties, white strappy panties, double hip straps, side-tie panties, frills, lingerie, cosplay, navy ribbed knee-high socks, over-the-calf socks, red embroidered logo on sock cuff, ((detailed fabric texture)), shiny black leather penny loafers, classic school shoes, (detailed toes and shoes:1.2), yokozuwari, sitting, legs folded to one side, classroom, long silver air mattress on the floor, natural lighting, from above, cowboy shot, looking down at viewer, head tilt, faint closed-lip smile, short hair, brown hair, heterochromia, green eyes, blue eyes, mole under eye,
Shot from above at a slight three-quarter angle: the girl sits in yokozuwari on the long silver air mattress laid along the floor between the classroom's rows of desks, her knees together and bent as in seiza, both lower legs folded back and to her right so that her shins lie flat along the mattress top and one hip takes all her weight, the other hip lifted a fraction in a relaxed counter-tilt. Her short brown hair falls loose and slightly disarranged from the tilt of her head; a small mole sits under one eye, and her eyes hold two different colours, one green and one blue, both aimed up at the lens with a cool, faint closed-lip smile and a single lifted brow. Her shoulders are bare above the navy sailor collar, which lies square across her back and chest with its light stripes and hangs a tail of fabric behind her; the navy necktie runs from under the collar down the centre of her sternum, knot pulled neat, tip resting just at the top of the micro bra. The white frilled bra top cups her, its underbust edge cutting a clear horizontal seam beneath the bust, lace frilling out in a soft scalloped band along that edge and around each cup, cleavage bare between the cups. Below, the white strappy panties ride high on her hips, side-tie bows knotted at both hip bones with the double hip straps crossing skin in two narrow bands on each side, frills edging the leg openings; the fabric everywhere reads close and detailed, every rib of the white lace and every stitch of the close navy knit legible. Her knee-high navy ribbed socks rise over the calf and stop below the knee, the ribs tightening around the muscle, and on the cuff of each sock a small red embroidered logo sits crisp against the dark navy. Her shiny black leather penny loafers are still on her feet, the leather catching the daylight in a long hard highlight and a soft one across each toe, the strap and the penny slot cut clean, the toes scuffed softly at their tips where the welt meets the floor. Her hands rest one over the other on the mattress beside her folded legs, fingertips pressing shallow dents into the silver vinyl, and one shoe's heel just touching the mattress edge compresses the surface into a deepening dimple with a fine radial crease running out from it. Around her, the classroom recedes: two rows of wooden desks with steel legs, chairs tucked unevenly, a green chalkboard on the left wall with its tray of chalk and a smudged illegible ghost of old writing, tall windows on the right behind her letting cool flat daylight pour across the mattress, lighting the whole left side of her face and body and leaving a soft shadow on the right side and a thin parallel shadow beneath each desk leg; the mattress reflects the window as a dull silver sheen, brighter where the light strikes and darker than the source, and the room's long perspective narrows to a pale door at the far end. The palette is the navy and white of her outfit and the silver of the mattress against the warm tan of the wood and the soft nail-green of the board, no other colour admitted, and the mood is quietly playful and effortlessly stylish.
sute69
s6
character: takagaki_kaede
1girl, solo, takagaki_kaede, (sailor bikini:1.2), navy sailor collar, navy necktie, micro bra, white frilled bra top, cleavage, underbust, frilled panties, white strappy panties, double hip straps, side-tie panties, frills, lingerie, cosplay, navy ribbed knee-high socks, over-the-calf socks, red embroidered logo on sock cuff, ((detailed fabric texture)), shiny black leather penny loafers, classic school shoes, (detailed toes and shoes:1.2), yokozuwari, sitting, legs folded to one side, classroom, long silver air mattress on the floor, natural lighting, from above, cowboy shot, looking down at viewer, head tilt, faint closed-lip smile, short hair, brown hair, heterochromia, green eyes, blue eyes, mole under eye,
Shot from above at a slight three-quarter angle: the girl sits in yokozuwari on the long silver air mattress laid along the floor between the classroom's rows of desks, her knees together and bent as in seiza, both lower legs folded back and to her right so that her shins lie flat along the mattress top and one hip takes all her weight, the other hip lifted a fraction in a relaxed counter-tilt. Her short brown hair falls loose and slightly disarranged from the tilt of her head; a small mole sits under one eye, and her eyes hold two different colours, one green and one blue, both aimed up at the lens with a cool, faint closed-lip smile and a single lifted brow. Her shoulders are bare above the navy sailor collar, which lies square across her back and chest with its light stripes and hangs a tail of fabric behind her; the navy necktie runs from under the collar down the centre of her sternum, knot pulled neat, tip resting just at the top of the micro bra. The white frilled bra top cups her, its underbust edge cutting a clear horizontal seam beneath the bust, lace frilling out in a soft scalloped band along that edge and around each cup, cleavage bare between the cups. Below, the white strappy panties ride high on her hips, side-tie bows knotted at both hip bones with the double hip straps crossing skin in two narrow bands on each side, frills edging the leg openings; the fabric everywhere reads close and detailed, every rib of the white lace and every stitch of the close navy knit legible. Her knee-high navy ribbed socks rise over the calf and stop below the knee, the ribs tightening around the muscle, and on the cuff of each sock a small red embroidered logo sits crisp against the dark navy. Her shiny black leather penny loafers are still on her feet, the leather catching the daylight in a long hard highlight and a soft one across each toe, the strap and the penny slot cut clean, the toes scuffed softly at their tips where the welt meets the floor. Her hands rest one over the other on the mattress beside her folded legs, fingertips pressing shallow dents into the silver vinyl, and one shoe's heel just touching the mattress edge compresses the surface into a deepening dimple with a fine radial crease running out from it. Around her, the classroom recedes: two rows of wooden desks with steel legs, chairs tucked unevenly, a green chalkboard on the left wall with its tray of chalk and a smudged illegible ghost of old writing, tall windows on the right behind her letting cool flat daylight pour across the mattress, lighting the whole left side of her face and body and leaving a soft shadow on the right side and a thin parallel shadow beneath each desk leg; the mattress reflects the window as a dull silver sheen, brighter where the light strikes and darker than the source, and the room's long perspective narrows to a pale door at the far end. The palette is the navy and white of her outfit and the silver of the mattress against the warm tan of the wood and the soft nail-green of the board, no other colour admitted, and the mood is quietly playful and effortlessly stylish.
sute69
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