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AI art "tsu.3"
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tsu.3

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#from above# Fisheye lens#Expressionless#Formal wear#full body#Indoors#Closed mouth#Kenmochi Toya#Hair Between Eyes#Black Pants
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ultra complexity, (light rendering, cinematic angle, cinematic lighting:1.5), (chromatic aberration, film_grain, bloom, overexposure, 3D, shiny skin:1.3), crisp solid linework, flat color fills, and high-gloss specular highlights define the plastic-like surfaces. Hyper-detailed anime illustration in 8K, vivid anime coloring, gradation eyes, official art style, sharp focus, anime screencap and game CG style, clean lineart and cel shading, cinematic depth, stylish lighting with highlights and contrasts, rich outfit, extremely detailed background, meticulously rendered environment with abundant fine details, highly intricate elements throughout the entire scene, complex and rich textures in every visible part, ultra precise linework and shading on all background object, A packed office elevator seen in fisheye from a camera point high at the top of the open doorway, looking down into the cab at a steep angle, square 1:1 composition. One-point curvilinear perspective: every cab edge, floor seam and wall-panel line converges on a single vanishing point at the exact center of the frame, placed on the protagonist's upturned face, the fisheye bending each converging line into a gentle arc as it approaches; the true horizon line falls far above the top edge of the frame under the steep downward tilt, so the floor claims most of the image and the crowd reads as a dark texture ringing one lit face. Strong barrel distortion: the floor seams and wall panels of the cab curve outward toward the frame edges, seven or eight office workers in charcoal suits, white shirts and dark ties crowd the cab and stretch and lean away from center the closer they stand to the edges, dark vignette corners rounding the image into a near circle. Every one of them stands facing the doorway, bodies squared toward the camera, heads tilted slightly down toward the floor in silent commute patience, briefcases held at their sides — so that from this height only the crowns of their heads and the foreshortened tips of downturned faces are visible, no eyes meeting anything. Near the center of the frame, where the distortion is gentlest and the vanishing point rests, stands one young office worker in exactly the same charcoal suit, white shirt and dark tie, body facing the doorway like all the rest, a loose ring of bare floor visible around their shoes — every other shoulder in the cab touches its neighbor, only this one stands in a breath of empty space. Deep purple hair with black undertones, dark enough to pass for black under office light, its crown catching a faint violet sheen from the fluorescent panel overhead. And where every other chin is dipped, this one alone tips the head back and looks straight up into the lens, calm, level, quietly out of place, the only visible eyes in the whole cab. The flat cool fluorescent ceiling panel sits just inside the top edge of the frame, its glare blooming softly, throwing short shadows that radiate outward across the floor around every pair of shoes; the hallway beyond the open doorway falls into darkness at the bottom edge of the frame. Color graded to a strict 60-30-10 ratio: about 60% deep charcoal, near-black and cool shadow — the suits, the vignette corners, the hallway darkness; about 30% cool fluorescent white and pale gray — the panel's bloom, the shirt collars, the sheen on the floor; the final 10% violet, and all of it on the protagonist — the purple-black crown, the violet sheen, and a faint cool violet cast inside the ring of bare floor around their shoes, no other hue anywhere in the frame. Focus on the upturned center face, the crowd softening slightly toward the curved edges. one unmistakable protagonist at the center, the only figure looking up into the camera, every crowd figure with a distinct build and silhouette, strict charcoal-white-violet palette, natural hands, correct anatomy, no duplicated limbs, no extra fingers, no fused bodies, no cloned figures across the crowd, no warm tones, no stray accent colors, no watermark, no signature, no text
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Original Prompt
ultra complexity, (light rendering, cinematic angle, cinematic lighting:1.5), (chromatic aberration, film_grain, bloom, overexposure, 3D, shiny skin:1.3), crisp solid linework, flat color fills, and high-gloss specular highlights define the plastic-like surfaces. Hyper-detailed anime illustration in 8K, vivid anime coloring, gradation eyes, official art style, sharp focus, anime screencap and game CG style, clean lineart and cel shading, cinematic depth, stylish lighting with highlights and contrasts, rich outfit, extremely detailed background, meticulously rendered environment with abundant fine details, highly intricate elements throughout the entire scene, complex and rich textures in every visible part, ultra precise linework and shading on all background object, A packed office elevator seen in fisheye from a camera point high at the top of the open doorway, looking down into the cab at a steep angle, square 1:1 composition. One-point curvilinear perspective: every cab edge, floor seam and wall-panel line converges on a single vanishing point at the exact center of the frame, placed on the protagonist's upturned face, the fisheye bending each converging line into a gentle arc as it approaches; the true horizon line falls far above the top edge of the frame under the steep downward tilt, so the floor claims most of the image and the crowd reads as a dark texture ringing one lit face. Strong barrel distortion: the floor seams and wall panels of the cab curve outward toward the frame edges, seven or eight office workers in charcoal suits, white shirts and dark ties crowd the cab and stretch and lean away from center the closer they stand to the edges, dark vignette corners rounding the image into a near circle. Every one of them stands facing the doorway, bodies squared toward the camera, heads tilted slightly down toward the floor in silent commute patience, briefcases held at their sides — so that from this height only the crowns of their heads and the foreshortened tips of downturned faces are visible, no eyes meeting anything. Near the center of the frame, where the distortion is gentlest and the vanishing point rests, stands one young office worker in exactly the same charcoal suit, white shirt and dark tie, body facing the doorway like all the rest, a loose ring of bare floor visible around their shoes — every other shoulder in the cab touches its neighbor, only this one stands in a breath of empty space. Deep purple hair with black undertones, dark enough to pass for black under office light, its crown catching a faint violet sheen from the fluorescent panel overhead. And where every other chin is dipped, this one alone tips the head back and looks straight up into the lens, calm, level, quietly out of place, the only visible eyes in the whole cab. The flat cool fluorescent ceiling panel sits just inside the top edge of the frame, its glare blooming softly, throwing short shadows that radiate outward across the floor around every pair of shoes; the hallway beyond the open doorway falls into darkness at the bottom edge of the frame. Color graded to a strict 60-30-10 ratio: about 60% deep charcoal, near-black and cool shadow — the suits, the vignette corners, the hallway darkness; about 30% cool fluorescent white and pale gray — the panel's bloom, the shirt collars, the sheen on the floor; the final 10% violet, and all of it on the protagonist — the purple-black crown, the violet sheen, and a faint cool violet cast inside the ring of bare floor around their shoes, no other hue anywhere in the frame. Focus on the upturned center face, the crowd softening slightly toward the curved edges. one unmistakable protagonist at the center, the only figure looking up into the camera, every crowd figure with a distinct build and silhouette, strict charcoal-white-violet palette, natural hands, correct anatomy, no duplicated limbs, no extra fingers, no fused bodies, no cloned figures across the crowd, no warm tones, no stray accent colors, no watermark, no signature, no text
Mode
pro
Size
1232 x 1632
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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