水瀬伊織
Show Parameters
- Original Prompt
- 1人の女の子、 美しい髪, , , playful idol-like expression and posture, , cheerful energetic body language, 最高傑作、超高精細、、顔、艶のある肌、しっとりとした肌、 , white halter sundress, thin self-tie halter straps tied behind the neck, deep V-neckline, fitted princess-seam bodice, eight small round sunflower-yellow buttons arranged in two perfectly parallel vertical rows on the front bodice, natural waist seam, full gathered A-line midi skirt with smooth flowing volume, pure white matte cotton fabric, botanical embroidery placed only on the lower left and lower right front skirt, graceful brown flowering branches with olive green leaves and numerous small bright yellow five-petal blossoms, symmetrical floral placement, clean unadorned hem, no lace, no ruffles, no frills, no layered skirt, no overskirt, no belt, no bow, no corset, no additional accessories, pure white fabric only, sunflower-yellow buttons only, brown branches only, olive green leaves only, bright yellow blossoms only, strict color placement, crisp tailoring, elegant minimalist summer dress , 真夏の空、 海辺のひまわり畑、 風が吹き抜ける、 ( 立ち上がってこちらを見て優しく微笑む）、 , 最高品質、 ダッチアングル（斜め構図）、 キャラクター主体、 被写界深度、 発光する粒子、 反射表現、 小さな胸、 超高精細描写、 高コントラスト、 レイトレーシング、 最高のライティング、 映画的な構図、 シャープフォーカス。 ,hadasitukan,pose, ,minase iori (idolmaster million live), (3d), brown hair, long hair, straight hair, forehead, swept bangs, hairband with hair bow, ,sunset background
- Size
- 768 x 1280
- Sampling Steps
- 18
- Sampling Method
- Euler a
- CFG Scale
- 3.1
- Negative
- lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,
Model & LoRA used
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character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
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