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AI art "LoRA説明資料　２Dシューティング（モデルB－2J,2E）　tsubaki3" featuring #Original, #Touhou Project, #Marisa Kirisame, #Cirno and #Tsubaki.3
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LoRA説明資料　２Dシューティング（モデルB－2J,2E）　tsubaki3

モデルBで生成した作品の参考集です。 モデルBの作品の雰囲気を表しています。 LoRA Reference Materials: 2D Shooting (Models B-2J, 2E) – tsubaki3 This is a collection of reference images generated using Model B. It showcases the atmosphere of works created with Model B.

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PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Original#Touhou Project#Marisa Kirisame#Cirno
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character: cirno, kirisame_marisa nanamu_shooter_triptych_style, nanamu_shooter_triptych_style, masterpiece, best quality, colorful retro anime arcade illustration, wide 16:9 composition, IMPORTANT LAYOUT: exactly three vertical panels: left 20%, center 60%, right 20%. Place straight dividers at 20% and 80%. The center gameplay panel is three times wider than each narrow side panel and clearly dominates the composition. Never use equal-width panels. LEFT PANEL: exactly one human anime character, 「The character is Cirno.」 Small upper-body portrait fully contained inside the narrow panel. Show her entire head, hair, shoulders, arms and upper torso with comfortable margins. Nothing crosses the divider. Character-specific background. CENTER PANEL: a very wide, unobstructed vertical-scrolling shooter playfield containing exactly one small but clearly visible player-jet sprite and the volcanic background. The environment remains the main visual area, while the jet is a compact gameplay object. PLAYER-JET SCALE: the jet has a moderate-small arcade-game size, approximately one-tenth of the center-panel height. Its total height must remain between 8% and 10% of the center panel height. It is clearly recognizable but does not dominate the playfield. Leave abundant visible background above and around it. Keep this balanced size: neither large nor extremely tiny. CRITICAL ORIENTATION: exactly one top-down arrowhead-shaped futuristic jet. Its pointed nose is at the upper end and points only toward the top edge. Its narrow tail and rear engine ports are at the lower end and point only toward the bottom edge. The cockpit is behind the upper pointed nose. The silhouette forms a clear upward-pointing arrow. No propeller. Never reverse the nose and tail. The player jet flies high above an enormous volcanic region. The volcanic landscape is extraordinarily vast, rugged and deep, providing a large open aerial space for vertical flight. The jet flies far above the distant volcanic ground, with clear vertical separation from the terrain. The ground looks remote and reduced in scale, never close enough for the jet to appear landed or moving directly across it. Show the volcanic region from a high top-down bird’s-eye viewpoint. The distant terrain contains immense volcanic craters, jagged black rock formations, deep fissures, winding lava rivers, glowing magma pools, hardened lava fields and scattered volcanic vents. Large volcanoes, steep rocky ridges, towering basalt formations and erupting vents remain mainly near the outer edges of the center panel. Keep the middle of the center panel as a broad, open and unobstructed flight corridor. Glowing lava and magma illuminate the surrounding rocks from below. Subtle volcanic smoke, drifting ash, heat haze, layered darkness, diminishing scale and slight distance blur create immense environmental depth. All volcanic details remain far below the jet. The jet casts no contact shadow and never touches the volcanic ground, lava fields, craters, rocks, magma pools or volcanic vents. No other aircraft, vehicles, characters, enemies or overlays. Place the single player jet at the exact horizontal center near the bottom, around 82% of the center panel’s height from the top. Preserve a large amount of visible volcanic scenery above and around it. Keep the jet clearly visible at 8% to 10% of the center-panel height. The game has not started. No firing, missiles, bullets, lasers, visible exhaust, engine trails, explosions, enemies or collectible items. The volcanic background extends continuously from top to bottom and divider to divider. No inner border, decorative frame, cockpit frame, surrounding machinery or blank margins. RIGHT PANEL: exactly one human anime character, 「The character is Marisa Kirisame.」 Small upper-body portrait fully contained inside the narrow panel. Show the entire head, hair, shoulders, arms and upper torso with comfortable margins. Nothing crosses the divider. Different character-specific background. Both side characters remain entirely inside their panels and never overlap the center panel. Balanced triptych composition, polished 1990s Japanese arcade anime aesthetic.
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Original Prompt
nanamu_shooter_triptych_style, masterpiece, best quality, colorful retro anime arcade illustration, wide 16:9 composition, IMPORTANT LAYOUT: exactly three vertical panels: left 20%, center 60%, right 20%. Place straight dividers at 20% and 80%. The center gameplay panel is three times wider than each narrow side panel and clearly dominates the composition. Never use equal-width panels. LEFT PANEL: exactly one human anime character, 「The character is Cirno.」 Small upper-body portrait fully contained inside the narrow panel. Show her entire head, hair, shoulders, arms and upper torso with comfortable margins. Nothing crosses the divider. Character-specific background. CENTER PANEL: a very wide, unobstructed vertical-scrolling shooter playfield containing exactly one small but clearly visible player-jet sprite and the volcanic background. The environment remains the main visual area, while the jet is a compact gameplay object. PLAYER-JET SCALE: the jet has a moderate-small arcade-game size, approximately one-tenth of the center-panel height. Its total height must remain between 8% and 10% of the center panel height. It is clearly recognizable but does not dominate the playfield. Leave abundant visible background above and around it. Keep this balanced size: neither large nor extremely tiny. CRITICAL ORIENTATION: exactly one top-down arrowhead-shaped futuristic jet. Its pointed nose is at the upper end and points only toward the top edge. Its narrow tail and rear engine ports are at the lower end and point only toward the bottom edge. The cockpit is behind the upper pointed nose. The silhouette forms a clear upward-pointing arrow. No propeller. Never reverse the nose and tail. The player jet flies high above an enormous volcanic region. The volcanic landscape is extraordinarily vast, rugged and deep, providing a large open aerial space for vertical flight. The jet flies far above the distant volcanic ground, with clear vertical separation from the terrain. The ground looks remote and reduced in scale, never close enough for the jet to appear landed or moving directly across it. Show the volcanic region from a high top-down bird’s-eye viewpoint. The distant terrain contains immense volcanic craters, jagged black rock formations, deep fissures, winding lava rivers, glowing magma pools, hardened lava fields and scattered volcanic vents. Large volcanoes, steep rocky ridges, towering basalt formations and erupting vents remain mainly near the outer edges of the center panel. Keep the middle of the center panel as a broad, open and unobstructed flight corridor. Glowing lava and magma illuminate the surrounding rocks from below. Subtle volcanic smoke, drifting ash, heat haze, layered darkness, diminishing scale and slight distance blur create immense environmental depth. All volcanic details remain far below the jet. The jet casts no contact shadow and never touches the volcanic ground, lava fields, craters, rocks, magma pools or volcanic vents. No other aircraft, vehicles, characters, enemies or overlays. Place the single player jet at the exact horizontal center near the bottom, around 82% of the center panel’s height from the top. Preserve a large amount of visible volcanic scenery above and around it. Keep the jet clearly visible at 8% to 10% of the center-panel height. The game has not started. No firing, missiles, bullets, lasers, visible exhaust, engine trails, explosions, enemies or collectible items. The volcanic background extends continuously from top to bottom and divider to divider. No inner border, decorative frame, cockpit frame, surrounding machinery or blank margins. RIGHT PANEL: exactly one human anime character, 「The character is Marisa Kirisame.」 Small upper-body portrait fully contained inside the narrow panel. Show the entire head, hair, shoulders, arms and upper torso with comfortable margins. Nothing crosses the divider. Different character-specific background. Both side characters remain entirely inside their panels and never overlap the center panel. Balanced triptych composition, polished 1990s Japanese arcade anime aesthetic.
Mode
ultra
Size
1472 x 832
Negative
oversized player jet, large player jet, close-up jet, foreground jet, jet filling gameplay area, microscopic jet, barely visible jet, extremely tiny aircraft, multiple aircraft, duplicate aircraft, propeller aircraft, propeller, vintage airplane, reversed orientation, backward-facing aircraft, downward-pointing aircraft, nose toward bottom edge, cockpit toward bottom, tail toward top edge, tail fins at top, rear engines at top, sideways aircraft, tilted aircraft, equal-width panels, narrow center panel, wide side panels, oversized side characters, character crossing divider, cropped head, cropped arms, multiple people in one side panel, center character, text, letters, numbers, logo, score, 1P, HUD, UI, icons, gauges, inner frame, weapon effects, bullets, missiles, lasers, explosions, enemies, items, landed aircraft, aircraft touching cave floor, contact shadow, blocked flight path, close-up ground, flat background, shallow depth
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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DiT3　2Dシューティングスタイル　DiT3 2D Shooting Style - AI Model cover image

User LoRA

DiT3　2Dシューティングスタイル　DiT3 2D Shooting Style
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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#Attack on Titan#Mikasa Ackerman
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