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AI artwork featuring #My Space Ride
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grey20

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Your dream Spaceship
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jougasaki_rika, a young woman with blonde hair tied back in a ponytail, a large white bow hair ornament, and green eyes is depicted with a neutral, slightly weary expression. She wears an open orange PVC prison jumpsuit over a black PVC crop top, and a white buckle choker around her neck. Her hands are handcuffed in front of her, and her feet are shackled, with a metal security chain running directly downwards from the front handcuffs to the middle of the foot shackles. Two female police officers in standard blue police uniforms with badges and peaked caps stand on either side of her, escorting her down the corridor. Their expressions are stern and professional. The scene takes place in a dimly lit prison corridor with cold, gray concrete walls, iron bars on the cell doors visible in the background, and a checkered tile floor. The lighting is atmospheric, creating deep shadows and harsh highlights on the reflective surfaces of the latex and metal. The style is highly detailed anime, focusing on character interaction and the gritty, oppressive atmosphere of the prison environment.
Show Parameters
Original Prompt
jougasaki rika, is depicted with a neutral expression. She wears open orange PVC prison jumpsuit, black PVC crop top, white buckle choker.. She is handcuffed with her hands in front of her, has shackles on her feet, and a metal security chain runs directly downwards from her front handcuffs to the middle of her foot shackles. Two female police officers in standard police uniforms with badges escort her. The scene takes place in a dimly lit prison corridor with iron bars and prison cells visible in the background. The lighting is atmospheric, creating deep shadows and highlights on the reflective surfaces of the latex and metal. The style is highly detailed anime, focusing on the character interaction and the gritty, oppressive prison environment.
Quality Tag
high quality, year_2025, year_2024, ﹝Prompts﹞
Size
768 x 1280
Sampling Steps
25
Sampling Method
Euler
CFG Scale
4.5
Negative
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Model & LoRA used

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AI artwork
nニ
character: lumine_(genshin_impact), copyright: genshin_impact 3girls, lumine_(genshin_impact), sad expression, walking forward, facing forward, head turned, profile, looking to the side, looking right, handcuffed, arms behind back, bound arms, shackles, ankle shackles, metal shackles, escorted, two female police officers, japanese police uniform, tactical vest, holding arms, shiny orange jumpsuit, orange leather, glossy leather, open jumpsuit, black pvc crop top, fishnet underlayer, black choker, heart padlock, micro-chains, collar, navel piercing, navel, dangling charm, cross pendant, blonde hair, short hair, long locks, hair between eyes, sidelocks, yellow eyes, hair flower, hair ornament, three-quarter shot, medium-close framing, eye level, mostly facing away, corridor, fluorescent lighting, bright cinematic lighting, leather reflections, dynamic accessories, depth of field Eye-level three-quarter shot, medium-close framing, held just behind and above her shoulder height so all three bodies read from the front. Takes up the center of frame: a slender blonde young woman with short hair and long loose locks falling to her collarbones, locks parted between her eyes, sidelocks framing her jaw, a small pale hair flower tucked at the left side of her head, yellow eyes. Her torso and hips face directly forward, square to the lens, chest out, shoulders held low and pinned back by force. Her head is wrenched to her left, jaw swung so the profile of her cheek, one yellow eye and the tip of her nose point to the right side of the frame; in that profile the eye is downcast and wet at the lower lid, brows tilted up at the inner ends, mouth slack at the corners — sad, quietly overwhelmed. Her arms are wrenched far back and down behind her, both wrists locked in steel handcuffs, forearms pressed to her lower back. Flanking her, slightly behind on each side: two adult female officers in dark navy Japanese police uniforms, white blouses under navy jackets, black ties, navy skirts, duty belts, and bulky black tactical vests strapped over the chest and shoulders with buckled webbing and a small radio at the right shoulder. The officer on the left of frame grips the blonde's left cuffed wrist with her right hand; the officer on the right of frame grips the right cuffed wrist with her left hand. Both press the cuffed wrists down against the small of her back, elbows locked low, not lifting. Both officers' weight is on the forward foot, mid-stride, chests turned a quarter toward each other around her; both look down at her restrained arms, not at the lens. The left officer's lips are pressed thin; the right one has her chin slightly lifted, eyes on the corridor ahead past her partner. She wears a shiny glossy orange leather prison jumpsuit, one piece, sleeves and trouser legs, the leather catching long vertical highlight streaks down the outer arms and thighs; the front is unzipped from collar to waistline and the two halves hang open over a black PVC crop top, whose glossy panel reflects a hard white stripe, with a black fishnet underlayer visible at the bust edges and at the exposed midriff. The crop top is cut short to bare the navel, and in that navel sits a curved barbell with two small metal balls, a tiny charm on a fine chain hanging from it, swinging a few millimetres to the right of the vertical with her stride. A cross pendant hangs on a fine chain at her sternum, swaying against the PVC. Around her neck, tight to the skin, a thin black leather choker sits entirely tucked inside the turned-down collar of the jumpsuit, so only the glint of a tiny heart-shaped metal padlock at the front and the fine micro-chains hugging the column of her throat are visible where the collar gapes. Heavy dull-steel shackles ring both ankles, a short chain slung between them, the metal scuffed and weighted, the chain taut and sagging with each step. The corridor is a bright police precinct hallway: pale grey-green painted walls, a scuffed linoleum floor with a lighter walking lane down the center, a row of closed doors on the left receding away from the camera, a handrail on the right wall, a bulletin board and signage on the far wall rendered as illegible small print. Repeating ceiling fluorescent panels give harsh overhead light, cold and slightly green, producing multiple overlapping specular highlights down the leather, down the PVC, along each shackle edge, and hard little glints on the micro-chains and the heart padlock; reflections stretch long and soft on the polished linoleum under each footfall. Under the overhead tubes there are short, hard, close shadows directly beneath shoes and under the chin, with soft reflected fill off the pale walls keeping faces open. Palette: orange leather and black PVC against the pale grey-green corridor, with the officers' navy and the cold steel as counterweight. Motion: caught mid-stride, the blonde's left leg forward, the shackle chain swinging, her long locks swaying forward across the cheek turned toward the right of frame, and her jumpsuit collar flaring a touch at the throat. Tense, quietly grim.
Nicolas ニコラス
AI artwork
n
character: hoshii_miki hoshii miki, blonde hair, long hair, green eyes, ahoge, sad expression. Brightly lit police precinct hallway. Forcefully escorted, walking forward, head bowed. Her arms are tightly handcuffed behind her back, heavy metal shackles on her ankles. Two flanking female police officers walk slightly behind her, firmly holding her cuffed arms down behind her back to guide her, without lifting them. She is wearing a black leather choker necklace featuring a small metal padlock / heart pendant strictly around her neck, featuring a navel piercing with two small metal balls and a tiny dangling charm in her belly button, a shiny glossy orange leather prison jumpsuit (open to show a black PVC crop top with fishnet underlayer underneath). Female officers wear Japanese police uniforms and tactical vests. Harsh fluorescent lighting. The scene is set with bright cinematic lighting that highlights the intense glossy leather and PVC textures of all garments, leather reflections. High-quality anime art style, cell shading, full body shot, eye level
nicosingapur
AI artwork
g2
lumine_\(genshin_impact\), a young woman with short blonde bob hair featuring a single long sidelock and amber eyes, stands in a dimly lit prison corridor. Her heavily blushing face has a neutral expression. She wears an open orange PVC prison jumpsuit and a black PVC crop top over a fishnet underlayer, with a white buckle choker around her neck. Her hands are handcuffed in front of her, and her feet are shackled; a metal security chain runs directly from the front handcuffs down to the shackles. Two female police officers in standard dark police uniforms with badges and caps escort her, one holding her arm. The corridor features iron bars, heavy doors to prison cells, and light fixtures casting deep shadows and highlights on the reflective PVC and metal surfaces. The overall atmosphere is gritty and oppressive, emphasizing character interaction and the detailed, atmospheric lighting in a highly detailed anime style.
grey23
AI artwork
nニ
character: lumine_(genshin_impact), copyright: genshin_impact 3girls, lumine_(genshin_impact), sad expression, walking forward, facing forward, head turned, profile, looking to the side, looking right, handcuffed, arms behind back, bound arms, shackles, ankle shackles, metal shackles, escorted, two female police officers, japanese police uniform, tactical vest, holding arms, shiny orange jumpsuit, orange leather, glossy leather, open jumpsuit, black pvc crop top, fishnet underlayer, black choker, heart padlock, micro-chains, collar, navel piercing, navel, dangling charm, cross pendant, blonde hair, short hair, long locks, hair between eyes, sidelocks, yellow eyes, hair flower, hair ornament, three-quarter shot, medium-close framing, eye level, mostly facing away, corridor, fluorescent lighting, bright cinematic lighting, leather reflections, dynamic accessories, depth of field Eye-level three-quarter shot, medium-close framing, held just behind and above her shoulder height so all three bodies read from the front. Takes up the center of frame: a slender blonde young woman with short hair and long loose locks falling to her collarbones, locks parted between her eyes, sidelocks framing her jaw, a small pale hair flower tucked at the left side of her head, yellow eyes. Her torso and hips face directly forward, square to the lens, chest out, shoulders held low and pinned back by force. Her head is wrenched to her left, jaw swung so the profile of her cheek, one yellow eye and the tip of her nose point to the right side of the frame; in that profile the eye is downcast and wet at the lower lid, brows tilted up at the inner ends, mouth slack at the corners — sad, quietly overwhelmed. Her arms are wrenched far back and down behind her, both wrists locked in steel handcuffs, forearms pressed to her lower back. Flanking her, slightly behind on each side: two adult female officers in dark navy Japanese police uniforms, white blouses under navy jackets, black ties, navy skirts, duty belts, and bulky black tactical vests strapped over the chest and shoulders with buckled webbing and a small radio at the right shoulder. The officer on the left of frame grips the blonde's left cuffed wrist with her right hand; the officer on the right of frame grips the right cuffed wrist with her left hand. Both press the cuffed wrists down against the small of her back, elbows locked low, not lifting. Both officers' weight is on the forward foot, mid-stride, chests turned a quarter toward each other around her; both look down at her restrained arms, not at the lens. The left officer's lips are pressed thin; the right one has her chin slightly lifted, eyes on the corridor ahead past her partner. She wears a shiny glossy orange leather prison jumpsuit, one piece, sleeves and trouser legs, the leather catching long vertical highlight streaks down the outer arms and thighs; the front is unzipped from collar to waistline and the two halves hang open over a black PVC crop top, whose glossy panel reflects a hard white stripe, with a black fishnet underlayer visible at the bust edges and at the exposed midriff. The crop top is cut short to bare the navel, and in that navel sits a curved barbell with two small metal balls, a tiny charm on a fine chain hanging from it, swinging a few millimetres to the right of the vertical with her stride. A cross pendant hangs on a fine chain at her sternum, swaying against the PVC. Around her neck, tight to the skin, a thin black leather choker sits entirely tucked inside the turned-down collar of the jumpsuit, so only the glint of a tiny heart-shaped metal padlock at the front and the fine micro-chains hugging the column of her throat are visible where the collar gapes. Heavy dull-steel shackles ring both ankles, a short chain slung between them, the metal scuffed and weighted, the chain taut and sagging with each step. The corridor is a bright police precinct hallway: pale grey-green painted walls, a scuffed linoleum floor with a lighter walking lane down the center, a row of closed doors on the left receding away from the camera, a handrail on the right wall, a bulletin board and signage on the far wall rendered as illegible small print. Repeating ceiling fluorescent panels give harsh overhead light, cold and slightly green, producing multiple overlapping specular highlights down the leather, down the PVC, along each shackle edge, and hard little glints on the micro-chains and the heart padlock; reflections stretch long and soft on the polished linoleum under each footfall. Under the overhead tubes there are short, hard, close shadows directly beneath shoes and under the chin, with soft reflected fill off the pale walls keeping faces open. Palette: orange leather and black PVC against the pale grey-green corridor, with the officers' navy and the cold steel as counterweight. Motion: caught mid-stride, the blonde's left leg forward, the shackle chain swinging, her long locks swaying forward across the cheek turned toward the right of frame, and her jumpsuit collar flaring a touch at the throat. Tense, quietly grim.
Nicolas ニコラス

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