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ジェランシェ

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1boy, masterpiece, long_hair, black_hair, straight_hair, (hairband:1.5), bangs, porcelain_skin, blue_eyes, blue_eyeliner, crimson_lips, male_focus, three_quarter_view, prince, rococo_fashion, suit, tailcoat, lace, silk, golden_embroidery, vest, ruby_(gemstone), semi-realistic style, muted soft colors, sharp lineart, subtle shading, expressive eyes, semi-realistic features, video game character, 3d rendering, virtual influencer, virtual goth style, IMVU style, detailed features, detailed makeup, aegyo_sal
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Original Prompt
前髪: 目の上ギリギリで綺麗に切り揃えられた、ツヤのある黒髪の「ぱっつん前髪」。ミステリアスで冷徹な、お人形のような美しさを引き立てます。 髪質・色: 光を吸い込むような漆黒「ミッドナイトブラック」のストレートヘア。 スタイリング: 後ろ髪はロココ期の貴族のように、上品に低めで結ぶか、襟足を美しく整えた綺麗なシルエット。黒髪に映える「最高級の黒いシルクベロアのカチューシャ(またはヘアバンド)」を嵌めており、前髪との境目をクラシカルに引き締めています。 2. お顔立ち(お顔の印象・男性) 顔立ち: 幼さのない、シャープで切れ味のある美しい「中性的な大人の男性」の顔立ち。 肌(スキン): ホクロや傷が一切ない、完璧にクリアな「白磁の陶器肌(ポーセリンスキン)」。冷徹なトップとしての威厳を感じさせる白さです。 目元(瞳): 前髪の隙間から覗く、切れ長で物憂げな三白眼気味の瞳。瞳の色は、深みのある神秘的な「ロイヤルブルー(濃紺)」。 唇・表情: 「鮮血のような真紅(クリムゾンレッド)の唇」。感情を読ませない冷ややかな微笑みをうっすらと浮かべています。 3. 衣装(白雪姫カラーのロココ調気品スーツ/高貴な正装) 王子の気品と、メガ企業トップの支配者感をミックスした男性用ロココ正装(アビ・ア・ラ・フランセーズ様式)です。 ジャケット: 深みのある光沢を放つ「濃紺(ノーブルネイビー)の高級シルクタフタ製ジャケット」。気品高くカチッと立ち上がった襟元には、雪のように白い最高級の「フランス製レースのクラバット(ネクタイ)」が上品に結ばれています。 ベスト(ジレ): ジャケットのインナーには、金糸の繊細な刺繍が施された「マスタードゴールド(山吹色)の美しいベスト」を着用。 アクセント: 袖口から覗く純白のフリルレース、そして胸元やタイの留め具には、差し色として「血のように赤い深紅のルビー」が妖艶に輝いています。
Size
1024 x 1024
Sampling Steps
11
Sampling Method
Euler a
CFG Scale
3
Negative
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked, animal ears, animal ear, furry ears, beast ears, cat ears, dog ears, wolf ears, fox ears, rabbit ears, bear ears, bunny ears, pointed ears, animal features, furry features, extra ears, additional ears, tattoo, body paint

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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