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- Original Prompt
- Solo, 1girl, DEMON/SPECTRE MEAT (DEMON-BLOODED AND GHOST BLOODED ONLY) This mutation causes a God-Blood to exude a faint aura or scent that attracts demons (for Demon-Blooded) or ghosts (for Ghost-Blooded). A successful (Perception + Occult) roll at diffi culty (6 โ the characterโs Essence) allows such creatures to sense the characterโs presence from up to a mile away. Hungry ghosts and less intel- ligent demons will track the God-Blooded and attempt to devour him if possible. More intelligent ghosts and demons can act as they desire. Since every health level of blood or fl esh from the character grants three motes of Essence and is useful in some rare rituals, however, even the more reserved denizens of the Underworld and Malfeas might attempt seek him out. ,exalted_2nd_edition_rpg_art_style, clean_line_art, asian_manga_fusion, vibrant_cel_shading, soft_rendered_colors, manwha_influence,, The Ancient Magus's Bride Style, Mahoutsukai no Youme Style,
- Size
- 1400 x 1400
- Sampling Steps
- 5
- Sampling Method
- Euler a
- CFG Scale
- 1.1
- Negative
- bad quality,worst quality,worst detail,sketch,censor, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
Model & LoRA used
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A surreal and grotesque body horror scene set in a distorted, abandoned circus. A chaotic mass of organic, unnatural forms writhes and merges together, resembling contorted clown parts, twisted organs, and skeletal structures fused into a single, malevolent entity. Gnarled teeth, multiple mismatched eyes, and torn, flesh-like fabrics in sickly colors of deep purple, crimson, and black are scattered throughout. The lighting is dim, spotlighted, and uneven, creating stark shadows that warp the already nightmarish shapes. The atmosphere is thick with madness and palpable dread, evoking a sense of cinematic horror and surreal, inescapable nightmare.
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How's your Halloween prep guys?
Weyland
Nightmareโs head resembles a vaguely humanoid silhouette, though its exact shape seems to subtly change whenever it is observed. Dark red and black surfaces shift beneath a thin layer of shadow, not like flesh moving, but like an endless depth existing behind the suggestion of a face. There is no mouth, nose, or ears. Two dark green eyes stare outward from the shifting darkness, unnaturally clear and perfectly still. Two thin, perfectly straight horns extend vertically from the crown of his head. They appear almost too geometrically precise to be natural, disappearing upward into the fog. At times, they seem impossibly distant despite being only inches above his head. When Nightmare chooses to open his face, it does not move like an ordinary mouth. The entire shape of his face simply divides along impossible vertical and horizontal lines, unfolding into a four-part opening that reveals an infinite-looking darkness filled with rows of pitch-black teeth. The interior seems far larger than his head should physically allow. From this darkness emerges a long, slender tongue-like appendage. Its movements are slow and deliberate, almost curious. At its tip is a single bloodshot eye that constantly watches from a different direction than Nightmare's other eyes. His neck is unnaturally long and slender, connecting his head to a vaguely humanoid torso. His proportions are subtly wrong, as though they were calculated from an unfamiliar understanding of anatomy. His arms are extremely long and thin, extending farther than they should. Their lower portions dissolve into flowing red-black tendrils that constantly drift and rearrange themselves, never quite maintaining the same shape. Each hand possesses three elongated fingers, though their exact number occasionally seems impossible to determine. The fingers taper into tendril-like points and are coated in a dark red substance that falls upward into the fog rather than downward. His torso resembles the suggestion of a skeletal frame rather than an actual skeleton. An enormous open ribcage surrounds a seemingly bottomless interior. Rather than organs, there is only an abyss of shifting crimson and black shapes. Looking into the space between his ribs gives the disturbing impression of looking somewhere that is not physically present. His lower body is even less comprehensible. Fourteen extremely long, insect-like appendages descend into the fog, supporting a lower form whose silhouette constantly changes. At a glance, the legs resemble those of some enormous arthropod, but their joints do not consistently bend in the same directions. Some seem to disappear entirely before reappearing farther away. The rest of his lower body is concealed within an ever-moving mass of darkness, faint red shapes, and indistinct geometric structures. Nothing about it remains completely consistent for more than a moment. A long, impossibly thin, tendril-like appendage extends behind him. It moves independently of his body, drifting through the air as though submerged in invisible water. At its end is something resembling a human hand. The hand is unnaturally symmetrical. Its long fingers slowly flex and unfold, sometimes pointing toward things that Nightmare himself does not appear to notice. Occasionally, the hand seems to be several feet away from the end of the tail without the intervening appendage actually becoming longer.
Bunny D. Kubo
A scene depicting dark horror and madness, set in an eerie circus-like atmosphere with surreal nightmares. The visuals convey cinematic body horror through grotesque, malevolent, and chaotic imagery. The overall tone is nightmarish and unsettling, blending twisted forms with a sense of malevolent playfulness typical of a sinister circus.
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yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
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โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
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Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
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Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
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The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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