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Nagisa Misumi, Honoka Yukishiro

#Nagisa Misumi#Honoka Yukishiro#Pretty Cure#Pretty Cure#Hikari Kujou#Futari wa Pretty Cure Max Heart
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character: misumi_nagisa, yukishiro_honoka, kujou_hikari 3girls, setsubun, bean throwing, dynamic perspective, forced perspective, depth of field, profile, close-up, oni mask, tilted mask, throwing, follow-through, balance, arms up, surprised, holding box, masu, traditional japanese house, tatami, shoji, casual winter clothes, sweater, loungewear, short hair, orange hair, long hair, black hair, blonde hair, side braid, sketch, loose sketchy linework, unfinished hand-drawn texture, cheerful, playful In a bold, wide-perspective composition with extreme three-layer spatial depth, the frame opens on the right foreground in a tight profile close-up of a girl with short, spiky reddish-brown hair and a mischievous, crinkle-eyed grin. Perched askew over the side of her temple is a brightly colored, pop-deformed oni demon mask with stubby yellow horns and comic exaggerated fangs, held by an elastic cord over her ear. She wears a thick, high-collared ribbed knit winter sweater, bracing playfully as her gaze tracks across the room. In the dynamic midground, a second girl with long black hair whipping around her shoulders is caught in the exaggerated follow-through of an energetic overhand pitch. Her right arm has swung completely downward past her knee, fingers outstretched after releasing a volley of roasted soybeans directly toward the foreground, while her left arm flings outward and upward to counterbalance her pivoted torso on the tatami mats. Her face radiates focused, laughing delight with wide, sparkling eyes and an open smile, dressed in a cozy, long-sleeved winter fleece and casual sweatpants. Deeper in the background interior, near a weathered wooden cedar support pillar and closed translucent shoji paper screens, a third girl with long golden-blonde hair gathered in a soft side braid stands in comic bewilderment. Her eyes are rounded wide and her mouth slightly agape in surprise as she clutches a square wooden masu measuring box securely against her chest with both hands, the box overflowing with spare dried beans. She is dressed in an oversized pastel knit cardigan layered over comfortable indoor lounge wear. A spray of dried soybeans arcs across the dramatic perspective gap between midground and foreground, several pellets captured sharply mid-flight while loose stray beans settle along the recessed grooves of the woven tatami mats. Soft, diffuse winter daylight filters through the paper shoji panels, supplemented by the warm ambient glow of an unseen indoor ceiling light casting pale, sketchy shadows across the wooden floorboards. The rendering features loose, sketchy linework with an unfinished, hand-drawn texture, rendered in warm earth tones and charcoal-pencil contours accented by the bold primary colors of the tilted oni mask. Joyful holiday chaos.
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Original Prompt
日本の伝統行事の節分の豆まき、画面の手前にはポップにデフォルされた鬼のお面斜めにをつけた少女の横顔のアップ、中景にはオーバスローで力いっぱい手前の少女めがけて豆を投げつける少女、完全に振り下ろされた腕、もう片手でバランスを取っている、外面奥には驚いた顔の少女、両手で升を抱えている、楽しげな雰囲気、手前の少女は美墨なぎさ、中景は雪城ほのか、奥が九条ひかり、登場人物は冬を感じさせるカジュアルな室内着を着ている、歴史を感じさせる日本家屋の中、ラフなスケッチ画、遠近法、大胆な構図
Mode
pro
Quality Tag
﹝Prompts﹞, masterpiece, best quality, very aesthetic, highres, absurdres
Size
1280 x 768
Negative
lowres, worst quality, low quality, bad anatomy, explicit
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character: misumi_nagisa, yukishiro_honoka, kujou_hikari 3girls, multiple girls, foreground, close-up, profile, dynamic angle, extreme perspective, foreshortening, rough sketch, pencil sketch, loose lines, construction lines, minimal shading, throwing, overhand throw, arm down, balance, aiming, surprised, holding masu, beans, flying beans, motion lines, oni mask, mask on head, tilted mask, short spiky brown hair, long dark ponytail, long blonde hair, single braid, winter clothes, loungewear, hoodie, sweater, cardigan, traditional japanese room, tatami, shoji, sliding doors, cheerful Framed in a bold, dynamic wide-angle perspective from a low eye-level within a historic Japanese interior, three figures engage in a lively Setsubun bean-tossing celebration. In the immediate left foreground, an extreme close-up captures the side profile of a girl with short, spiky warm-brown hair, her wide eye alight with playful anticipation and her mouth parted in an energetic laugh. Perched diagonally across the side of her forehead is a stylized, pop-deformed oni demon mask with stubby horns and exaggerated fangs. She is dressed in an oversized, thick winter loungewear hoodie with a bunched cowl framing the nape of her neck, her cheek and jawline dominating the near edge of the frame. In the midground, a second girl with long dark hair tied into a high ponytail whips forward in the forceful follow-through of an athletic overhand pitch. Her weight drops deeply forward onto a bent front knee, her right arm swung fully downward past her hip with fingers splayed open after releasing a volley of roasted soybeans, while her left arm extends backward to maintain balance. Her determined, laughing gaze is locked directly onto the foreground girl. She wears a cozy winter knit sweater with ribbed cuffs pushed slightly up her forearms and casual lounge trousers. A spray of loose, tumbling soybeans travels across the middle space between them, foreshortened and streaking with swift graphite motion lines toward the foreground profile. In the deeper background to the right, a third girl with long golden-blonde hair falling in a neat braid over her shoulder stands frozen in surprised bewilderment, her eyes rounded, her eyebrows raised high, and both hands clamping the wooden corners of a square cedar masu measuring box tightly against her chest. She wears a soft, buttoned winter cardigan over a high-collared shirt. The scene is grounded on woven tatami mats whose seams form sharp converging linear perspective lines leading back to wood-framed sliding shoji screens and sturdy cedar support pillars. Soft ambient indoor illumination reveals form through minimal pencil shading, while the airborne beans cast small, sharp traveling ellipses onto the woven tatami surface directly beneath their flight path. Rendered in loose, unrefined graphite or pencil linework with visible construction marks and minimal shading across a raw paper ground. Cheerful, chaotic playfulness.
THOMAS
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character: misumi_nagisa, yukishiro_honoka, kujou_hikari 3girls, setsubun, mamemaki, throwing beans, bold perspective, dynamic angle, depth of field, profile, close-up, foreground, midground, background, short hair, orange hair, spiky hair, tilted mask, oni mask, pop art, profile view, long hair, black hair, ponytail, overhand throw, arm down, balancing, outstretched arm, looking at another, competitive grin, blonde hair, long hair, single braid, surprised, open mouth, holding box, masu, hugging, traditional japanese house, tatami, shoji, winter clothes, casual indoor clothes, sweater, fleece pullover, rough sketch, sketch, loose linework, unrefined linework, pencil texture, minimal color In a bold dynamic perspective framed from a sharp angle inside an aged traditional Japanese house, the shot layers three figures across deep spatial planes. Cropped closely along the right edge of the foreground is the sharp profile of a girl with spiky, chin-length warm-brown hair, wearing a brightly painted, playfully deformed pop-style oni mask tilted cockily on the side of her head. Clad in a bulky, casual winter fleece pullover, her profile is fixed in an amused, bracing wince. In the midground, a second girl with long black hair pulled into a high ponytail completes a ferocious overhand bean-throwing motion: her right arm is driven fully downward past her hip in a completed follow-through, while her left arm reaches outward to keep her balance on the tatami mats. Her gaze is locked directly onto the foreground girl with a wide, competitive grin, having just released a flurry of small roasted soybeans that fly through the air along steep foreshortened trajectories. She wears a cozy long-sleeved winter knit sweater and loose lounge pants. Deep in the background, a third girl with pale blonde hair gathered into a neat single braid watches the chaos in wide-eyed surprise, both of her arms securely wrapped around a square cedar masu measuring box hugged tight against her chest, wearing an oversized pastel cardigan over warm indoor attire. The historic room recedes along steep perspective lines marked by weathered wooden support pillars, paper-paned shoji doors, and the straw weave of the tatami floor where stray beans bounce upon landing. Soft, pale winter light filters through the paper screens, casting gentle diffuse shadows across the floor. Executed with loose, unrefined linework with visible pencil-like textures and a lack of polished coloring, keeping the preliminary strokes and crosshatching exposed. Playful chaos.
THOMAS

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