📢 Login Issue Resolved — Earlier today, some users may have unexpectedly been logged out of their PixAI accounts, and this was due to a known ser…

View details

ハム子お帰りお祝い(P30TH紀念)

​🌸 ハム子お帰りお祝いボイス(哈姆子回歸慶祝台詞) 岳羽由加莉(Yukari Takeba) ​日文:「おかえり、リーダー!もう…急にいなくなったりして、どれだけ心配したか分かってんの?……でも、本当に無事でよかった…おかえりなさい!」 中文:「歡迎回來,隊長!真是的……突然消失不見,你知道我們有多擔心嗎?……不過,你能平安無事真的太好了……歡迎回家!」 伊織順平(Junpei Iori) ​日文:「おかえりリーダー!待たせやがってこのやろ〜!頼れる我らがリーダー様が戻ってきたんだ、今日は朝までパーッと祝うぜっ!」 中文:「歡迎回來隊長!這傢伙居然讓我們等這麼久~!可靠的咱家隊長大人終於回來了,今天一定要嗨到早上好好慶祝一番才行啊!」 真田明彦(Akihiko Sanada) ​日文:「おかえり。お前が戻ってきてくれて、またこうして集まれたことが何より嬉しい。さあ、まずは特製ケーキでエネルギー補給だな。」 中文:「歡迎回來。你能回到這裡、大家能像這樣再次聚在一起,比什麼都值得高興。來吧,先用特製蛋糕好好補充能量吧。」 ​桐条美鶴(Mitsuru Kirijo) ​日文:「おかえり、リーダー。君の無事な帰還を、SEES全員を代表して心から歓迎しよう。今夜ばかりは特別だ、心ゆくまで楽しんでくれ。」 中文:「歡迎回來,隊長。我代表 SEES 全員,打從心底歡迎你的平安歸來。今晚情況特殊,就請你盡情享受吧。」 ​荒垣真次郎(Shinjiro Aragaki) ​日文:「…ほら、皿だ。生クリームが溶けねぇうちにさっさと食え。…お前のために作った特製ケーキだからな。」 中文:「……給,拿好盤子。趁鮮奶油還沒融化前趕快吃。……這可是專門為你做的特製蛋糕啊。」 ​汐見琴音/ハム子(Kotone Shiomi) 日文:「みんな、ただいま!またこうしてみんなの笑顔が見られて、私…本当に幸せだよ!ケーキ、いただきますっ♪」 ​中文:「大家,我回來了!能像這樣再次看到大家的笑容,我……真的覺得好幸福喔!蛋糕我開動囉♪」

Contest Entry
PixAI Tsubaki.3 Creation Contest Now Open#Tsubaki.3
#Persona 3#Kotone Shiomi#Shinjiro Aragaki#Mitsuru Kirijo#Junpei Iori#Persona#Yukari Takeba#Anniversary#Akihiko Sanada#Persona 3 Portable#PixAI 4th Anniversary One-Tap Recipe
More to See

Comments

Prompts on PixAI are public by default, but creators can hide them on any artwork they publish. The creator of this one chose to, so the words used to generate the image stay private — only they can see them. Hiding a prompt doesn't change anything else: the artwork is still public, and you can like, comment on and share it as usual.
Hidden by author

Model & LoRA used

Similar Images

Show more

Recommended Users

You might like

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬