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原始魔法(時間遡行)

離れた所にPKが使えるのはおかしい、と皆が思うところだろう。使ってみた感じはこうだ。転移魔法が発動し、移動した先で真空状態を作るPKが過去に遡って実行される。空間的には矛盾しない。時間的にはまあ……でも素粒子の世界にはよくある事だからな。そもそも物体を押し出すのはマクロPKだが、素粒子に干渉しているのはミクロPKだ。つまりミクロPKをエクステンドして物を動かしているわけで、この辺りが原始魔法初心者の私があからさまに高度なテレポーテーションを確信を持って使えた理由だろう。で、物を押し出せず真空状態を作れなかった場合、そもそも転移が成立しないから発動しないわけだな。原理的に。

#Denim#Choker#Short Hair#Hair ornament#solo#Blonde hair#Denim Shorts#Shorts#Jacket#blue eyes#Short shorts#Shirt#Girl#white shirt#Hood#hooded jacket#Tucked-in shirt#Hair Between Eyes
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An image illustrating the content explained by Mashimo Hashimoto. Draw Mashimo Hashimoto small and the conceptual image of the content large. Mashimo Hashimoto is a woman with blonde short bob hair, blue eyes, and tanned skin. She wears a choker with an octagonal ornament and an X-shaped hairpin on one side. She is wearing a tight white mini T-shirt with English lettering tucked into denim short shorts, with a pouch hanging from her belt, and a pastel blue long hoodie. The content is as follows: One of the questions people have when using teleportation is the "stone problem." After trying it once, it was determined that this concern is unfounded. The procedure for activating teleportation is as follows: First, wrap oneself in the power of PK. Since a few centimeters from the body's surface can be wrapped together, one does not end up born as natural skin like a certain future cyborg. Next, upon setting the target point and activating it, a vacuum state is created in the shape of the PK wrapping the person. This is created by pushing out the objects in that space with PK. In fact, a complete vacuum does not exist in this universe because, in the world of elementary particles, matter suddenly appears and disappears. However, magic creates that vacuum state and completes the teleportation like fitting a puzzle piece into place. ethereal_glowing, neon_trim, bright_backlight, high_light_and_showdow, high_contrast, strong_contrast, glimmering, bringing_light, harsh_light, intense_light, brilliant_light, ultra_bright, dazzling, flare, glowing_hair, detailed_light, cinematic_lighting, prism_ripple_hand, circular_light_ripple, ripple_from_hand, highly_detailed_lineart.
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橋下舞華が説明している内容を描画するイメージ画像。橋下舞華を小さく、内容のイメージを大きく描画する。 橋下舞華は金髪ショートボブに青い目で褐色肌の女性。八角形の飾り付きチョーカーに片側Xヘアピン。英字プリントの白いぴっちりミニTシャツをデニムのショートパンツにシャツインしている。ベルトにポーチを下げている。パステルブルーのロングパーカーを着ている。 内容は以下の通り。 テレポーテーションを使う時に持つ疑問の一つ。石の中問題。 一度使ってみた結果、この疑問は杞憂であると解決した。 テレポーテーションを発動する手順はこうだ。 まず、自分自身をPKの力で包み込む。この時、体表から数センチは一緒に包めるから、何処ぞの未来サイボーグの様にナチュラルスキンで生まれ落ちる事はないわけだ。 次に目標地点を定め発動すると、自分を包むPKの形通りに真空状態を生み出す。これはPKによってその空間の物体を押し出す事で作られる。実はこの宇宙に完全な真空というものは存在しない。素粒子の世界で物質は突然現れ、消えるからだ。しかし魔法はその真空状態を生み出し、そこにパズルを嵌め込む様に転移を完遂する訳だ。, ethereal_glowing,neon_trim,bright_backlight,high_light_and_showdow,high_contrast,strong_contrast,glimmering,bringing_light,harsh_light,intense_light,brilliant_light,ultra_bright,dazzling,flare,glowing_hair,detailed_light,cinematic_lighting, prism_ripple_hand, circular_light_ripple, ripple_from_hand,highly_detailed_lineart,
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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